Randy Shull

Painting | 2022

Randy Shull was born in Illinois in 1962. His early development was nurtured by his father, a master carpenter and furthered through rigid training as a furniture designer at Rochester Institute of Technology in Rochester NY, where Shull received a
BFA in 1986.

Shull’s work has evolved naturally over time from furniture to painting and to the creation of large projects on an architectural scale that embody the intersection of art, architecture and design. In 2010, he co-founded Pink Dog Creative, a redevelopment of a former warehouse into a mixed-use space with 20 artist studios, two restaurants and retail shops. In 2015 and 2016, he designed and fabricated the Black Mountain College Museum + Art Center in downtown Asheville, NC. He operates a warehouse-size studio in Asheville and part of the year works out of his mid-century home and studio in Merida, Mexico.

Size

48 x 38" 

Materials

Acrylic on woven hammock

Authenticity

Signed by the artist

Randy Shull

Painting | 2021

Randy Shull was born in Illinois in 1962. His early development was nurtured by his father, a master carpenter and furthered through rigid training as a furniture designer at Rochester Institute of Technology in Rochester NY, where Shull received a
BFA in 1986.

Shull’s work has evolved naturally over time from furniture to painting and to the creation of large projects on an architectural scale that embody the intersection of art, architecture and design. In 2010, he co-founded Pink Dog Creative, a redevelopment of a former warehouse into a mixed-use space with 20 artist studios, two restaurants and retail shops. In 2015 and 2016, he designed and fabricated the Black Mountain College Museum + Art Center in downtown Asheville, NC. He operates a warehouse-size studio in Asheville and part of the year works out of his mid-century home and studio in Merida, Mexico.

Size

20 1/2" x 18 1/2" 

Materials

Acrylic, corona beer bottle and hammock on wood panel

Authenticity

Signed by the artist

Randy Shull

Painting | 2021

Randy Shull was born in Illinois in 1962. His early development was nurtured by his father, a master carpenter and furthered through rigid training as a furniture designer at Rochester Institute of Technology in Rochester NY, where Shull received a
BFA in 1986.

Shull’s work has evolved naturally over time from furniture to painting and to the creation of large projects on an architectural scale that embody the intersection of art, architecture and design. In 2010, he co-founded Pink Dog Creative, a redevelopment of a former warehouse into a mixed-use space with 20 artist studios, two restaurants and retail shops. In 2015 and 2016, he designed and fabricated the Black Mountain College Museum + Art Center in downtown Asheville, NC. He operates a warehouse-size studio in Asheville and part of the year works out of his mid-century home and studio in Merida, Mexico.

Size

47 x 33" 

Materials

Acrylic and hammock on wood panel

Authenticity

Signed by the artist

Randy Shull

Painting | 2022

Randy Shull was born in Illinois in 1962. His early development was nurtured by his father, a master carpenter and furthered through rigid training as a furniture designer at Rochester Institute of Technology in Rochester NY, where Shull received a
BFA in 1986.

Shull’s work has evolved naturally over time from furniture to painting and to the creation of large projects on an architectural scale that embody the intersection of art, architecture and design. In 2010, he co-founded Pink Dog Creative, a redevelopment of a former warehouse into a mixed-use space with 20 artist studios, two restaurants and retail shops. In 2015 and 2016, he designed and fabricated the Black Mountain College Museum + Art Center in downtown Asheville, NC. He operates a warehouse-size studio in Asheville and part of the year works out of his mid-century home and studio in Merida, Mexico.

Size

18 x 60" 

Materials

Acrylic and hammock on wood panel

Authenticity

Signed by the artist

Randy Shull

Painting | 2022

Randy Shull was born in Illinois in 1962. His early development was nurtured by his father, a master carpenter and furthered through rigid training as a furniture designer at Rochester Institute of Technology in Rochester NY, where Shull received a
BFA in 1986.

Shull’s work has evolved naturally over time from furniture to painting and to the creation of large projects on an architectural scale that embody the intersection of art, architecture and design. In 2010, he co-founded Pink Dog Creative, a redevelopment of a former warehouse into a mixed-use space with 20 artist studios, two restaurants and retail shops. In 2015 and 2016, he designed and fabricated the Black Mountain College Museum + Art Center in downtown Asheville, NC. He operates a warehouse-size studio in Asheville and part of the year works out of his mid-century home and studio in Merida, Mexico.

Size

72 x 60" 

Materials

Acrylic and hammock on wood panel

Authenticity

Signed by the artist

Randy Shull

Painting | 2022

Randy Shull was born in Illinois in 1962. His early development was nurtured by his father, a master carpenter and furthered through rigid training as a furniture designer at Rochester Institute of Technology in Rochester NY, where Shull received a
BFA in 1986.

Shull’s work has evolved naturally over time from furniture to painting and to the creation of large projects on an architectural scale that embody the intersection of art, architecture and design. In 2010, he co-founded Pink Dog Creative, a redevelopment of a former warehouse into a mixed-use space with 20 artist studios, two restaurants and retail shops. In 2015 and 2016, he designed and fabricated the Black Mountain College Museum + Art Center in downtown Asheville, NC. He operates a warehouse-size studio in Asheville and part of the year works out of his mid-century home and studio in Merida, Mexico.

Size

72 x 60" 

Materials

Acrylic and hammock on wood panel

Authenticity

Signed by the artist

Randy Shull

Painting | 2022

Randy Shull was born in Illinois in 1962. His early development was nurtured by his father, a master carpenter and furthered through rigid training as a furniture designer at Rochester Institute of Technology in Rochester NY, where Shull received a
BFA in 1986.

Shull’s work has evolved naturally over time from furniture to painting and to the creation of large projects on an architectural scale that embody the intersection of art, architecture and design. In 2010, he co-founded Pink Dog Creative, a redevelopment of a former warehouse into a mixed-use space with 20 artist studios, two restaurants and retail shops. In 2015 and 2016, he designed and fabricated the Black Mountain College Museum + Art Center in downtown Asheville, NC. He operates a warehouse-size studio in Asheville and part of the year works out of his mid-century home and studio in Merida, Mexico.

Size

72 x 60" 

Materials

Acrylic and hammock on wood panel

Authenticity

Signed by the artist

Randy Shull

Painting | 2022

Randy Shull was born in Illinois in 1962. His early development was nurtured by his father, a master carpenter and furthered through rigid training as a furniture designer at Rochester Institute of Technology in Rochester NY, where Shull received a
BFA in 1986.

Shull’s work has evolved naturally over time from furniture to painting and to the creation of large projects on an architectural scale that embody the intersection of art, architecture and design. In 2010, he co-founded Pink Dog Creative, a redevelopment of a former warehouse into a mixed-use space with 20 artist studios, two restaurants and retail shops. In 2015 and 2016, he designed and fabricated the Black Mountain College Museum + Art Center in downtown Asheville, NC. He operates a warehouse-size studio in Asheville and part of the year works out of his mid-century home and studio in Merida, Mexico.

Size

48 x 36" 

Materials

Acrylic and hammock on wood panel

Authenticity

Signed by the artist

Bill Sullivan

Photography | 2022

I am a long time player — and fan — and have been working with visual elements that play with the spaces of art and tennis since 2007 when I first started photographing tennis courts on LCD screens. Since then I have worked with the court space to play with different aspects of abstraction using painting, printmaking, photography and sculpted forms. I first started using the court as a central element in the artist book format in 2013 with the book Forest Hills, and have since made the court oriented books The Glass Court and Courts & Covers. This year marks the release of The 2-book set COURT 1520-2020 : an investigation of court spaces over the last 500 years, that includes works by long time player and artist Charles Johnstone. The book functions as a lyrical journal, with images and text, traveling through the histories of the games of lawn tennis, court tennis, racquets, trinquet and squash over the past five hundred years.

In connection with COURT 1520-2020, which will have its U.S. release at this year’s Printed Matter Art Book Fair in October, I’m excited to present Open ‘22 a set of 4 prints in an edition of 25 inspired by this year’s U.S. Open.

For nearly two decades Bill Sullivan’s work has been part of a diverse program of artistic production ranging from photographic media, print making, painting, design, installation and book making. He is known for his tennis court related works, as well as his re-interpretations of image archives of various genres. Much of his work has centered on the creation of unique photo and digital based image surfaces. Sullivan has worked closely with the publisher S U N to produce a series of image-based books structured as something between graphic novels and catalogs. These books include the internationally acclaimed Forest Hills (2014) a book that follows the 20th century history of tennis and art confusing and conflating their stories to create a new kind of visual history. Sullivan has produced at least a book each year since 2014 including The Black Panther Coloring Book {with Corey Presha} (2014), Reckless Spring (2015), Letters of People (2016), Permanent Fun (2017), Pure Country (2018), Self Portraits with Mirrors (2019), and Major Force Vol 1: 2007-2011(2020). Sullivan was awarded a 2021 Guggenheim Fellowship for photography. His work has been exhibited internationally and is part of major collections including The ICP, The Met, and MOMA. He currently lives and works in New York City.

Size

23 x 16.3" each (print size)
24 1/8 x 17 3/8" each (frame size)
Set of 4 

Framing

Each print is hinged to acid-free board, fit with spacers and framed in a slender white metal frame with acrylic.

Materials

Archival Indigo print on Mohawk heavyweight fine art paper

Edition of 25

Authenticity

Signed and numbered by the artist

BA Thomas

Painting | 2022

BA Thomas creates paintings of interiors that explore the relationship between space, time, and human experience. Her conceptually layered work encompasses ideas surrounding domesticity, psychology and the pervading and historical trope of the memento mori. However, at the heart of Thomas' painting practice is an exploration of space and perspective, which, in the process of being distorted, flattened and manipulated, begins to "break apart and behave irrationally".

