Dean Allison

Sculpture | 2020

Allison loves details and realism and the focus of his work is on figurative sculpture and portraiture with glass. His Lunch Bag series was designed to be something that was unique but still consistent with his line, each one becoming a little different from the previous. A complement to his practice, these sculptures are meant to be something mundane that could be found around the house and even considered in still life or used as a vase.

Size

11” Height x 6” Width x 5” Depth

Materials

Glass

Authenticity

Signed certificate of authenticity

Dean Allison

Sculpture | 2020

Allison loves details and realism and the focus of his work is on figurative sculpture and portraiture with glass. His Lunch Bag series was designed to be something that was unique but still consistent with his line, each one becoming a little different from the previous. A complement to his practice, these sculptures are meant to be something mundane that could be found around the house and even considered in still life or used as a vase.

Size

11” Height x 6” Width x 5” Depth

Materials

Glass

Authenticity

Signed certificate of authenticity

Dean Allison

Sculpture | 2020

Allison loves details and realism and the focus of his work is on figurative sculpture and portraiture with glass. His Lunch Bag series was designed to be something that was unique but still consistent with his line, each one becoming a little different from the previous. A complement to his practice, these sculptures are meant to be something mundane that could be found around the house and even considered in still life or used as a vase.

Size

11” Height x 6” Width x 5” Depth

Materials

Glass

Authenticity

Signed certificate of authenticity

Dean Allison

Sculpture | 2020

Allison loves details and realism and the focus of his work is on figurative sculpture and portraiture with glass. His Lunch Bag series was designed to be something that was unique but still consistent with his line, each one becoming a little different from the previous. A complement to his practice, these sculptures are meant to be something mundane that could be found around the house and even considered in still life or used as a vase.

Size

11” Height x 6” Width x 5” Depth

Materials

Glass

Authenticity

Signed certificate of authenticity

SHAUN RICHARDS

Painting | 2020

Richards’ work has broadly focused on political incentives, socio-economic issues, notions of beauty, and societal norms for the better part of a decade.  He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society.  He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

16 x 16 inches - Unframed

Materials

Oil on panel

Authenticity

Hand signed by the artist

SHAUN RICHARDS

Mixed Media | 2020

Richards’ work has broadly focused on political incentives, socio-economic issues, notions of beauty, and societal norms for the better part of a decade.  He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society.  He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

68 x 96 inches - Unframed

Materials

Oil and mixed media on canvas

Authenticity

Hand signed by the artist

SHAUN RICHARDS

Painting | 2020

Richards’ work has broadly focused on political incentives, socio-economic issues, notions of beauty, and societal norms for the better part of a decade.  He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society.  He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

36 x 24 inches - