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Painting | 2021
For the body of work being offered here on Artsuite, Jason Mitcham uses the visual language of land use and mapping to explore moments of transition in the landscape. Survey flagging and other elements foreshadow imminent development, while depictions of maps become pictorial devices that interrupt the image as seen from eye-level. The maps illustrated in these paintings were created by Mitcham’s father’s civil engineering and land surveying firm, an autobiographical dimension that complicates their utilitarian purpose. Heightening this further, Mitcham surveyed many of the sites himself. This work layers competing representations of the landscape - the aerial objectivity of the map is at odds with the observed subjectivity that’s presented from the ground level. Ultimately, these competing modes force us to consider the landscapes around us, and question the social ramifications of their use and development.
9 x 11"
Gouache and ink print on paper
Hand signed by the artist
Site/Sight #6
Painting
Regular price $650
Painting | 2022
25 x 36"
Acrylic and mylar on canvas
Survey Tape on Guy-wire #4
Regular price $5,400
56 x 84"
Acrylic on canvas
Site/Sight #1
Regular price CONTACT FOR PRICE
Thorn is a process painter starting with line and drawing, followed by texture and design, and color being layered on last used as a vehicle by which she can persuade her audience to look at her work. In her bright and captivating work, she presents the dichotomies of chaos and peace, dirty and clean, and ugliness and beauty in a fresh and authentic way.
36 x 36 inches - Unframed
Acrylic and spray paint on canvas
Light Obeys Gravity
Regular price $5,000
SOLD
Nils Ericson, American (b. 1977)
Nils Ericson's photographs are largely documentary and based on his perceptions of athleticism and physicality, the end result tending towards nature and the beast.
Born in Des Moines, Iowa, Nils has always been drawn to sports and has worked on projects for Nike, ESPN, Puma, Adidas, Victory Journal, and more. An avid athlete and longtime college basketball fan, the six basketball goal photographs offered are born out of his love for the game.
Nils received his B.A. from Dartmouth College in Hanover, New Hampshire and earned his M.F.A. from the Rhode Island School of Design. Nils and his wife Regina, who together run Creators Management, split their time between New York, Oregon and Iowa alongside their children Emmet and Faye, and dogs Pearl, Edith, and Nellie.
For more on Nils' work, visit his site at www.nilsericson.com
24" x 16" - Unframed
Photograph
Edition of 5. Signed by the artist.
Hoop Dreams #5
Photography
Regular price $500
Hoop Dreams #4
Hoop Dreams #3
Hoop Dreams #1
Painting | 2020
As a visual artist and chef, Michael Perry is constantly emerging and re-emerging. Being self taught in both fields has presented both freedoms to explore and obstacles to overcome. The series of work being presented by Artsuite is based on a pointillist and primitive style. Perry has always been fascinated by the painted, copal wood carvings of Oaxaca (Alebrije) and the intricate bead and thread work of the Huichol tribes in Mexico. Growing up in the Navajo and Hopi region of the southwest he took inspiration from the intricate mandalas of the sand paintings - the sand being nature's pointillist tool.
48 x 48 inches
Holding Together: Hexagra...
Regular price $3,500
Duration: Hexagram #32
Deliverance: Hexagram #40
Print | 2022
Sarah Emerson's paintings, prints and installations present viewers with highly stylized versions of nature that combine geometric patterns and symbolic archetypes to examine our cultural landscape. In her compositions, she distorts the physical laws that govern the real world because concepts like gravity, inertia, and locality do not govern our emotional perspective of the world. Emerson does not try to replicate nature or real space, instead she uses the familiar genre of landscape to explore the collective events and conditions that define our cultural landscape. In her career, she has worked on multiple painting series' and site-specific projects that use the ‘flatness’ of painting to explore themes that reflect on the fragility of life, the futility of earthly pleasures, and the disintegration of our natural landscape. As it is presented, painting can flatten events in time, space, and memory onto one picture plane allowing room for a reconciliation of otherwise incompatible states of being.
18 x 18 inches (image size)20.25" 20.25" (paper size)
4-color screen print on Arnhem 1618 paper. Printed by Bill Fick.Hand Embellishments painted by artist with acrylic.
Hand signed and numbered by the artist
Going Steady with Disaster
Limited Edition Print
From $250
Drawing | 2021
Curran’s practice merges his formal training in printmaking and graphic design with methods honed through countless hours spent tagging, pasting, and stenciling graffiti in public spaces. The transition from pure street art to a dedicated studio practice has afforded Curran a substantial connection to his process and a broader visual language with which to work. Curran’s body of work creates a contemporary narrative of the relationship between the natural and the manmade. The viewer is invited to reflect on the ability of imagery to create sacred space in our everyday lives.
30 x 22 inches - Framed
India ink on Arches Hot Press paper
Danceroom #8
Work on Paper
Regular price $1,000
Danceroom #6
Danceroom #5
Danceroom #1
Sculpture | 2021
"The simple vessel is one of the first objects humans ever made with their hands. It is a very ancient image for us. As generic and invisible as styrofoam takeout boxes are, there is a formal beauty in the surfaces of these vessels, and a subtle architecture in their lines. As we interact with them, stacking them, etc, we create ever newer iterations of this architecture, new happenstance compositions that beg to be appreciated. There is a quiet and pure flow of line and surface, which somehow stays out of sight. My work in this series is to simply show that beauty. I work by hand in natural materials to translate the image I see." - Peter Oakley
7 3/4 x 9 1/2 x 5 1/2"
Marble
Stack 4 (Box 12)
Sculpture
David Molesky makes paintings of humans experiencing deep harmony.