Size

20 x 20" - Framed

Materials

Oil and acrylic on canvas

Authenticity

Hand signed by the artist

BA Thomas

Painting | 2022

BA Thomas creates paintings of interiors that explore the relationship between space, time, and human experience. Her conceptually layered work encompasses ideas surrounding domesticity, psychology and the pervading and historical trope of the memento mori. However, at the heart of Thomas' painting practice is an exploration of space and perspective, which, in the process of being distorted, flattened and manipulated, begins to "break apart and behave irrationally".

Size

24 x 24" - Framed

Materials

Oil and acrylic on canvas 

Authenticity

Hand signed by the artist

BA Thomas

Painting | 2022

BA Thomas creates paintings of interiors that explore the relationship between space, time, and human experience. Her conceptually layered work encompasses ideas surrounding domesticity, psychology and the pervading and historical trope of the memento mori. However, at the heart of Thomas' painting practice is an exploration of space and perspective, which, in the process of being distorted, flattened and manipulated, begins to "break apart and behave irrationally".

Size

18 x 24" - Framed

Materials

Oil and acrylic on panel

Authenticity

Hand signed by the artist

Jason Mitcham

Painting | 2021

 
For the body of work being offered here on Artsuite, Jason Mitcham uses the visual language of land use and mapping to explore moments of transition in the landscape. Survey flagging and other elements foreshadow imminent development, while depictions of maps become pictorial devices that interrupt the image as seen from eye-level. The maps illustrated in these paintings were created by Mitcham’s father’s civil engineering and land surveying firm, an autobiographical dimension that complicates their utilitarian purpose. Heightening this further, Mitcham surveyed many of the sites himself. This work layers competing representations of the landscape - the aerial objectivity of the map is at odds with the observed subjectivity that’s presented from the ground level. Ultimately, these competing modes force us to consider the landscapes around us, and question the social ramifications of their use and development.

Size

9 x 11" 

Materials

Gouache and ink print on paper

Authenticity

Hand signed by the artist

Jason Mitcham

Painting | 2022

 
For the body of work being offered here on Artsuite, Jason Mitcham uses the visual language of land use and mapping to explore moments of transition in the landscape. Survey flagging and other elements foreshadow imminent development, while depictions of maps become pictorial devices that interrupt the image as seen from eye-level. The maps illustrated in these paintings were created by Mitcham’s father’s civil engineering and land surveying firm, an autobiographical dimension that complicates their utilitarian purpose. Heightening this further, Mitcham surveyed many of the sites himself. This work layers competing representations of the landscape - the aerial objectivity of the map is at odds with the observed subjectivity that’s presented from the ground level. Ultimately, these competing modes force us to consider the landscapes around us, and question the social ramifications of their use and development.

Size

25 x 36" 

Materials

Acrylic and mylar on canvas

Authenticity

Hand signed by the artist

Jason Mitcham

Painting | 2021

 
For the body of work being offered here on Artsuite, Jason Mitcham uses the visual language of land use and mapping to explore moments of transition in the landscape. Survey flagging and other elements foreshadow imminent development, while depictions of maps become pictorial devices that interrupt the image as seen from eye-level. The maps illustrated in these paintings were created by Mitcham’s father’s civil engineering and land surveying firm, an autobiographical dimension that complicates their utilitarian purpose. Heightening this further, Mitcham surveyed many of the sites himself. This work layers competing representations of the landscape - the aerial objectivity of the map is at odds with the observed subjectivity that’s presented from the ground level. Ultimately, these competing modes force us to consider the landscapes around us, and question the social ramifications of their use and development.

Size

56 x 84" 

Materials

Acrylic on canvas

Authenticity

Hand signed by the artist

Nils Ericson, American (b. 1977)

Nils Ericson's photographs are largely documentary and based on his perceptions of athleticism and physicality, the end result tending towards nature and the beast.

Born in Des Moines, Iowa, Nils has always been drawn to sports and has worked on projects for Nike, ESPN, Puma, Adidas, Victory Journal, and more.  An avid athlete and longtime college basketball fan, the six basketball goal photographs offered are born out of his love for the game.

Nils received his B.A. from Dartmouth College in Hanover, New Hampshire and earned his M.F.A. from the Rhode Island School of Design. Nils and his wife Regina, who together run Creators Management, split their time between New York, Oregon and Iowa alongside their children Emmet and Faye, and dogs Pearl, Edith, and Nellie.

For more on Nils' work, visit his site at www.nilsericson.com

Size

24" x 16" - Unframed

Materials

Photograph

Authenticity

Edition of 5. Signed by the artist.

Nils Ericson, American (b. 1977)

Nils Ericson's photographs are largely documentary and based on his perceptions of athleticism and physicality, the end result tending towards nature and the beast.

Born in Des Moines, Iowa, Nils has always been drawn to sports and has worked on projects for Nike, ESPN, Puma, Adidas, Victory Journal, and more.  An avid athlete and longtime college basketball fan, the six basketball goal photographs offered are born out of his love for the game.

Nils received his B.A. from Dartmouth College in Hanover, New Hampshire and earned his M.F.A. from the Rhode Island School of Design. Nils and his wife Regina, who together run Creators Management, split their time between New York, Oregon and Iowa alongside their children Emmet and Faye, and dogs Pearl, Edith, and Nellie.

For more on Nils' work, visit his site at www.nilsericson.com

Size

24" x 16" - Unframed

Materials

Photograph

Authenticity

Edition of 5. Signed by the artist.

Nils Ericson, American (b. 1977)

Nils Ericson's photographs are largely documentary and based on his perceptions of athleticism and physicality, the end result tending towards nature and the beast.

Born in Des Moines, Iowa, Nils has always been drawn to sports and has worked on projects for Nike, ESPN, Puma, Adidas, Victory Journal, and more.  An avid athlete and longtime college basketball fan, the six basketball goal photographs offered are born out of his love for the game.

Nils received his B.A. from Dartmouth College in Hanover, New Hampshire and earned his M.F.A. from the Rhode Island School of Design. Nils and his wife Regina, who together run Creators Management, split their time between New York, Oregon and Iowa alongside their children Emmet and Faye, and dogs Pearl, Edith, and Nellie.

For more on Nils' work, visit his site at www.nilsericson.com

Size

24" x 16" - Unframed

Materials

Photograph

Authenticity

Edition of 5. Signed by the artist.

Nils Ericson, American (b. 1977)

Nils Ericson's photographs are largely documentary and based on his perceptions of athleticism and physicality, the end result tending towards nature and the beast.

Born in Des Moines, Iowa, Nils has always been drawn to sports and has worked on projects for Nike, ESPN, Puma, Adidas, Victory Journal, and more.  An avid athlete and longtime college basketball fan, the six basketball goal photographs offered are born out of his love for the game.

Nils received his B.A. from Dartmouth College in Hanover, New Hampshire and earned his M.F.A. from the Rhode Island School of Design. Nils and his wife Regina, who together run Creators Management, split their time between New York, Oregon and Iowa alongside their children Emmet and Faye, and dogs Pearl, Edith, and Nellie.

For more on Nils' work, visit his site at www.nilsericson.com

Size

24" x 16" - Unframed

Materials

Photograph

Authenticity

Edition of 5. Signed by the artist.

MICHAEL PERRY

Painting | 2020

As a visual artist and chef, Michael Perry is constantly emerging and re-emerging. Being self taught in both fields has presented both freedoms to explore and obstacles to overcome.

The series of work being presented by Artsuite is based on a pointillist and primitive style. Perry has always been fascinated by the painted, copal wood carvings of Oaxaca (Alebrije) and the intricate bead and thread work of the Huichol tribes in Mexico. Growing up in the Navajo and Hopi region of the southwest he took inspiration from the intricate mandalas of the sand paintings - the sand being nature's pointillist tool.

Size

48 x 48 inches 

Materials

Acrylic on canvas

Authenticity

Hand signed by the artist

MICHAEL PERRY

Painting | 2020

As a visual artist and chef, Michael Perry is constantly emerging and re-emerging. Being self taught in both fields has presented both freedoms to explore and obstacles to overcome.

The series of work being presented by Artsuite is based on a pointillist and primitive style. Perry has always been fascinated by the painted, copal wood carvings of Oaxaca (Alebrije) and the intricate bead and thread work of the Huichol tribes in Mexico. Growing up in the Navajo and Hopi region of the southwest he took inspiration from the intricate mandalas of the sand paintings - the sand being nature's pointillist tool.

Size

48 x 48 inches 

Materials

Acrylic on canvas

Authenticity

Hand signed by the artist

MICHAEL PERRY

Painting | 2021 

As a visual artist and chef, Michael Perry is constantly emerging and re-emerging. Being self taught in both fields has presented both freedoms to explore and obstacles to overcome.

The series of work being presented by Artsuite is based on a pointillist and primitive style. Perry has always been fascinated by the painted, copal wood carvings of Oaxaca (Alebrije) and the intricate bead and thread work of the Huichol tribes in Mexico. Growing up in the Navajo and Hopi region of the southwest he took inspiration from the intricate mandalas of the sand paintings - the sand being nature's pointillist tool.

Size

48 x 48 inches 

Materials

Acrylic on canvas

Authenticity

Hand signed by the artist

SARAH EMERSON

Print | 2022 

Sarah Emerson's paintings, prints and installations present viewers with highly stylized versions of nature that combine geometric patterns and symbolic archetypes to examine our cultural landscape. In her compositions, she distorts the physical laws that govern the real world because concepts like gravity, inertia, and locality do not govern our emotional perspective of the world. Emerson does not try to replicate nature or real space, instead she uses the familiar genre of landscape to explore the collective events and conditions that define our cultural landscape. In her career, she has worked on multiple painting series' and site-specific projects that use the ‘flatness’ of painting to explore themes that reflect on the fragility of life, the futility of earthly pleasures, and the disintegration of our natural landscape. As it is presented, painting can flatten events in time, space, and memory onto one picture plane allowing room for a reconciliation of otherwise incompatible states of being.

