New Arrivals{
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ARTISTS{
Barbara Campbell Thomas
Greensboro, NC
Barbara Campbell Thomas's work combines painting with quilting, overlaying their material vocabularies to create complex formal dialogues within each painting that resonate with the details of her own life and the history of each medium. She came relatively late to quilting, which she learned from her mother, but quickly realized its power as an art form traditionally practiced by women to inform and expand the range of painting.
collection type = AsArtist01
Ben Alper
Carrboro, NC
Ben Alper is an artist based in Carrboro, NC. He received a BFA in photography from Mass Art in Boston and an MFA in Studio Art from UNC - Chapel Hill. Alper’s work has been shown widely, including in exhibitions at the Nasher Museum in Durham, NC, at Glass Box in Seattle, Transmitter Gallery in Brooklyn, S1 Gallery in Portland, OR, Higher Pictures in New York, Schneider Gallery in Chicago, the Luminary Center for the Arts in St. Louis, Osnova Gallery in Moscow and Camera in Cluj, Romania. Additionally, his work has been published in Time Magazine, The British Journal of Photography, California Sunday Magazine, The Wire, Conveyor Magazine and Dear, Dave. Alper has also published six books in the past six years and is the co-founder of A New Nothing, an online project dedicated to hosting visual conversations between artists. He is also ⅓ of Sleeper Studio, a publishing project working with photography, design and text.
collection type = AsArtist01
Beverly McIver
Durham, NC
Currently the Professor of the Practice of Art at Duke University, Beverly McIver is widely acknowledged as a significant presence in contemporary American art. Charting a new direction as an African American woman artist, she is committed to producing art that consistently examines racial, gender, social and occupational identity. McIver’s autobiographical paintings are richly colorful and chronicle her life struggle with her African-American identity. Her 2020 self-portraits and paintings of family and friends confront her feelings and fears of the chaos and isolation brought on by a pandemic while battling racial injustice. Her voice in these works is loud, unapologetic, brave and bold and the different interpretations by white and black viewers highlights the collision of the worlds that she straddles daily.
collection type = AsArtist01
Bill Sullivan
New York, NY
For nearly two decades Bill Sullivan’s work has been part of a diverse program of artistic production ranging from photographic media, print making, painting, design, installation and book making. He is known for his tennis court related works, as well as his re-interpretations of image archives of various genres. Much of his work has centered on the creation of unique photo and digital based image surfaces. Sullivan has worked closely with the publisher S U N to produce a series of image-based books structured as something between graphic novels and catalogs. These books include the internationally acclaimed Forest Hills (2014) a book that follows the 20th century history of tennis and art confusing and conflating their stories to create a new kind of visual history. Sullivan has produced at least a book each year since 2014 including The Black Panther Coloring Book {with Corey Presha} (2014), Reckless Spring (2015), Letters of People (2016), Permanent Fun (2017), Pure Country (2018), Self Portraits with Mirrors (2019), and Major Force Vol 1: 2007-2011(2020). Sullivan was awarded a 2021 Guggenheim Fellowship for photography. His work has been exhibited internationally and is part of major collections including The ICP, The Met, and MOMA. He currently lives and works in New York City.
collection type = AsArtist01