He brings a contemporary twist to the tradition of figurative painting by remixing elements from post-impressionist drawing with Flemish oil techniques and baroque composition.
Through the exposure of the various layers of his process— even down to raw linen — the paintings engage the viewer to fill in the gaps.
The visual result reinforces his philosophical and psychological aim to depict people in a relaxed yet elevated state of oneness with their environments.
60 x 52" - Framed
Oil on canvas
Nyai Loro Kidul (goddess ...
Painting | 2019
30 x 36" - Unframed
Oil on linen
Morning Nap
47 x 70" - Framed
Days Pass
Photography | 2014
Taken from the term coined by Catalan architect and historian Ignasi de Sola-Morales, 'terrain vague' sites are those that foreground the process of construction and deconstruction and underscore the ambiguous transition from one state of “being” to another. As a result, these spaces evoke a strong sense of being in between histories, function and time. This also activates them to explore a number of seemingly diametric relationships – those between presence and absence, inscription and erasure, preservation and ruination and appearance and disappearance. At its most elemental, this work is an examination of space – both physical and psychic. Our experience of the world is dictated by a few fundamental and interacting spatial and perceptual operations. It is through these processes that we arbitrate the physical world we encounter everyday. The brain filters and reconstructs what we see to make it coherent and orienting. By destabilizing spatial associations within the photograph, I hope to broaden the exploration of space – acknowledging it both as a corporeal experience and a mental construct. It is this duality, between the physical and the cognitive, that I am attempting to call attention to in this work.
40 x 26 2/3" - Framed
Pigment print
Edition of 3
Signed by the artist
Untitled (Metal and Shadow)
Regular price $3,000
Untitled (Wire Mesh and S...
Mixed Media | 2021
BA Thomas creates paintings exploring the relationship between space, time, and the human experience. While predominantly an oil painter, her artistic practice also envelops aspects of writing, drawing, and collage. She questions traditional social constructs of spaces, the behavioral choices inferred from movement or objects, the meaning behind possessions, and ultimately, what humans leave behind.
18 x 18" - Unframed
Oil and acrylic on canvas
Meet Cute
Regular price $1,200
24 x 36" - Unframed
Collage and oil on canvas
Upside Down
Regular price $2,600
30 x 40" - Unframed
Waltz
Regular price $3,600
30 x 30" - Unframed
Mirror Test
Regular price $3,200
40 x 54" - Unframed
Invitation
Wall Sculpture | 2021
Drawing from the Minimalist tradition, Lori Cozen-Geller makes sculptural works in a paired down formal vocabulary. Although she diverges from her predecessors, looking beyond the purely physical materiality and optical experience of the sculpture to symbolic and iconographic territory.
48 x 48 x 4"
Ferrari Yellow high Gloss Automotive Paint on Wood and Laminate
Berlin, yellow
Renowned Southern Folk Artist and Author Kyle "BlackCatTips" Brooks wants to paint the world happy. Originally from just outside of Atlanta, Georgia, these North Carolina themed works were inspired by his travels through the state, the people he has met and most recently by a visit to the Vollis Simpson Whirligig park in downtown Wilson, NC. Kyle's work is collected across the southeast and he has been commissioned by some of the most recognizable brands including Coca-Cola, Delta, Google, Accenture, Netflix, NCR and many others. In 2019, Kyle published his first children's book, "Smile A While" which blends his unique artwork and poetry to remind people of all ages to smile.
8.75 x 23.5" - Unframed
Acrylic on wood panel
NC (No. 23)
Regular price $350
NC (No. 22)
NC (No. 21)
NC (No. 20)
NC (No. 19)
Unique Photographic Monoprint | 2021
With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human. Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self. His pieces can be, at once, large scale and intimate, technical and improvisational.
10 x 8 inches - Unframed
Photo transfer on archival photo paper
Snowdrop
Regular price $250
Blackberry Lily
Unique Photographic Monoprint | 2020
14 x 11 inches - Unframed
Lavender
Work on Paper | 2021
20 x 16 inches - Framed
Cut paper & spray paint
Untitled Flower #1
Textile | 2021
Since learning to weave in 2014, English has been captivated by the magic of this ancient process. At the start of the pandemic, she began a series of grid-based drawings that developed into weaving drafts, or loose instructions, for this work. These contemporary interpretations of traditional overshot cloth utilize long thread floats that emphasize the organic nature of thread within a calculated system, ultimately expanding the limitations of woven cloth while acknowledging the reciprocal relationship between threads.
43 x 34 inches
Cotton
Blue Green Check
Textile
Regular price $1,250
34 x 34 inches
Blue Time
40 x 34 inches
Grey X
Interlock
Yellow Check
NC (No. 17)
NC (No. 16)
NC (No. 14)
NC (No. 12)
Photography | 2015
Liz Nielsen is an experimental photographer based in Brooklyn, NY. Her photographs are most often made without a camera and can also be described as light paintings. She works in the analog color darkroom exposing light sensitive paper and processing it through traditional photographic chemicals. Each image is unique and ranges in size from 100" x 100" to 4" x 5". Nielsen received an MFA from the University of Illinois, Chicago in 2004, her BFA from the School of the Art Institute of Chicago in 2002, and her BA in Philosophy and Spanish from Seattle University in 1997. Liz has exhibited her work extensively including recent solo exhibitions in New York, London, and Paris. Her photograms have been featured at international art fairs such as Paris Photo, Photo London, and Unseen Amsterdam. Nielsen has been reviewed in the New Yorker, the Guardian, the London Financial Times, LensCulture, Vogue UK, and FOAM magazine among others. Nielsen is currently an artist-in-resident at the McColl Center for Art in Charlotte, North Carolina.