Size

18 x 18 inches (image size)
20.25" 20.25" (paper size)

Materials

4-color screen print on Arnhem 1618 paper. Printed by Bill Fick.
Hand Embellishments painted by artist with acrylic.

Standard Version: Edition of 25
Hand Embellished Version: Edition of 10

Authenticity

Hand signed and numbered by the artist

MATHEW CURRAN

Drawing | 2021

Curran’s practice merges his formal training in printmaking and graphic design with methods honed through countless hours spent tagging, pasting, and stenciling graffiti in public spaces. The transition from pure street art to a dedicated studio practice has afforded Curran a substantial connection to his process and a broader visual language with which to work. Curran’s body of work creates a contemporary narrative of the relationship between the natural and the manmade. The viewer is invited to reflect on the ability of imagery to create sacred space in our everyday lives.  

Size

30 x 22 inches - Framed

Materials

India ink on Arches Hot Press paper

Authenticity

Hand signed by the artist

MATHEW CURRAN

Drawing | 2021

Curran’s practice merges his formal training in printmaking and graphic design with methods honed through countless hours spent tagging, pasting, and stenciling graffiti in public spaces. The transition from pure street art to a dedicated studio practice has afforded Curran a substantial connection to his process and a broader visual language with which to work. Curran’s body of work creates a contemporary narrative of the relationship between the natural and the manmade. The viewer is invited to reflect on the ability of imagery to create sacred space in our everyday lives.  

Size

30 x 22 inches - Framed

Materials

India ink on Arches Hot Press paper

Authenticity

Hand signed by the artist

MATHEW CURRAN

Drawing | 2021

Curran’s practice merges his formal training in printmaking and graphic design with methods honed through countless hours spent tagging, pasting, and stenciling graffiti in public spaces. The transition from pure street art to a dedicated studio practice has afforded Curran a substantial connection to his process and a broader visual language with which to work. Curran’s body of work creates a contemporary narrative of the relationship between the natural and the manmade. The viewer is invited to reflect on the ability of imagery to create sacred space in our everyday lives.  

Size

30 x 22 inches - Framed

Materials

India ink on Arches Hot Press paper

Authenticity

Hand signed by the artist

MATHEW CURRAN

Drawing | 2021

Curran’s practice merges his formal training in printmaking and graphic design with methods honed through countless hours spent tagging, pasting, and stenciling graffiti in public spaces. The transition from pure street art to a dedicated studio practice has afforded Curran a substantial connection to his process and a broader visual language with which to work. Curran’s body of work creates a contemporary narrative of the relationship between the natural and the manmade. The viewer is invited to reflect on the ability of imagery to create sacred space in our everyday lives.  

Size

30 x 22 inches - Framed

Materials

India ink on Arches Hot Press paper

Authenticity

Hand signed by the artist

Peter Glenn Oakley 

Sculpture | 2021

"The simple vessel is one of the first objects humans ever made with their hands. It is a very ancient image for us.

As generic and invisible as styrofoam takeout boxes are, there is a formal beauty in the surfaces of these vessels, and a subtle architecture in their lines.

As we interact with them, stacking them, etc, we create ever newer iterations of this architecture, new happenstance compositions that beg to be appreciated. There is a quiet and pure flow of line and surface, which somehow stays out of sight.

My work in this series is to simply show that beauty. I work by hand in natural materials to translate the image I see."

- Peter Oakley

Size

7 3/4 x 9 1/2 x 5 1/2"

Materials

Marble

Authenticity

Hand signed by the artist

David Molesky

Painting | 2019

 
David Molesky makes paintings of humans experiencing deep harmony.

He brings a contemporary twist to the tradition of figurative painting by remixing elements from post-impressionist drawing with Flemish oil techniques and baroque composition.

Through the exposure of the various layers of his process— even down to raw linen — the paintings engage the viewer to fill in the gaps. 

The visual result reinforces his philosophical and psychological aim to depict people in a relaxed yet elevated state of oneness with their environments.

Size

30 x 36" - Unframed

Materials

Oil on linen

Authenticity

Hand signed by the artist

David Molesky

Painting | 2021

 
David Molesky makes paintings of humans experiencing deep harmony.

He brings a contemporary twist to the tradition of figurative painting by remixing elements from post-impressionist drawing with Flemish oil techniques and baroque composition.

Through the exposure of the various layers of his process— even down to raw linen — the paintings engage the viewer to fill in the gaps. 

The visual result reinforces his philosophical and psychological aim to depict people in a relaxed yet elevated state of oneness with their environments.

Size

47 x 70" - Framed

Materials

Oil on linen

Authenticity

Hand signed by the artist

Ben Alper

Photography | 2014

Taken from the term coined by Catalan architect and historian Ignasi de Sola-Morales, 'terrain vague' sites are those that foreground the process of construction and deconstruction and underscore the ambiguous transition from one state of “being” to another.  As a result, these spaces evoke a strong sense of being in between histories, function and time.  This also activates them to explore a number of seemingly diametric relationships – those between presence and absence, inscription and erasure, preservation and ruination and appearance and disappearance. 

At its most elemental, this work is an examination of space – both physical and psychic.  Our experience of the world is dictated by a few fundamental and interacting spatial and perceptual operations.  It is through these processes that we arbitrate the physical world we encounter everyday.  The brain filters and reconstructs what we see to make it coherent and orienting.  By destabilizing spatial associations within the photograph, I hope to broaden the exploration of space – acknowledging it both as a corporeal experience and a mental construct.  It is this duality, between the physical and the cognitive, that I am attempting to call attention to in this work.

Size

40 x 26 2/3" - Framed  

Materials

Pigment print

Edition of 3

Authenticity

Signed by the artist

Ben Alper

Photography | 2014

Taken from the term coined by Catalan architect and historian Ignasi de Sola-Morales, 'terrain vague' sites are those that foreground the process of construction and deconstruction and underscore the ambiguous transition from one state of “being” to another.  As a result, these spaces evoke a strong sense of being in between histories, function and time.  This also activates them to explore a number of seemingly diametric relationships – those between presence and absence, inscription and erasure, preservation and ruination and appearance and disappearance. 

At its most elemental, this work is an examination of space – both physical and psychic.  Our experience of the world is dictated by a few fundamental and interacting spatial and perceptual operations.  It is through these processes that we arbitrate the physical world we encounter everyday.  The brain filters and reconstructs what we see to make it coherent and orienting.  By destabilizing spatial associations within the photograph, I hope to broaden the exploration of space – acknowledging it both as a corporeal experience and a mental construct.  It is this duality, between the physical and the cognitive, that I am attempting to call attention to in this work.

Size

40 x 26 2/3" - Framed  

Materials

Pigment print

Edition of 3

Authenticity

Signed by the artist

BA Thomas

Mixed Media | 2021

BA Thomas creates paintings exploring the relationship between space, time, and the human experience. While predominantly an oil painter, her artistic practice also envelops aspects of writing, drawing, and collage. She questions traditional social constructs of spaces, the behavioral choices inferred from movement or objects, the meaning behind possessions, and ultimately, what humans leave behind.

Size

24 x 36" - Unframed

Materials

Collage and oil on canvas

Authenticity

Hand signed by the artist

BA Thomas

Mixed Media | 2021

BA Thomas creates paintings exploring the relationship between space, time, and the human experience. While predominantly an oil painter, her artistic practice also envelops aspects of writing, drawing, and collage. She questions traditional social constructs of spaces, the behavioral choices inferred from movement or objects, the meaning behind possessions, and ultimately, what humans leave behind.

Size

30 x 30" - Unframed

Materials

Oil and acrylic on canvas

Authenticity

Hand signed by the artist

BA Thomas

Mixed Media | 2021

BA Thomas creates paintings exploring the relationship between space, time, and the human experience. While predominantly an oil painter, her artistic practice also envelops aspects of writing, drawing, and collage. She questions traditional social constructs of spaces, the behavioral choices inferred from movement or objects, the meaning behind possessions, and ultimately, what humans leave behind.

Size

40 x 54" - Unframed

Materials

Collage and oil on canvas

Authenticity

Hand signed by the artist

LORI COZEN-GELLER

Wall Sculpture | 2021

Drawing from the Minimalist tradition, Lori Cozen-Geller makes sculptural works in a paired down formal vocabulary. Although she diverges from her predecessors, looking beyond the purely physical materiality and optical experience of the sculpture to symbolic and iconographic territory. 

Size

48 x 48 x 4" 

Materials

Ferrari Yellow high Gloss Automotive Paint on Wood and Laminate

TIM LYTVINENKO

Unique Photographic Monoprint | 2021

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

10 x 8 inches - Unframed

Materials

Photo transfer on archival photo paper

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Unique Photographic Monoprint | 2020

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

14 x 11 inches - Unframed

Materials

Photo transfer on archival photo paper

Authenticity

Hand signed by the artist

MATHEW CURRAN

Work on Paper | 2021

Curran’s practice merges his formal training in printmaking and graphic design with methods honed through countless hours spent tagging, pasting, and stenciling graffiti in public spaces. The transition from pure street art to a dedicated studio practice has afforded Curran a substantial connection to his process and a broader visual language with which to work. Curran’s body of work creates a contemporary narrative of the relationship between the natural and the manmade. The viewer is invited to reflect on the ability of imagery to create sacred space in our everyday lives.  