8 x 8" - Framed
Chromogenic photograph
Blush Moons (Oliver)
Photography | 2018
29 3/4 x 41" - Framed
Analog chromogenic photogram on Fujiflex
Blue Mountains
Photography | 2020
50 x 43 1/2" - Framed
The Dancer
NC (No. 9)
NC (No. 6)
NC (No. 5)
NC (No. 4)
Suggs channels her fascination with the mystery and psychology of sight through cut paper works and large-scale installations. She obscures normal perception, manipulating her materials as if optical illusions. The intangible and inexpressible optical illusions created in each piece lure in the viewer, pulling them into an experience of seeing that is at once immediate and elusive.
19 x 25 inches - Framed
Handcut, Acrylic on Yupo
Untitled - Double Blue II
Regular price $3,250
11 x 11 inches - Framed
Hand-cut Acrylic on Yupo
On Our Way (Small Yellow)
Regular price $1,500
Yuko Nogami Taylor is a painter who thoughtfully fuses Eastern and Western painting traditions. Drawing from both her Japanese upbringing and her experiences in the Southeastern United States over the past 30 years, Nogami Taylor's work is a beautiful collision of cultures and techniques, a celebration of our shared humanity. Employing Nihonga techniques, a general term for traditional Japanese painting, her slow and meticulous process exhibits a reverence for craft, materiality and heritage, while simultaneously oscillating between abstraction and representation.
36 x 36"
Nihonga Japanese pigment painting with Kozo-Washi paper on birch wood panel
Whispering of Coral - Pink
Textile | 2020
Through the support of a Fulbright grant, Martha Clippinger spent 2014 studying the Indigenous textile traditions of Oaxaca, Mexico. There she met weavers Licha González Ruiz and Agustín Contreras López of Teotitlán del Valle, a Zapotec village renowned for its woolen tapetes (Spanish for “rugs”) that are woven on upright pedal looms. The couple agreed to translate one of her designs into wool, and they’ve been working together ever since.
50 1/2 x 32 inches
Hand dyed wool, woven by Licha González Ruiz
Untitled
Regular price $2,250
Textile | 2014
70 x 24 inches
Hand dyed wool, woven by Agustín Contreras López and Licha González Ruiz
Niss-gie
Textile | 2017
79 x 51 inches
Bak
Named Top Ten in Painting by Art News, McIver’s autobiographical paintings are richly colorful and chronicle her life struggle with her African-American identity. When Covid hit, along with all of 2020’s racial and political turbulence, McIver faced the chaos and isolation the only way she knew how-through paint. Through a series of self-portraits and paintings of family and friends, McIver confronted her feelings and fears. Her voice in these works is loud, unapologetic, brave and bold and the different interpretations by white and black viewers highlights the collision of the worlds that she straddles daily.
20 x 20 inches
Oil on Canvas
Don
NC (No. 1)
Through his portraits, Dudley strives to construct empowering representations of black culture and black history. His art becomes a source of education, as he shows appreciation for a culture that is negatively perceived.
36 x 24 inches - Unframed
I AM A MAN
Drawing | 2020
Prone carries the weight of physical pain—immovable, exhausted—often following a substantial expression of energy. Plumb, on the other hand is upright, energetic—though ultimately enervating. In this series of drawings, Joy Drury Cox represents this pair of semantic antipodes as palindromic conceptual drawings, exercising what the artist terms "line dialectics." Cox's interdisciplinary artistic practice includes drawing, artist's books, texts, and photography. Her works consider mapping, making, measuring, and marking and their variables roles in the politics of labor and the structures of everyday life.
17" x 14" unframed / 18” x 15” framed
Ink and graphite on paper
never odd or even
Drawing
eve
Through the support of a Fulbright grant, Martha Clippinger spent 2014 studying the Indigenous textile traditions of Oaxaca, Mexico. There she met weavers Licha González Ruiz and Agustín Contreras López of Teotitlán del Valle, a Zapotec village renowned for its woolen tapetes (Spanish for “rugs”) that are woven on upright pedal looms. The couple agreed to translate one of her designs into wool, and they’ve been working together ever since.Clippinger created this series of tapetes for her solo exhibition Vibrating Boundaries at the Elizabeth Holden Gallery at Warren Wilson College in Swannanoa, NC in 2021. There she presented her work alongside plates from the college’s first edition copy of Josef Albers' Interaction of Color, a collection of the color exercises Albers developed while teaching at nearby Black Mountain College.The relativity of color is central to all of Clippinger's work. By creating palette variations of the same woven design, she is able to explore different color combinations while paying homage to Albers and the Variant/Adobe paintings that he began on his sixth trip to Mexico in 1947.
49 x 31 inches
Through the support of a Fulbright grant, Martha Clippinger spent 2014 studying the Indigenous textile traditions of Oaxaca, Mexico. There she met weavers Licha González Ruiz and Agustín Contreras López of Teotitlán del Valle, a Zapotec village renowned for its woolen tapetes (Spanish for “rugs”) that are woven on upright pedal looms. The couple agreed to translate one of her designs into wool, and they’ve been working together ever since. Clippinger created this series of tapetes for her solo exhibition Vibrating Boundaries at the Elizabeth Holden Gallery at Warren Wilson College in Swannanoa, NC in 2021. There she presented her work alongside plates from the college’s first edition copy of Josef Albers' Interaction of Color, a collection of the color exercises Albers developed while teaching at nearby Black Mountain College. The relativity of color is central to all of Clippinger's work. By creating palette variations of the same woven design, she is able to explore different color combinations while paying homage to Albers and the Variant/Adobe paintings that he began on his sixth trip to Mexico in 1947.
I AM A WOMAN
Photography | 2019
Ben Alper's series "Conflation" is a series of digital composites that originate from multiple images of the same object or space. Depicting marginal or derelict urban sites, the pictures represent a patchwork of decisions made behind the camera. While these pieces upend traditional notions of the singular photographic trace, they nevertheless constitute a series of imprints. They attempt to synthesize redundant, often ordinary photographs into something transcendent. By layering, erasing and cutting away to reveal information below, these hybrid works vacillate between presence and absence and construction and deconstruction. Stepping away from the medium’s subtractive character, the pieces in “Conflation” turn toward an additive approach to image-construction. However, with each accumulated layer, a new kind of collapse occurs. The result is a formal and conceptual flattening, a tangle of images still tethered to their source, but fundamentally changed.
24 x 16" - Unframed
Untitled (Conflation)
Mixed Media | 2018
Born in 1979 in Raleigh N.C., Shelley Smith is an artist, curator, and arts administrator. She graduated with a Master of Art and Design from North Carolina State University College of Design in 2016. Her curatorial projects include the one-year activation known as The Pink Building Project, and the exhibitions and programming at Anchorlight, where she is the co-founder and Creative Director. Smith is also the co-founder and Director of the Brightwork Fellowship Program, a year long artist residency located within Anchorlight that focuses on service and professional development within the visual arts. Smith’s own artistic practice serves as the foundation for all her other creative endeavors. Primarily working with the combination of cloth and digital techniques, her practice reflects the inborn ties between our individual selves and nature.
Size
15 x 11 inches
Digital print, hand embroidered on satin, quilted and mounted on board
Mixed Media
Jim Lee is a multi-dimensional, self-taught artist whose work is heavily influenced by his love of nature, science, psychology, and technology. Working with cameras, scanners, lighting and collections of found and fabricated objects, Lee creates photographic images that range from the darkly mysterious and figurative to the elegantly simple and abstract. One rarely leaves one of Lee’s pieces without some question and that is exactly what he wants. His work has been featured in numerous solo and group exhibitions and can be found in collections at American Tobacco Campus, Andrew Young Enterprises, Cassilhaus, and Duke University Medical Center.
21 x 17 inches - Framed
Archival pigment print mounted to acid-free board
Cutout #34
Regular price $400
Cutout #9
Photographic Print | 2020
Leah Sobsey's series Lumen Love, made during the pandemic on daily walks in Duke Forest, is a poetic examination of light and the natural world. These Antholumen photograms were created with expired silver gelatin paper, exposed to the sun, and coated with a mix of natural plant materials as a way to alter the color and explore alchemy. Utilizing historical, scientific and artistic lenses, Sobsey aims to understand the connection to plant and animal loss as one indication of the larger climatological perils we face as a species.
Original antholumen on silver gelatin fiber paper printed on velvet fine art paper
Traces 3
Regular price $300
Traces 1
"My name is Nobuyoshi Godwin. I have autism. Being autistic is ok. I can see trees in my mind and talk with them. It's blue and it's ok. When I paint I feel good because it's my job, and I am proud of it. I think people enjoy and think my painting is good. I like drawing animals. They are sweet. That is 4400 and purple. If I sell my paintings I can buy more paint colors. And that is purple and that is 4400." - King Nobuyoshi Godwin
36” x 32”
Acrylic Paint on Canvas
Signed certificate of authenticity
The rabbit is having a go...
Regular price $1,850
Painting | 2017
Sarah Emerson's paintings and installations present viewers with highly stylized versions of nature that combine geometric patterns and symbolic archetypes to examine our cultural landscape. In her compositions, she distorts the physical laws that govern the real world because concepts like gravity, inertia, and locality do not govern our emotional perspective of the world. Emerson does not try to replicate nature or real space, instead she uses the familiar genre of landscape to explore the collective events and conditions that define our cultural landscape. In her career, she has worked on multiple painting series' and site-specific projects that use the ‘flatness’ of painting to explore themes that reflect on the fragility of life, the futility of earthly pleasures, and the disintegration of our natural landscape. As it is presented, painting can flatten events in time, space, and memory onto one picture plane allowing room for a reconciliation of otherwise incompatible states of being.
36 x 36 inches
Acrylic and rhinestones on canvas
Stuck In the Middle
Hurtling
I cannot live without you...
Regular price $1,750
Photography | 1995
English born artist Adam Fuss has been one of the leading experimental practitioners of early photographic techniques in contemporary art since the 1980's. Abandoning the camera altogether, he has expanded upon the foundations of the medium with inventive photograms and daguerreotypes that explore the mystery, complexity and transience of life. Originally trained as an advertising photographer, Fuss’ decision to eradicate modern technology from the photographic process was a reaction to the mass-production of generic images.