Size

20 x 16 inches - Framed

Materials

Cut paper & spray paint

Authenticity

Hand signed by the artist

LEIGH SUGGS

Painting | 2021

Suggs channels her fascination with the mystery and psychology of sight through cut paper works and large-scale installations. She obscures normal perception, manipulating her materials as if optical illusions.  The intangible and inexpressible optical illusions created in each piece lure in the viewer, pulling them into an experience of seeing that is at once immediate and elusive.

Size

19 x 25 inches - Framed

Materials

Handcut, Acrylic on Yupo

Authenticity

Hand signed by the artist

LEIGH SUGGS

Painting | 2021

Suggs channels her fascination with the mystery and psychology of sight through cut paper works and large-scale installations. She obscures normal perception, manipulating her materials as if optical illusions.  The intangible and inexpressible optical illusions created in each piece lure in the viewer, pulling them into an experience of seeing that is at once immediate and elusive.

Size

11 x 11 inches - Framed

Materials

Hand-cut Acrylic on Yupo

Authenticity

Hand signed by the artist

MARTHA CLIPPINGER

Textile | 2020

Through the support of a Fulbright grant, Martha Clippinger spent 2014 studying the Indigenous textile traditions of Oaxaca, Mexico. There she met weavers Licha González Ruiz and Agustín Contreras López of Teotitlán del Valle, a Zapotec village renowned for its woolen tapetes (Spanish for “rugs”) that are woven on upright pedal looms. The couple agreed to translate one of her designs into wool, and they’ve been working together ever since.

Size

50 1/2 x 32 inches 

Materials

Hand dyed wool, woven by Licha González Ruiz

MARTHA CLIPPINGER

Textile | 2014

Through the support of a Fulbright grant, Martha Clippinger spent 2014 studying the Indigenous textile traditions of Oaxaca, Mexico. There she met weavers Licha González Ruiz and Agustín Contreras López of Teotitlán del Valle, a Zapotec village renowned for its woolen tapetes (Spanish for “rugs”) that are woven on upright pedal looms. The couple agreed to translate one of her designs into wool, and they’ve been working together ever since.

Size

70 x 24 inches 

Materials

Hand dyed wool, woven by Agustín Contreras López and Licha González Ruiz

MARTHA CLIPPINGER

Textile | 2017

Through the support of a Fulbright grant, Martha Clippinger spent 2014 studying the Indigenous textile traditions of Oaxaca, Mexico. There she met weavers Licha González Ruiz and Agustín Contreras López of Teotitlán del Valle, a Zapotec village renowned for its woolen tapetes (Spanish for “rugs”) that are woven on upright pedal looms. The couple agreed to translate one of her designs into wool, and they’ve been working together ever since.

Size

79 x 51 inches 

Materials

Hand dyed wool, woven by Agustín Contreras López and Licha González Ruiz

BEVERLY MCIVER

Painting | 2019 

Named Top Ten in Painting by Art News, McIver’s autobiographical paintings are richly colorful and chronicle her life struggle with her African-American identity. When Covid hit, along with all of 2020’s racial and political turbulence, McIver faced the chaos and isolation the only way she knew how-through paint. Through a series of self-portraits and paintings of family and friends, McIver confronted her feelings and fears. Her voice in these works is loud, unapologetic, brave and bold and the different interpretations by white and black viewers highlights the collision of the worlds that she straddles daily.

Size

20 x 20 inches

Materials

Oil on Canvas

Authenticity

Hand signed by the artist

Joy Drury Cox

Drawing | 2020

Prone carries the weight of physical pain—immovable, exhausted—often following a substantial expression of energy. Plumb, on the other hand is upright, energetic—though ultimately enervating. In this series of drawings, Joy Drury Cox represents this pair of semantic antipodes as palindromic conceptual drawings, exercising what the artist terms "line dialectics." Cox's interdisciplinary artistic practice includes drawing, artist's books, texts, and photography. Her works consider mapping, making, measuring, and marking and their variables roles in the politics of labor and the structures of everyday life.

Size

17" x 14" unframed / 18” x 15” framed

Materials

Ink and graphite on paper

Authenticity

Hand signed by the artist

Joy Drury Cox

Drawing | 2020

Prone carries the weight of physical pain—immovable, exhausted—often following a substantial expression of energy. Plumb, on the other hand is upright, energetic—though ultimately enervating. In this series of drawings, Joy Drury Cox represents this pair of semantic antipodes as palindromic conceptual drawings, exercising what the artist terms "line dialectics." Cox's interdisciplinary artistic practice includes drawing, artist's books, texts, and photography. Her works consider mapping, making, measuring, and marking and their variables roles in the politics of labor and the structures of everyday life.

Size

17" x 14" unframed / 18” x 15” framed

Materials

Ink and graphite on paper

Authenticity

Hand signed by the artist

BRANDON DUDLEY

Painting | 2021

Through his portraits, Dudley strives to construct empowering representations of black culture and black history.  His art becomes a source of education, as he shows appreciation for a culture that is negatively perceived. 

Size

36 x 24 inches - Unframed

Materials

Oil on canvas

Authenticity

Hand signed by the artist

Ben Alper

Photography | 2019

Ben Alper's series "Conflation" is a series of digital composites that originate from multiple images of the same object or space. Depicting marginal or derelict urban sites, the pictures represent a patchwork of decisions made behind the camera. While these pieces upend traditional notions of the singular photographic trace, they nevertheless constitute a series of imprints.  They attempt to synthesize redundant, often ordinary photographs into something transcendent.  By layering, erasing and cutting away to reveal information below, these hybrid works vacillate between presence and absence and construction and deconstruction. Stepping away from the medium’s subtractive character, the pieces in “Conflation” turn toward an additive approach to image-construction.  However, with each accumulated layer, a new kind of collapse occurs.  The result is a formal and conceptual flattening, a tangle of images still tethered to their source, but fundamentally changed.

Size

24 x 16" - Unframed 

Materials

Pigment print

Edition of 3

Authenticity

Signed by the artist

Ben Alper

Photography | 2019

Ben Alper's series "Conflation" is a series of digital composites that originate from multiple images of the same object or space. Depicting marginal or derelict urban sites, the pictures represent a patchwork of decisions made behind the camera. While these pieces upend traditional notions of the singular photographic trace, they nevertheless constitute a series of imprints.  They attempt to synthesize redundant, often ordinary photographs into something transcendent.  By layering, erasing and cutting away to reveal information below, these hybrid works vacillate between presence and absence and construction and deconstruction. Stepping away from the medium’s subtractive character, the pieces in “Conflation” turn toward an additive approach to image-construction.  However, with each accumulated layer, a new kind of collapse occurs.  The result is a formal and conceptual flattening, a tangle of images still tethered to their source, but fundamentally changed.

Size

24 x 16" - Unframed 

Materials

Pigment print

Edition of 3

Authenticity

Signed by the artist

Ben Alper

Photography | 2020

Ben Alper's series "Conflation" is a series of digital composites that originate from multiple images of the same object or space. Depicting marginal or derelict urban sites, the pictures represent a patchwork of decisions made behind the camera. While these pieces upend traditional notions of the singular photographic trace, they nevertheless constitute a series of imprints.  They attempt to synthesize redundant, often ordinary photographs into something transcendent.  By layering, erasing and cutting away to reveal information below, these hybrid works vacillate between presence and absence and construction and deconstruction. Stepping away from the medium’s subtractive character, the pieces in “Conflation” turn toward an additive approach to image-construction.  However, with each accumulated layer, a new kind of collapse occurs.  The result is a formal and conceptual flattening, a tangle of images still tethered to their source, but fundamentally changed.

Size

24 x 16" - Unframed 

Materials

Pigment print

Edition of 3

Authenticity

Signed by the artist

JIM LEE

Photography | 2018

 
Jim Lee is a multi-dimensional, self-taught artist whose work is heavily influenced by his love of nature, science, psychology, and technology. Working with cameras, scanners, lighting and collections of found and fabricated objects, Lee creates photographic images that range from the darkly mysterious and figurative to the elegantly simple and abstract. One rarely leaves one of Lee’s pieces without some question and that is exactly what he wants. His work has been featured in numerous solo and group exhibitions and can be found in collections at American Tobacco Campus, Andrew Young Enterprises, Cassilhaus, and Duke University Medical Center.

Size

21 x 17 inches - Framed

Materials

Archival pigment print mounted to acid-free board

Authenticity

Hand signed by the artist

JIM LEE

Photography | 2018

 
Jim Lee is a multi-dimensional, self-taught artist whose work is heavily influenced by his love of nature, science, psychology, and technology. Working with cameras, scanners, lighting and collections of found and fabricated objects, Lee creates photographic images that range from the darkly mysterious and figurative to the elegantly simple and abstract. One rarely leaves one of Lee’s pieces without some question and that is exactly what he wants. His work has been featured in numerous solo and group exhibitions and can be found in collections at American Tobacco Campus, Andrew Young Enterprises, Cassilhaus, and Duke University Medical Center.

Size

21 x 17 inches - Framed

Materials

Archival pigment print mounted to acid-free board

Authenticity

Hand signed by the artist

LEAH SOBSEY

Photographic Print | 2020

 
Leah Sobsey's series Lumen Love, made during the pandemic on daily walks in Duke Forest, is a poetic examination of light and the natural world. These Antholumen photograms were created with expired silver gelatin paper, exposed to the sun, and coated with a mix of natural plant materials as a way to alter the color and explore alchemy. Utilizing historical, scientific and artistic lenses, Sobsey aims to understand the connection to plant and animal loss as one indication of the larger climatological perils we face as a species. 