45 x 20" - Framed
Cibachrome photogram
Untitled (Stained Glass)
36 x 60"
Dried and cured oyster shell pigment, sumi ink and nikawa medium on kozo mulberry paper
A Place of Refuge
Photography | 2005
Alec Soth's series Niagara is a sobering examination of one of America and Canada's most mythologized tourist landmarks. Photographing on both sides of the falls, Soth employs romantic and nostalgic motifs that juxtapose with a bleaker and more alienating reality that exists there. This tension, magnified by the restrained formality of a large format camera, casts Niagara Falls in a distinct light. The result is a shift away from stereotypical romanticization and toward a darker and more complex portrait of a place that is often only seen through an iconic lens.
30 x 24" - Framed
Chromogenic print
Edition
2/10
Rebecca
Photography | 2011
Sarah Anne Johnson's Arctic Wonderland emerged from an artist residency aboard a double masted schooner in the arctic circle. Using the images she created there as starting points for a number of mixed-media photographic works, Johnson's series comments on the sublime beauty of nature, it's inherent fragility and the irreparable damage that humanity has, and continues, to inflict upon it. In this context, wonderland has the dual meaning, referring to both the brilliant beauty of the landscape and the absurd notion of a utopian colonization of the natural world.
27 3/4 x 42" - Framed
Scratched chromogenic print, photospotting ink, acrylic ink, gouache and marker
Edition3/3
Party Boat
Anoka Faruqee's virtuosic Op Art paintings exist in the lineages of Bridget Riley and Josef Albers. Her visually stunning and destabilizing works, painted in abstract circular waves, achieve a spectral and photographic quality, while remaining firmly anchored to the medium of painting. Faruqee's meticulous works induce a distinct and bodily experience, foregrounding the perceptual operations of the brain and forcing us to contemplate how we perceive and process visual information.
45 x 45"
Acrylic on linen on panel
2017P-04
Painting | 2016
Norbert Bisky's treatment of landscapes and exploration of the portrait and narrative structure place him firmly in the tradition of great European painting. But his experiments with breaking down forms and with blocks of color also place him on the borderline of abstract art. His figurative style of painting, conjuring up the socialist realism he experienced as a child in GDR, suggests both hedonism and chaos in its contemporary form.
19 3/4 x 25 1/4" - Framed
Oil on paper
study for somewhere in th...
Photography | 2012
In the series Sun Land, Melanie Schiff exhibits her devotion to creating works that convey temporal and intuitive sensibilities; “Lemon Tree” is the epitome of the artist’s experiential approach to making photographs as they rely on the camera’s inherent inability to record, whether through distance or wavelength, what one can sensorially experience.
36 x 28.75" - Framed
3/5
Lemon Tree
Photography | 2007
In 2003, artist Chris McCaw began photographing the sun with hand made cameras and paper negatives. The resulting body of work, Sunburn, tracks the sun's movement across the sky, often rendering elegant arcs and shapes depending on the camera's location on the planet, and the time of year the photograph was taken. The "sunburned" (or solarized) negatives are the result of the intensity of the sun's light and the magnification of the camera's lens. They speak elementally about time, light and our reliance on the sun, but also speak more metaphorically about photography itself. Taking from the etymology of the word "photography", Chris McCaw has created a series of "light writings" that are as beautiful as they are awe-inspiring.
11 x 28" (comprised of two 11 x 14" prints) - Each framed
Gelatin silver paper negatives
Sunburned GSP #169
30” x 24”
The squirrel is having a ...
Regular price $900
Painting | 2018
36” x 36”
The penguin has purple ey...
Regular price $2,000
Photography | 2000
South African artist Roger Ballen is one most influential photographic artists of the 21st century. His strange, provocative and psychological work, often depicting subjects in vulnerable and disturbing situations, blurs the lines between reality and fantasy and reverence and exploitation. Ballen is also notable for a hybrid aesthetic that brings together photography, drawing, painting, sculpture and collage into one cacophonous visual language that is entirely his own.
16 x 16" - Framed
Silver gelatin print
30/35
Puppies in Fishtank
Sculpture | 2020
Allison loves details and realism and the focus of his work is on figurative sculpture and portraiture with glass. His Lunch Bag series was designed to be something that was unique but still consistent with his line, each one becoming a little different from the previous. A complement to his practice, these sculptures are meant to be something mundane that could be found around the house and even considered in still life or used as a vase. Each piece is one of a kind and slight variations from the photo may occur.
11” Height x 6” Width x 5” Depth
Glass
Lunch Bag - Blue
Allison loves details and realism and the focus of his work is on figurative sculpture and portraiture with glass. His Lunch Bag series was designed to be something that was unique but still consistent with his line, each one becoming a little different from the previous. A complement to his practice, these sculptures are meant to be something mundane that could be found around the house and even considered in still life or used as a vase.
Each piece is one of a kind and slight variations from the photo may occur.
Lunch Bag - Charcoal
Lunch Bag - Ruby
Lunch Bag - Purple
Mixed Media | 2020
Richards’ work has broadly focused on incentives, socio-economic issues, and political matters for the better part of a decade. He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society. He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.
68 x 96 inches - Unframed
Oil and mixed media on canvas
Rhetorical #1
Regular price $15,000
Oil on mylar
Charm
Migrants
Canyon
72 × 104 inches - Unframed
Caucus
Regular price $17,000
Redshift
As galaxies and stars move away from earth, from the human perspective, their visible light waves stretch, make them appear more red than they actually are. Blueshift is the opposite, when you see something move closer to you. These shifts create a color pallet of the universe’s ebb and flow and size and age. Similar to our own lives, nearly all objects are redshifted.
44 × 60 inches - Unframed
Pegasus Spheroidal
Pegasus Irregular
Wolf-Lundmark-Melotte
24 × 24 inches - Unframed
Pisces Dwarf
Saggitarius Dwarf
Caldwell 17
Triangulum
24 × 30 inches - Unframed
M86
30 × 24 inches - Unframed
Photo transfer on to metallic gold photo paper
IC10
Draco Dwarf
60 × 44 inches - Unframed
Andromeda V
Work on Paper | 2020
Stopa's works on paper deconstruct the signified object into the painterly, the felt, the tasted. His marks run the gamut from loopy, gestural strokes, to wiry ropes of paint tracing geometric forms, to small illusionistic details. They reference ubiquitous brands as well as private narratives.Stopa received his BFA from Indiana University and his MFA from the Pratt Institute. He is a curator and a frequent contributing writer for Art in America, The Brooklyn Rail, and Whitewall Magazine. He teaches at Pratt Institute and the School of Visual Arts.
19" x 24" - Unframed
Acrylic on bristol paper
Study for Joy Labyrinth
Regular price $2,400
Study for The Gate II
Study for Primary Cathedral
30" x 20" - Unframed
Chess Pie
Regular price $2,100
24" x 36" - Unframed
Pizza
30 x 30 inches
Daddy Eating a Peach
Blinding Light
40 x 30 inches
Black Lives Matter
Drawing | 2020 | Space Shuttle / Abingdon
Bell's found object-based sculptural work expresses the relationship between materials and memory. Delving into that relationship, he has found a connection between coming of age, nostalgia, and death that is rooted in several personal memories around pop culture, specifically the space shuttle and MGB cars in this series which he was very interested in as a child. The 2D works in this series are blind contour drawings of space shuttles and MGB parts diagrams which are then painted with acrylic.
22.125 X 26.125 inches - framed
Pencil and acrylic on paper
Space Shuttle
Sculpture | 2020 | Space Shuttle / Abingdon
Bell's found object-based sculptural work expresses the relationship between materials and memory. Delving into that relationship, he has found a connection between coming of age, nostalgia, and death that is rooted in several personal memories around pop culture, specifically the space shuttle and MGB cars in this series which he was very interested in as a child.
9.75 X 9.75 X 1.375 inches
Cast Iron and Wood
Piano Mountain 2
Regular price $150
20.5 X 18.25 X 8.625 inches
Wood and Steel
Sculpture | 2020 | Limited Edition Series
Ruth Bader Ginsburg has always been one of Tate's heroines and he considers her as the conscious of our nation. When she passed, Tim was crushed and knew both the country and his life would be different without her. When he read her final wish, it broke his heart again and he reacted as any artist would - he created art to honor her and her guardianship of the moral integrity of the country.
12" tall
Hand painted acrylic - striations and variations will appear on each piece
RBG - Black
Regular price $495
20 x 16 inches - Unframed
A Novel Response
48 x 48 inches - Unframed
Tabula Rasa
18 x 24 inches - Unframed
VOTES FOR WOMEN
NC (No. 3)
Campbell Thomas's work combines painting with quilting, overlaying their material vocabularies to create complex formal dialogues within each painting that resonate with the details of her own life and the history of each medium. She came relatively late to quilting, which she learned from her mother, but quickly realized its power as an art form traditionally practiced by women to inform and expand the range of painting.
17" x 15" - Unframed
Collaged fabric, collaged cut-up paintings, spray paint, acrylic paint on canvas with insets of pieced and machine-stitched fabric.
Lectio Opening
Regular price $1,600
22" x 20" - Unframed
Pieced
Regular price $2,200
Sculpture | 2014
Oakley developed his carving skills working as a stonemason, making grave markers and memorials before turning to sculpture. In his hand, the marble sculpture becomes a solid ghost of what it represents—full of physical presence, but missing the functionality of the object.
Exact size of a standard egg carton
Egg Carton
Photography | 2011 | Limited Edition 7 of 9
Goicolea’s work is not intentionally or overtly political. It is a visceral reaction to changing dialogues around ethnicity, sexuality and religion. Growing up as a Cuban, Catholic, gay boy in the Deep South in the early 70’s, heightened his awareness of social constructs and the changing nature of identity politics—a theme that continually informs his work.
70 x 50 inches - Unframed
C-Print Rear Mounted to UV Protective Non-Glare Plexi front with Aluminum Backing
Monument
Regular price $16,000
Photography | 2013 | Limited Edition 2 of 9
65 x 45 inches - Unframed
Stained Glass Forest
Mixed Media | 2019 | Series - Anonymous Self Portraits
Anonymous Self-Portraits eschews traditional portraiture and renders identity through coded body language, gesture and performance. Figures simultaneously reveal and conceal themselves as they push against the architectural boundaries of their vestments.
50 x 40 inches - Unframed
Ink, Graphite, and Oil Paint on Double-Sided Frosted Mylar Film Mounted to Board
Anonymous Self Portrait LIII
Regular price $16,500
Photography | 2019 | Limited Edition 2 of 6
16 x 21 inches - Unframed
C-Print Mounted on Di-bond
Red Ear
16 x 24 inches - Unframed
Blind Fold with Light Leak
Regular price $5,500
24 x 36 inches - Unframed
Black Island
Regular price $8,000
Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy. Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.