Size

10 x 8 inches - Unframed

Materials

Original antholumen on silver gelatin fiber paper printed on velvet fine art paper

Authenticity

Hand signed by the artist

LEAH SOBSEY

Photographic Print | 2020

 
Leah Sobsey's series Lumen Love, made during the pandemic on daily walks in Duke Forest, is a poetic examination of light and the natural world. These Antholumen photograms were created with expired silver gelatin paper, exposed to the sun, and coated with a mix of natural plant materials as a way to alter the color and explore alchemy. Utilizing historical, scientific and artistic lenses, Sobsey aims to understand the connection to plant and animal loss as one indication of the larger climatological perils we face as a species. 

Size

10 x 8 inches - Unframed

Materials

Original antholumen on silver gelatin fiber paper printed on velvet fine art paper

Authenticity

Hand signed by the artist

SARAH EMERSON

Painting | 2017

Sarah Emerson's paintings and installations present viewers with highly stylized versions of nature that combine geometric patterns and symbolic archetypes to examine our cultural landscape. In her compositions, she distorts the physical laws that govern the real world because concepts like gravity, inertia, and locality do not govern our emotional perspective of the world. Emerson does not try to replicate nature or real space, instead she uses the familiar genre of landscape to explore the collective events and conditions that define our cultural landscape. In her career, she has worked on multiple painting series' and site-specific projects that use the ‘flatness’ of painting to explore themes that reflect on the fragility of life, the futility of earthly pleasures, and the disintegration of our natural landscape. As it is presented, painting can flatten events in time, space, and memory onto one picture plane allowing room for a reconciliation of otherwise incompatible states of being.

Size

36 x 36 inches 

Materials

Acrylic and rhinestones on canvas

Authenticity

Hand signed by the artist

SARAH EMERSON

Painting | 2019

Sarah Emerson's paintings and installations present viewers with highly stylized versions of nature that combine geometric patterns and symbolic archetypes to examine our cultural landscape. In her compositions, she distorts the physical laws that govern the real world because concepts like gravity, inertia, and locality do not govern our emotional perspective of the world. Emerson does not try to replicate nature or real space, instead she uses the familiar genre of landscape to explore the collective events and conditions that define our cultural landscape. In her career, she has worked on multiple painting series' and site-specific projects that use the ‘flatness’ of painting to explore themes that reflect on the fragility of life, the futility of earthly pleasures, and the disintegration of our natural landscape. As it is presented, painting can flatten events in time, space, and memory onto one picture plane allowing room for a reconciliation of otherwise incompatible states of being.

Size

36 x 36 inches 

Materials

Acrylic and rhinestones on canvas

Authenticity

Hand signed by the artist

Yuko Nogami Taylor

Painting | 2021

Yuko Nogami Taylor is a painter who thoughtfully fuses Eastern and Western painting traditions. Drawing from both her Japanese upbringing and her experiences in the Southeastern United States over the past 30 years, Nogami Taylor's work is a beautiful collision of cultures and techniques, a celebration of our shared humanity. Employing Nihonga techniques, a general term for traditional Japanese painting, her slow and meticulous process exhibits a reverence for craft, materiality and heritage, while simultaneously oscillating between abstraction and representation.

Size

36 x 60" 

Materials

Dried and cured oyster shell pigment, sumi ink and nikawa medium on kozo mulberry paper

Authenticity

Signed by the artist

Dean Allison

Sculpture | 2020

Allison loves details and realism and the focus of his work is on figurative sculpture and portraiture with glass. His Lunch Bag series was designed to be something that was unique but still consistent with his line, each one becoming a little different from the previous. A complement to his practice, these sculptures are meant to be something mundane that could be found around the house and even considered in still life or used as a vase.  Each piece is one of a kind and slight variations from the photo may occur.

Size

11” Height x 6” Width x 5” Depth

Materials

Glass

Authenticity

Hand signed by the artist

Dean Allison

Sculpture | 2020

Allison loves details and realism and the focus of his work is on figurative sculpture and portraiture with glass. His Lunch Bag series was designed to be something that was unique but still consistent with his line, each one becoming a little different from the previous. A complement to his practice, these sculptures are meant to be something mundane that could be found around the house and even considered in still life or used as a vase.

Each piece is one of a kind and slight variations from the photo may occur.

Size

11” Height x 6” Width x 5” Depth

Materials

Glass

Authenticity

Hand signed by the artist

Dean Allison

Sculpture | 2020

Allison loves details and realism and the focus of his work is on figurative sculpture and portraiture with glass. His Lunch Bag series was designed to be something that was unique but still consistent with his line, each one becoming a little different from the previous. A complement to his practice, these sculptures are meant to be something mundane that could be found around the house and even considered in still life or used as a vase.

Each piece is one of a kind and slight variations from the photo may occur.

Size

11” Height x 6” Width x 5” Depth

Materials

Glass

Authenticity

Hand signed by the artist

Dean Allison

Sculpture | 2020

Allison loves details and realism and the focus of his work is on figurative sculpture and portraiture with glass. His Lunch Bag series was designed to be something that was unique but still consistent with his line, each one becoming a little different from the previous. A complement to his practice, these sculptures are meant to be something mundane that could be found around the house and even considered in still life or used as a vase.

Each piece is one of a kind and slight variations from the photo may occur.

Size

11” Height x 6” Width x 5” Depth

Materials

Glass

Authenticity

Hand signed by the artist

SHAUN RICHARDS

Mixed Media | 2020

Richards’ work has broadly focused on incentives, socio-economic issues, and political matters for the better part of a decade. He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society. He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

68 x 96 inches - Unframed

Materials

Oil and mixed media on canvas

Authenticity

Hand signed by the artist

SHAUN RICHARDS

Painting | 2020

Richards’ work has broadly focused on incentives, socio-economic issues, and political matters for the better part of a decade. He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society. He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

36 x 24 inches - Unframed

Materials

Oil on mylar

Authenticity

Hand signed by the artist

SHAUN RICHARDS

Painting | 2020

Richards’ work has broadly focused on incentives, socio-economic issues, and political matters for the better part of a decade. He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society. He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

36 x 24 inches - Unframed

Materials

Oil on mylar

Authenticity

Hand signed by the artist

SHAUN RICHARDS

Painting | 2020

Richards’ work has broadly focused on incentives, socio-economic issues, and political matters for the better part of a decade. He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society. He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

36 x 24 inches - Unframed

Materials

Oil on mylar

Authenticity

Hand signed by the artist

SHAUN RICHARDS

Mixed Media | 2020

Richards’ work has broadly focused on incentives, socio-economic issues, and political matters for the better part of a decade. He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society. He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

72 × 104 inches - Unframed

Materials

Oil and mixed media on canvas

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Unique Photographic Monoprint | 2020

Redshift

As galaxies and stars move away from earth, from the human perspective, their visible light waves stretch, make them appear more red than they actually are. Blueshift is the opposite, when you see something move closer to you. These shifts create a color pallet of the universe’s ebb and flow and size and age. Similar to our own lives, nearly all objects are redshifted.

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

44 × 60 inches - Unframed

Materials

Photo transfer on archival photo paper

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Unique Photographic Monoprint | 2020

Redshift

As galaxies and stars move away from earth, from the human perspective, their visible light waves stretch, make them appear more red than they actually are. Blueshift is the opposite, when you see something move closer to you. These shifts create a color pallet of the universe’s ebb and flow and size and age. Similar to our own lives, nearly all objects are redshifted.

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

44 × 60 inches - Unframed

Materials

Photo transfer on archival photo paper

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Unique Photographic Monoprint | 2020

Redshift

As galaxies and stars move away from earth, from the human perspective, their visible light waves stretch, make them appear more red than they actually are. Blueshift is the opposite, when you see something move closer to you. These shifts create a color pallet of the universe’s ebb and flow and size and age. Similar to our own lives, nearly all objects are redshifted.

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

44 × 60 inches - Unframed

Materials

Photo transfer on archival photo paper

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Unique Photographic Monoprint | 2020

Redshift

As galaxies and stars move away from earth, from the human perspective, their visible light waves stretch, make them appear more red than they actually are. Blueshift is the opposite, when you see something move closer to you. These shifts create a color pallet of the universe’s ebb and flow and size and age. Similar to our own lives, nearly all objects are redshifted.

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

24 × 24 inches - Unframed

Materials

Photo transfer on archival photo paper

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Unique Photographic Monoprint | 2020

Redshift

As galaxies and stars move away from earth, from the human perspective, their visible light waves stretch, make them appear more red than they actually are. Blueshift is the opposite, when you see something move closer to you. These shifts create a color pallet of the universe’s ebb and flow and size and age. Similar to our own lives, nearly all objects are redshifted.

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

24 × 24 inches - Unframed

Materials

Photo transfer on archival photo paper

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Unique Photographic Monoprint | 2020

Redshift

As galaxies and stars move away from earth, from the human perspective, their visible light waves stretch, make them appear more red than they actually are. Blueshift is the opposite, when you see something move closer to you. These shifts create a color pallet of the universe’s ebb and flow and size and age. Similar to our own lives, nearly all objects are redshifted.

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

24 × 24 inches - Unframed

Materials

Photo transfer on archival photo paper

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Unique Photographic Monoprint | 2020

Redshift

As galaxies and stars move away from earth, from the human perspective, their visible light waves stretch, make them appear more red than they actually are. Blueshift is the opposite, when you see something move closer to you. These shifts create a color pallet of the universe’s ebb and flow and size and age. Similar to our own lives, nearly all objects are redshifted.

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

24 × 24 inches - Unframed

Materials

Photo transfer on archival photo paper

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Unique Photographic Monoprint | 2020

Redshift

As galaxies and stars move away from earth, from the human perspective, their visible light waves stretch, make them appear more red than they actually are. Blueshift is the opposite, when you see something move closer to you. These shifts create a color pallet of the universe’s ebb and flow and size and age. Similar to our own lives, nearly all objects are redshifted.