14.5 x 9.625 inches - Unframed
Gouache on antique book pages (circa 1700 – 1900)
Certificate of Authenticity
Constellations No. 40
17.125 x 22.125 inches - Unframed
Constellations No. 39
14.5 x 19.25 inches - Unframed
Constellations No. 36
12.25 x 17.5 inches - Unframed
Constellations No. 24
11.5 x 17.375 inches - Unframed
Constellations No. 17
11.625 x 17.5 inches - Unframed
Constellations No. 10
11.5 x 16 inches - Unframed
Gouache on handmade Canapa paper
Constellations No. 2
Photography | 2011 | Limited Edition 2 of 5
Series - Border Works
The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture.
Indentation in the grass where someone sheltered for the night after crossing the border, near Laredo, Texas.
60 x 44 inches - Unframed
Archival Pigment Print
Nest No. 2
Regular price $6,000
Photography | 2015 | Limited Edition 1 of 5
The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture. Eye shadow abandoned near the Border Wall is a sign that a woman was picked up by the Border Patrol, near Hidalgo, Texas.
Eye Shadow
Photography | 2013 | Limited Edition 1 of 5
The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture. Clothing left behind in a pile is a sign that someone has been picked up for detention along the border.
Clothing
Photography | 2014 | Limited Edition 1 of 5
The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture. Worn path of refugees from the Rio Grande to the border wall as well as the tire tracks left behind by Border Patrol vehicles along the cement border fence, near Hidalgo, Texas.
Path
The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture. Red Blanket and Plaid Shirt in the Rio Grande near Signacio, Texas.
Red Blanket and Plaid Shi...
The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture. Hoodie near Brownsville, Texas.
Hoodie
Photography | 2009 | Limited Edition 1 of 5
The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture. Man’s khaki pants found near the riverbank. Migrants cross the river, abandon their wet clothes, and change into dry clothes which they have carried across the river in black plastic bags, near Brownsville, Texas.
Pants
Photography | 2011 | Limited Edition 1 of 5
The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture. White bra left on the banks of the Rio Grande. On the border, a bra is a sign left behind by “coyotes” (human traffickers) to signal that a woman has been raped, near Laredo, Texas.
Bra
The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture. Each stake is a marker for the planting of a thorny plant called Citrus trifoliata. The inner tube has been cut by the Border Patrol so it cannot be reused to cross the river, near Laredo, Texas.
Riverbank with tire
Photography | 2008 | Limited Edition 2 of 5
The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture. Campsite on the north side of the Rio Grande with bags of clothing left behind by refugees and “coyotes” (human traffickers), Santa Ana Wildlife Refuge.
Coyote Campsite
Photography | 2008 | Limited Edition 3 of 5
The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture. Found wallet with passport, birth certificate, money, and telephone numbers to call upon arrival in the United States, Brownsville, Texas.
Wallet and Contents
Painting | 2011
Bae expresses herself through soft and graceful lines and interlocking curves. By using organic forms, her work has a flowing elegance demonstrating complete abstraction. This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.
72 x 36 inches - Unframed
Charcoal and Ink on Canvas
Seaside Tree
Regular price $18,000
Painting | 2009
465 x 46 inches - Unframed
Vis-a-vis 1
Painting | 2008
67 x 58 inches - Unframed
Monkey's fist 5
Regular price $20,000
Series - Quercus Phillyraeoides
Photography | 2019 | Limited Edition 3 of 5
47 x 31 inches - Unframed
Face-Mounted Archival Pigment Print
Ubamegashi Oak Forest iiii
Regular price $4,800
78 x 47 inches - Unframed
Ubamegashi Oak Forest ii
Regular price $8,500
Ubamegashi Oak Forest i
Series - Chandelier
Photography | 2018 | Limited Edition 4 of 5
51 x 63 inches - Framed
Face-Mounted Archival Pigment Print framed in black wood
The Chandelier 3
Regular price $11,000
The Chandelier 1
Limited Edition Signed Print | 2019
Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path. Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.
12 x 18 inches - Unframed
Limited Edition Multiple of oil on canvas
Marley Messai’s Uncle
Limited Edition Signed Print | 2018
Plural (Victoria's Hu...
Limited Edition Signed Print | 2015
Jenna's First
Lindsay's Friend
Painting | 2013
To Stephen
Regular price $10,000
Painting | 2014
My Hitta
More Revolutionary
Regular price $4,500
Donna’s Son From Chicago
Regular price $4,000
The Son of Agatha Jeremiah
Limited Edition Multiple | 2018
Kenna’s Dad
24 x 30 inches - Unframed
March on Washington
Jack Early seems never to have left his childhood; his playful wit and openness are the foundation for his work. Early’s lexicon is drawn from wondrous childhood memories, where ordinary things and events can leave long-lasting impressions. Aware of how visual and auditory phenomena can trigger us, he composes experiences to communicate sweet remembrances of simpler times.
13 x 13 inches - Framed
Oil paint on printed canvas in hand painted wooden frame
Jack Early Gummy Bear - O...
Jack Early Gummy Bear - Blue
Jack Early Gummy Bear - G...
Limited Edition Signed Print | 2017 | Set of 6 colors available
Limited Edition print of oil on silkscreen canvas
Jack Early Popsicle - Green
Limited Edition Signed Print | 2017 | Set of 6 available
36 x 24 inches
Jack Early Popsicle - Yellow
Jack Early Popsicle - Blue
Jack Early Popsicle - Orange
Jack Early Popsicle - Red
Jack Early Popsicle - Violet
Print | 2008 | Lithograph | Limited Edition
(Sulcal pattern in the human cerebral cortex - Lateral aspect, after von Economo and Koskinas, 1925)
This lithographic print depicts a horse from ‘the Triumphal Procession’, a monumental wood cut created in the studios of Albrecht durer and his fellow master German artists from the 16th century. The image of horse and rider has been mutated and suspended in time above a small patch of landscape, complete with weapons and livery.