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

24 × 30 inches - Unframed

Materials

Photo transfer on archival photo paper

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Unique Photographic Monoprint | 2020

Redshift

As galaxies and stars move away from earth, from the human perspective, their visible light waves stretch, make them appear more red than they actually are. Blueshift is the opposite, when you see something move closer to you. These shifts create a color pallet of the universe’s ebb and flow and size and age. Similar to our own lives, nearly all objects are redshifted.

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

30 × 24 inches - Unframed

Materials

Photo transfer on to metallic gold photo paper

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Unique Photographic Monoprint | 2020

Redshift

As galaxies and stars move away from earth, from the human perspective, their visible light waves stretch, make them appear more red than they actually are. Blueshift is the opposite, when you see something move closer to you. These shifts create a color pallet of the universe’s ebb and flow and size and age. Similar to our own lives, nearly all objects are redshifted.

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

30 × 24 inches - Unframed

Materials

Photo transfer on to metallic gold photo paper

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Unique Photographic Monoprint | 2020

Redshift

As galaxies and stars move away from earth, from the human perspective, their visible light waves stretch, make them appear more red than they actually are. Blueshift is the opposite, when you see something move closer to you. These shifts create a color pallet of the universe’s ebb and flow and size and age. Similar to our own lives, nearly all objects are redshifted.

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

60 × 44 inches - Unframed

Materials

Photo transfer on archival photo paper

Authenticity

Hand signed by the artist

Jason Stopa

Work on Paper | 2020

Stopa's works on paper deconstruct the signified object into the painterly, the felt, the tasted. His marks run the gamut from loopy, gestural strokes, to wiry ropes of paint tracing geometric forms, to small illusionistic details. They reference ubiquitous brands as well as private narratives.

Stopa received his BFA from Indiana University and his MFA from the Pratt Institute. He is  a curator and a frequent contributing writer for Art in America, The Brooklyn Rail, and Whitewall Magazine. He teaches at Pratt Institute and the School of Visual Arts.

Size

19" x 24" - Unframed

Materials

Acrylic on bristol paper

Authenticity

Hand signed by the artist

Jason Stopa

Work on Paper | 2021

Stopa's works on paper deconstruct the signified object into the painterly, the felt, the tasted. His marks run the gamut from loopy, gestural strokes, to wiry ropes of paint tracing geometric forms, to small illusionistic details. They reference ubiquitous brands as well as private narratives.

Stopa received his BFA from Indiana University and his MFA from the Pratt Institute. He is  a curator and a frequent contributing writer for Art in America, The Brooklyn Rail, and Whitewall Magazine. He teaches at Pratt Institute and the School of Visual Arts.

Size

19" x 24" - Unframed

Materials

Acrylic on bristol paper

Authenticity

Hand signed by the artist

BA Thomas

Painting | 2021

BA Thomas creates paintings exploring the relationship between space, time, and the human experience. While predominantly an oil painter, her artistic practice also envelops aspects of writing, drawing, and collage. She questions traditional social constructs of spaces, the behavioral choices inferred from movement or objects, the meaning behind possessions, and ultimately, what humans leave behind.

Size

24" x 36" - Unframed

Materials

Oil and acrylic on canvas

Authenticity

Hand signed by the artist

BEVERLY MCIVER

Painting | 2020 

Named Top Ten in Painting by Art News, McIver’s autobiographical paintings are richly colorful and chronicle her life struggle with her African-American identity. When Covid hit, along with all of 2020’s racial and political turbulence, McIver faced the chaos and isolation the only way she knew how-through paint. Through a series of self-portraits and paintings of family and friends, McIver confronted her feelings and fears. Her voice in these works is loud, unapologetic, brave and bold and the different interpretations by white and black viewers highlights the collision of the worlds that she straddles daily.

Size

30 x 30 inches

Materials

Oil on Canvas

Authenticity

Hand signed by the artist

BEVERLY MCIVER

Painting | 2020 

Named Top Ten in Painting by Art News, McIver’s autobiographical paintings are richly colorful and chronicle her life struggle with her African-American identity. When Covid hit, along with all of 2020’s racial and political turbulence, McIver faced the chaos and isolation the only way she knew how-through paint. Through a series of self-portraits and paintings of family and friends, McIver confronted her feelings and fears. Her voice in these works is loud, unapologetic, brave and bold and the different interpretations by white and black viewers highlights the collision of the worlds that she straddles daily.

Size

30 x 30 inches

Materials

Oil on Canvas

Authenticity

Hand signed by the artist

BEVERLY MCIVER

Painting | 2020 

Named Top Ten in Painting by Art News, McIver’s autobiographical paintings are richly colorful and chronicle her life struggle with her African-American identity. When Covid hit, along with all of 2020’s racial and political turbulence, McIver faced the chaos and isolation the only way she knew how-through paint. Through a series of self-portraits and paintings of family and friends, McIver confronted her feelings and fears. Her voice in these works is loud, unapologetic, brave and bold and the different interpretations by white and black viewers highlights the collision of the worlds that she straddles daily.

Size

40 x 30 inches

Materials

Oil on Canvas

Authenticity

Hand signed by the artist

Jeff Bell 

Drawing | 2020 | Space Shuttle / Abingdon

Bell's found object-based sculptural work expresses the relationship between materials and memory. Delving into that relationship, he has found a connection between coming of age, nostalgia, and death that is rooted in several personal memories around pop culture, specifically the space shuttle and MGB cars in this series which he was very interested in as a child.  The 2D works in this series are blind contour drawings of space shuttles and MGB parts diagrams which are then painted with acrylic.

Size

22.125 X 26.125 inches - framed

Materials

Pencil and acrylic on paper

Authenticity

Hand signed by the artist

Jeff Bell 

Sculpture | 2020 | Space Shuttle / Abingdon

Bell's found object-based sculptural work expresses the relationship between materials and memory. Delving into that relationship, he has found a connection between coming of age, nostalgia, and death that is rooted in several personal memories around pop culture, specifically the space shuttle and MGB cars in this series which he was very interested in as a child.

Size

9.75 X 9.75 X 1.375 inches

Materials

Cast Iron and Wood

Authenticity

Hand signed by the artist

Jeff Bell 

Sculpture | 2020 | Space Shuttle / Abingdon

Bell's found object-based sculptural work expresses the relationship between materials and memory. Delving into that relationship, he has found a connection between coming of age, nostalgia, and death that is rooted in several personal memories around pop culture, specifically the space shuttle and MGB cars in this series which he was very interested in as a child.

Size

20.5 X 18.25 X 8.625 inches

Materials

Wood and Steel

Authenticity

Hand signed by the artist

TIM TATE

Sculpture | 2020 | Limited Edition Series

Ruth Bader Ginsburg has always been one of Tate's heroines and he considers her as the conscious of our nation.  When she passed, Tim was crushed and knew both the country and his life would be different without her.  When he read her final wish, it broke his heart again and he reacted as any artist would - he created art to honor her and her guardianship of the moral integrity of the country. 

Size

12" tall

Materials

Hand painted acrylic - striations and variations will appear on each piece

Authenticity

Hand signed by the artist

MARTHA THORN

Painting | 2020

Thorn is a process painter starting with line and drawing, followed by texture and design, and color being layered on last used as a vehicle by which she can persuade her audience to look at her work. In her bright and captivating work, she presents the dichotomies of chaos and peace, dirty and clean, and ugliness and beauty in a fresh and authentic way.

Size

20 x 16 inches - Unframed

Materials

Acrylic and spray paint on canvas

Authenticity

Hand signed by the artist

BRANDON DUDLEY

Painting | 2020

Through his portraits, Dudley strives to construct empowering representations of black culture and black history.  His art becomes a source of education, as he shows appreciation for a culture that is negatively perceived. 

Size

18 x 24 inches - Unframed

Materials

Oil on canvas

Authenticity

Hand signed by the artist

Barbara Campbell Thomas

Mixed Media | 2020

Campbell Thomas's work combines painting with quilting, overlaying their material vocabularies to create complex formal dialogues within each painting that resonate with the details of her own life and the history of each medium. She came relatively late to quilting, which she learned from her mother, but quickly realized its power as an art form traditionally practiced by women to inform and expand the range of painting.

Size

17" x 15" - Unframed

Materials

Collaged fabric, collaged cut-up paintings, spray paint, acrylic paint on canvas with insets of pieced and machine-stitched fabric.

Authenticity

Hand signed by the artist

Barbara Campbell Thomas

Mixed Media | 2020

Campbell Thomas's work combines painting with quilting, overlaying their material vocabularies to create complex formal dialogues within each painting that resonate with the details of her own life and the history of each medium. She came relatively late to quilting, which she learned from her mother, but quickly realized its power as an art form traditionally practiced by women to inform and expand the range of painting.

Size

22" x 20" - Unframed

Materials

Collaged fabric, collaged cut-up paintings, spray paint, acrylic paint on canvas with insets of pieced and machine-stitched fabric.

Authenticity

Hand signed by the artist

Peter Glenn Oakley

Sculpture | 2014

Oakley developed his carving skills working as a stonemason, making grave markers and memorials before turning to sculpture. In his hand, the marble sculpture becomes a solid ghost of what it represents—full of physical presence, but missing the functionality of the object.

Size

Exact size of a standard egg carton

Materials

Marble

Authenticity

Hand signed by the artist

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

14.5 x 9.625 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

17.125 x 22.125 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

14.5 x 19.25 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Painting | 2018

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

12.25 x 17.5 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

11.5 x 17.375 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

11.625 x 17.5 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Painting | 2018

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

11.5 x 16 inches - Unframed

Materials

Gouache on handmade Canapa paper

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Photography | 2011 | Limited Edition 2 of 5

Series - Border Works 

The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture.

Indentation in the grass where someone sheltered for the night after crossing the border, near Laredo, Texas.

Size

60 x 44 inches - Unframed

Materials

Archival Pigment Print

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Photography | 2015 | Limited Edition 1 of 5

Series - Border Works 

The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture.  Eye shadow abandoned near the Border Wall is a sign that a woman was picked up by the Border Patrol, near Hidalgo, Texas.

Size

60 x 44 inches - Unframed

Materials

Archival Pigment Print

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Photography | 2013 | Limited Edition 1 of 5

Series - Border Works 

The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture.  Clothing left behind in a pile is a sign that someone has been picked up for detention along the border. 

Size

60 x 44 inches - Unframed

Materials

Archival Pigment Print

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Photography | 2014 | Limited Edition 1 of 5

Series - Border Works 

The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture.  Worn path of refugees from the Rio Grande to the border wall as well as the tire tracks left behind by Border Patrol vehicles along the cement border fence, near Hidalgo, Texas.

Size

60 x 44 inches - Unframed

Materials

Archival Pigment Print

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Photography | 2011 | Limited Edition 2 of 5

Series - Border Works 

The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture.  Red Blanket and Plaid Shirt in the Rio Grande near Signacio, Texas.

Size

60 x 44 inches - Unframed

Materials

Archival Pigment Print

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Photography | 2014 | Limited Edition 1 of 5

Series - Border Works 

The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture.  Hoodie near Brownsville, Texas.

Size

60 x 44 inches - Unframed

Materials

Archival Pigment Print

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Photography | 2009 | Limited Edition 1 of 5

Series - Border Works 

The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture.  Man’s khaki pants found near the riverbank. Migrants cross the river, abandon their wet clothes, and change into dry clothes which they have carried across the river in black plastic bags, near Brownsville, Texas.

Size

60 x 44 inches - Unframed

Materials

Archival Pigment Print

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Photography | 2011 | Limited Edition 1 of 5

Series - Border Works 

The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture.  White bra left on the banks of the Rio Grande. On the border, a bra is a sign left behind by “coyotes” (human traffickers) to signal that a woman has been raped, near Laredo, Texas.

Size

60 x 44 inches - Unframed

Materials

Archival Pigment Print

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Photography | 2011 | Limited Edition 2 of 5

Series - Border Works 

The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture.  Each stake is a marker for the planting of a thorny plant called Citrus trifoliata. The inner tube has been cut by the Border Patrol so it cannot be reused to cross the river, near Laredo, Texas.

Size

60 x 44 inches - Unframed

Materials

Archival Pigment Print

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Photography | 2008 | Limited Edition 2 of 5

Series - Border Works 

The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture.  Campsite on the north side of the Rio Grande with bags of clothing left behind by refugees and “coyotes” (human traffickers), Santa Ana Wildlife Refuge.

Size

60 x 44 inches - Unframed

Materials

Archival Pigment Print

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Photography | 2008 | Limited Edition 3 of 5

Series - Border Works 

The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture.  Found wallet with passport, birth certificate, money, and telephone numbers to call upon arrival in the United States, Brownsville, Texas.

Size

60 x 44 inches - Unframed

Materials

Archival Pigment Print

Authenticity

Certificate of Authenticity

SANGSUN BAE

Painting | 2011

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

72 x 36 inches - Unframed

Materials

Charcoal and Ink on Canvas

Authenticity

Hand signed by the artist

SANGSUN BAE

Painting | 2009

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

465 x 46 inches - Unframed

Materials

Charcoal and Ink on Canvas

Authenticity

Hand signed by the artist

SANGSUN BAE

Painting | 2008

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

67 x 58 inches - Unframed

Materials

Charcoal and Ink on Canvas

Authenticity

Hand signed by the artist

SANGSUN BAE

Series - Quercus Phillyraeoides

Photography | 2019 | Limited Edition 3 of 5

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

47 x 31 inches - Unframed

Materials

Face-Mounted Archival Pigment Print

Authenticity

Hand signed by the artist

SANGSUN BAE

Series - Quercus Phillyraeoides

Photography | 2019 | Limited Edition 3 of 5

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

78 x 47 inches - Unframed

Materials

Face-Mounted Archival Pigment Print

Authenticity

Hand signed by the artist

SANGSUN BAE

Series - Quercus Phillyraeoides

Photography | 2019 | Limited Edition 3 of 5

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

78 x 47 inches - Unframed

Materials

Face-Mounted Archival Pigment Print

Authenticity

Hand signed by the artist

SANGSUN BAE

Series - Chandelier

Photography | 2018 | Limited Edition 4 of 5

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

51 x 63 inches - Framed

Materials

Face-Mounted Archival Pigment Print framed in black wood

Authenticity

Hand signed by the artist

SANGSUN BAE

Series - Chandelier

Photography | 2018 | Limited Edition 4 of 5

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

51 x 63 inches - Framed

Materials

Face-Mounted Archival Pigment Print framed in black wood

Authenticity

Hand signed by the artist

WILLIAM PAUL THOMAS

Limited Edition Signed Print | 2019

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

12 x 18 inches - Unframed

Materials

Limited Edition Multiple of oil on canvas

Authenticity

Hand signed by the artist

WILLIAM PAUL THOMAS

Limited Edition Signed Print | 2018

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

12 x 18 inches - Unframed

Materials

Limited Edition Multiple of oil on canvas

Authenticity

Hand signed by the artist

WILLIAM PAUL THOMAS

Limited Edition Signed Print | 2015

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

12 x 18 inches - Unframed

Materials

Limited Edition Multiple of oil on canvas

Authenticity

Hand signed by the artist

WILLIAM PAUL THOMAS

Limited Edition Signed Print | 2018

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

12 x 18 inches - Unframed

Materials

Limited Edition Multiple of oil on canvas

Authenticity

Hand signed by the artist

WILLIAM PAUL THOMAS

Painting | 2013

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

24 x 36 inches - Unframed

Materials

Oil on canvas

Authenticity

Hand signed by the artist

WILLIAM PAUL THOMAS

Painting | 2014

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

24 x 36 inches - Unframed

Materials

Oil on canvas

Authenticity

Hand signed by the artist

WILLIAM PAUL THOMAS

Painting | 2018

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

24 x 36 inches - Unframed

Materials

Oil on canvas

Authenticity

Hand signed by the artist

WILLIAM PAUL THOMAS

Painting | 2017

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

24 x 36 inches - Unframed

Materials

Oil on canvas

Authenticity

Hand signed by the artist

WILLIAM PAUL THOMAS

Painting | 2019

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

24 x 36 inches - Unframed

Materials

Oil on canvas

Authenticity

Hand signed by the artist

WILLIAM PAUL THOMAS

Limited Edition Multiple | 2018

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

12 x 18 inches - Unframed

Materials

Limited Edition Multiple of oil on canvas

Authenticity

Hand signed by the artist

BRANDON DUDLEY

Painting | 2020

Through his portraits, Dudley strives to construct empowering representations of black culture and black history.  His art becomes a source of education, as he shows appreciation for a culture that is negatively perceived. 

Size

24 x 30 inches - Unframed

Materials

Oil on canvas

Authenticity

Hand signed by the artist

JACK EARLY

Painting | 2019

Jack Early seems never to have left his childhood; his playful wit and openness are the foundation for his work.  Early’s lexicon is drawn from wondrous childhood memories, where ordinary things and events can leave long-lasting impressions.   Aware of how visual and auditory phenomena can trigger us, he composes experiences to communicate sweet remembrances of simpler times.

Size

13 x 13 inches - Framed

Materials

Oil paint on printed canvas in hand painted wooden frame

Authenticity

Hand signed by the artist

JACK EARLY

Painting | 2019

Jack Early seems never to have left his childhood; his playful wit and openness are the foundation for his work.  Early’s lexicon is drawn from wondrous childhood memories, where ordinary things and events can leave long-lasting impressions.   Aware of how visual and auditory phenomena can trigger us, he composes experiences to communicate sweet remembrances of simpler times.

Size

13 x 13 inches - Framed

Materials

Oil paint on printed canvas in hand painted wooden frame

Authenticity

Hand signed by the artist

JACK EARLY

Limited Edition Signed Print | 2017 | Set of 6 colors available

Jack Early seems never to have left his childhood; his playful wit and openness are the foundation for his work.  Early’s lexicon is drawn from wondrous childhood memories, where ordinary things and events can leave long-lasting impressions.   Aware of how visual and auditory phenomena can trigger us, he composes experiences to communicate sweet remembrances of simpler times.

Size

24 x 36 inches - Unframed

Materials

Limited Edition print of oil on silkscreen canvas

Authenticity

Hand signed by the artist

JACK EARLY

Limited Edition Signed Print | 2017 | Set of 6 available

Jack Early seems never to have left his childhood; his playful wit and openness are the foundation for his work.  Early’s lexicon is drawn from wondrous childhood memories, where ordinary things and events can leave long-lasting impressions.   Aware of how visual and auditory phenomena can trigger us, he composes experiences to communicate sweet remembrances of simpler times.

Size

36 x 24 inches

Materials

Limited Edition print of oil on silkscreen canvas

Authenticity

Hand signed by the artist

JACK EARLY

Limited Edition Signed Print | 2017 | Set of 6 colors available

Jack Early seems never to have left his childhood; his playful wit and openness are the foundation for his work.  Early’s lexicon is drawn from wondrous childhood memories, where ordinary things and events can leave long-lasting impressions.  Aware of how visual and auditory phenomena can trigger us, he composes experiences to communicate sweet remembrances of simpler times.