15 x 16 inches - Framed
Lithograph on paper
Suspended growth
This lithograph is based on an early 20th century map of the human brain by Neurologists Economo and Koskinas, published as part of a 2 volume 800 page atlas, and one of the most important studies of human brain regions in the history of Medicine. The map has been redrawn here as a detailed landscape, to reflect the language used by the researchers when describing the various fundus or ‘hills’ and sulcus, or ‘valleys’ of the brain; in other words, the brain using the language of landscape to map itself.
Landscape with deep symmetry
Print
Drawing | 2017
This set of two drawings is based upon a famous experiment using the Planck satellite, carried out to validate claims made by scientists working with the BICEP telescope located at the South Pole.
14 x 14 inches - Framed
Ink, pencil and watercolour on paper
Dust in the Southern sky ...
Dust in the Northern sky ...
Drawing | 2014
This drawing depicts two complete sets of structures from 2 inner ears, otherwise known as labyrinths. They’re drawn as if joined together to create a self-sensing structure of sound and balance, a self-contained unit closed off to the exterior world.
Silence doubled, disinteg...
Drawing | 2018
(Model for spatial and temporal variations in the heliospheric magnetic field with Neural network detected Retinal Vasculature, exposed fovea and optic pit)
This drawing is based on a model of magnetic data collected by the Ulysses space probe in orbit around the sun. Blue values represent regions where the magnetic field pointed towards the Sun; red where it pointed away. This model is depicted above a shadow-like retina, complete with fovea and optic pit.
49 x 49 inches - Framed
Ulysses rapid transit
Mixed Media | 2019
30 × 34 inches - Unframed
Revisionist Histories
Mixed Media | 2016
56 × 48 inches - Unframed
Fable #2
Mixed Media | 2013
50 × 66 inches - Unframed
Threshold
Mixed Media | 2011
96 × 96 inches - Unframed
Shimmer Skull
42 × 42 inches - Unframed
The Law of Compromise
Collusion
Painting | 2015
This body of work is made to spend time considering events and people that get lost in the shuffle of the ever-changing news cycle. Themes of upheaval, power, displacement and the unspoken message of “home” anchor the work. Auto Auto Harp Harp depicts Syrians entering Germany who have become sick and possibly have died from eating death cap mushrooms (Amanita phalloides). This is the most optimistic work in the show, but still has the presence of danger.
81 × 69 inches - Unframed
Gouache and sumi ink on paper on canvas over wood panel
Auto Auto Harp Harp
This body of work is made to spend time considering events and people that get lost in the shuffle of the ever-changing news cycle. Themes of upheaval, power, displacement and the unspoken message of “home” anchor the work. In The End of Time, the figures stand on a coastline with reddened water behind them. The composition is borrowed from Picasso’s Pipes of Pan. Picasso’s piece overlooks a calm Mediterranean view. Rather than use this peaceful view of the sea that has, for generations, brought people to it for its tranquility, I choose to depict the Mediterranean for the millennia-old bloodbath that it is. In the bottom left of the piece is a head. It is that of Matthew Ayariga, the lone Ghanan decapitated alongside 20 Coptic Christians from Egypt on a Libyan coast.
69 × 81 inches - Unframed
The End of Time
This body of work is made to spend time considering events and people that get lost in the shuffle of the ever-changing news cycle. Themes of upheaval, power, displacement and the unspoken message of “home” anchor the work. The Chess Player is a depiction of the people involved in carving up the Middle East: Paul Cambon and Sir Edward Grey, the French and English signatories for the Sykes-Picot Agreement. The chess player is an ages-old theme running through art, pointing towards competition, debate and power.
36 × 44 inches - Unframed
Acrylic and acrylic gouache on canvas over wood panel
The Chess Player
This body of work is made to spend time considering events and people that get lost in the shuffle of the ever-changing news cycle. Themes of upheaval, power, displacement and the unspoken message of “home” anchor the work. The Cartographer is a depiction of François Georges-Picot arranged with the map of the Sykes-Picot Agreement across the piece.
Acrylic on canvas over wood panel
The Cartographer
This body of work is made to spend time considering events and people that get lost in the shuffle of the ever-changing news cycle. Themes of upheaval, power, displacement and the unspoken message of “home” anchor the work. Khaled al-Asaad was a Syrian archaeologist and head of antiquities for the ancient city of Palmyra who was publicly executed in gruesome fashion by ISIS while attempting to hide antiquities in the city museum from them so they could not destroy the ancient art.
16 × 20 inches - Unframed
Khaled Al-Asaad 2
Equilibrium | Mixed Media | 2019
With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human. Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self. Equilibrium is a state of adjustment and balance for Tim and his work, capturing a free fall that is both static and dynamic.
45 × 68 inches - Unframed
Pigment print and gel on canvas
Ravel
Shadow of Russia | Photography | 2015
22 × 17 inches - Unframed
Red Car
Original Painting | 2020
30 × 30 inches - Unframed
On Our Way IV
Regular price $5,250
20 × 20 inches - Unframed
Round and Round II
Regular price $2,750
13 × 13 inches - Unframed
Taking the High Road
Reticulating Lines - Ultr...
12 × 18 inches - Unframed
Untitled - Blue Racetrack
10 × 10 inches - Unframed
Reticulating Lines - Baby...