Size

24 x 36 inches - Unframed

Materials

Limited Edition print of oil on silkscreen canvas

Authenticity

Hand signed by the artist

JACK EARLY

Limited Edition Signed Print | 2017 | Set of 6 colors available

Jack Early seems never to have left his childhood; his playful wit and openness are the foundation for his work.  Early’s lexicon is drawn from wondrous childhood memories, where ordinary things and events can leave long-lasting impressions.   Aware of how visual and auditory phenomena can trigger us, he composes experiences to communicate sweet remembrances of simpler times.

Size

24 x 36 inches - Unframed

Materials

Limited Edition print of oil on silkscreen canvas

Authenticity

Hand signed by the artist

JACK EARLY

Limited Edition Signed Print | 2017 | Set of 6 colors available

Jack Early seems never to have left his childhood; his playful wit and openness are the foundation for his work.  Early’s lexicon is drawn from wondrous childhood memories, where ordinary things and events can leave long-lasting impressions.   Aware of how visual and auditory phenomena can trigger us, he composes experiences to communicate sweet remembrances of simpler times.

Size

24 x 36 inches - Unframed

Materials

Limited Edition print of oil on silkscreen canvas

Authenticity

Hand signed by the artist

JACK EARLY

Limited Edition Signed Print | 2017 | Set of 6 available

Jack Early seems never to have left his childhood; his playful wit and openness are the foundation for his work.  Early’s lexicon is drawn from wondrous childhood memories, where ordinary things and events can leave long-lasting impressions.   Aware of how visual and auditory phenomena can trigger us, he composes experiences to communicate sweet remembrances of simpler times.

Size

24 x 36 inches - Unframed

Materials

Limited Edition print of oil on silkscreen canvas

Authenticity

Hand signed by the artist

MICHAEL WHITTLE

Print | 2008 | Lithograph | Limited Edition

(Sulcal pattern in the human cerebral cortex - Lateral aspect, after von Economo and Koskinas, 1925)

This lithographic print depicts a horse from ‘the Triumphal Procession’, a monumental wood cut created in the studios of Albrecht durer and his fellow master German artists from the 16th century. The image of horse and rider has been mutated and suspended in time above a small patch of landscape, complete with weapons and livery.

Size

15 x 16 inches - Framed

Materials

Lithograph on paper

Authenticity

Hand signed by the artist

MICHAEL WHITTLE

Print | 2008 | Lithograph | Limited Edition

(Sulcal pattern in the human cerebral cortex - Lateral aspect, after von Economo and Koskinas, 1925)

This lithograph is based on an early 20^th century map of the human brain by Neurologists Economo and Koskinas, published as part of a 2 volume 800 page atlas, and one of the most important studies of human brain regions in the history of Medicine. The map has been redrawn here as a detailed landscape, to reflect the language used by the researchers when describing the various  fundus or ‘hills’ and sulcus, or ‘valleys’ of the brain; in other words, the brain using the language of landscape to map itself.

Size

20 x 16 inches - Framed

Materials

Lithograph on paper

Authenticity

Hand signed by the artist

MICHAEL WHITTLE

Drawing | 2017

This set of two drawings is based upon a famous experiment using the Planck satellite, carried out to validate claims made by scientists working with the BICEP telescope located at the South Pole.

Size

14 x 14 inches - Framed

Materials

Ink, pencil and watercolour on paper

Authenticity

Hand signed by the artist

MICHAEL WHITTLE

Drawing | 2014

This drawing depicts two complete sets of structures from 2 inner ears, otherwise known as labyrinths. They’re drawn as if joined together to create a self-sensing structure of sound and balance, a self-contained unit closed off to the exterior world. 

Size

14 x 14 inches - Framed

Materials

Ink, pencil and watercolour on paper

Authenticity

Hand signed by the artist

MICHAEL WHITTLE

Drawing | 2018

(Model for spatial and temporal variations in the heliospheric magnetic field with Neural network detected Retinal Vasculature, exposed fovea and optic pit)

This drawing is based on a model of magnetic data collected by the Ulysses space probe in orbit around the sun.  Blue values represent regions where the magnetic field pointed towards the Sun; red where it pointed away. This model is depicted above a shadow-like retina, complete with fovea and optic pit.

Size

49 x 49 inches - Framed

Materials

Ink, pencil and watercolour on paper

Authenticity

Hand signed by the artist

SHAUN RICHARDS

Mixed Media | 2016

Richards’ work has broadly focused on incentives, socio-economic issues, and political matters for the better part of a decade. He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society. He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

56 × 48 inches - Unframed

Materials

Oil and mixed media on canvas

Authenticity

Hand signed by the artist

SHAUN RICHARDS

Mixed Media | 2013

Richards’ work has broadly focused on incentives, socio-economic issues, and political matters for the better part of a decade. He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society. He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

50 × 66 inches - Unframed

Materials

Oil and mixed media on canvas

Authenticity

Hand signed by the artist

SHAUN RICHARDS

Mixed Media | 2011

Richards’ work has broadly focused on incentives, socio-economic issues, and political matters for the better part of a decade. He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society. He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

96 × 96 inches - Unframed

Materials

Oil and mixed media on canvas

Authenticity

Hand signed by the artist

SHAUN RICHARDS

Mixed Media | 2011

Richards’ work has broadly focused on incentives, socio-economic issues, and political matters for the better part of a decade. He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society. He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

42 × 42 inches - Unframed

Materials

Oil and mixed media on canvas

Authenticity

Hand signed by the artist

SHAUN RICHARDS

Mixed Media | 2011

Richards’ work has broadly focused on incentives, socio-economic issues, and political matters for the better part of a decade. He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society. He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

42 × 42 inches - Unframed

Materials

Oil and mixed media on canvas

Authenticity

Hand signed by the artist

ROB MATTHEWS

Painting | 2015

This body of work is made to spend time considering events and people that get lost in the shuffle of the ever-changing news cycle.  Themes of upheaval, power, displacement and the unspoken message of “home” anchor the work.  Auto Auto Harp Harp depicts Syrians entering Germany who have become sick and possibly have died from eating death cap mushrooms (Amanita phalloides). This is the most optimistic work in the show, but still has the presence of danger.

Size

81 × 69 inches - Unframed

Materials

Gouache and sumi ink on paper on canvas over wood panel

Authenticity

Hand signed by the artist

ROB MATTHEWS

Painting | 2015

This body of work is made to spend time considering events and people that get lost in the shuffle of the ever-changing news cycle.  Themes of upheaval, power, displacement and the unspoken message of “home” anchor the work.  In The End of Time, the figures stand on a coastline with reddened water behind them.  The composition is borrowed from Picasso’s Pipes of Pan. Picasso’s piece overlooks a calm Mediterranean view. Rather than use this peaceful view of the sea that has, for generations, brought people to it for its tranquility, I choose to depict the Mediterranean for the millennia-old bloodbath that it is. In the bottom left of the piece is a head. It is that of Matthew Ayariga, the lone Ghanan decapitated alongside 20 Coptic Christians from Egypt on a Libyan coast.

Size

69 × 81 inches - Unframed

Materials

Gouache and sumi ink on paper on canvas over wood panel

Authenticity

Hand signed by the artist

ROB MATTHEWS

Painting | 2018

This body of work is made to spend time considering events and people that get lost in the shuffle of the ever-changing news cycle.  Themes of upheaval, power, displacement and the unspoken message of “home” anchor the work. The Chess Player is a depiction of the people involved in carving up the Middle East: Paul Cambon and Sir Edward Grey, the French and English signatories for the Sykes-Picot Agreement.  The chess player is an ages-old theme running through art, pointing towards competition, debate and power. 

Size

36 × 44 inches - Unframed

Materials

Acrylic and acrylic gouache on canvas over wood panel

Authenticity

Hand signed by the artist

ROB MATTHEWS

Painting | 2018

This body of work is made to spend time considering events and people that get lost in the shuffle of the ever-changing news cycle.  Themes of upheaval, power, displacement and the unspoken message of “home” anchor the work.  The Cartographer is a depiction of François Georges-Picot arranged with the map of the Sykes-Picot Agreement across the piece.

Size

36 × 44 inches - Unframed

Materials

Acrylic on canvas over wood panel

Authenticity

Hand signed by the artist

ROB MATTHEWS

Painting | 2018

This body of work is made to spend time considering events and people that get lost in the shuffle of the ever-changing news cycle.  Themes of upheaval, power, displacement and the unspoken message of “home” anchor the work.  Khaled al-Asaad was a Syrian archaeologist and head of antiquities for the ancient city of Palmyra who was publicly executed in gruesome fashion by ISIS while attempting to hide antiquities in the city museum from them so they could not destroy the ancient art.

Size

16 × 20 inches - Unframed

Materials

Acrylic on canvas over wood panel

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Equilibrium | Mixed Media | 2019

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  Equilibrium is a state of adjustment and balance for Tim and his work, capturing a free fall that is both static and dynamic.

Size

45 × 68 inches - Unframed

Materials

Pigment print and gel on canvas

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Shadow of Russia | Photography | 2015

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

22 × 17 inches - Unframed

Materials

Photo transfer on archival photo paper

Authenticity

Hand signed by the artist

LEIGH SUGGS

Original Painting | 2020

Suggs channels her fascination with the mystery and psychology of sight through cut paper works and large-scale installations. She obscures normal perception, manipulating her materials as if optical illusions.  The intangible and inexpressible optical illusions created in each piece lure in the viewer, pulling them into an experience of seeing that is at once immediate and elusive.

Size

30 × 30 inches - Unframed

Materials

Hand-cut Acrylic on Yupo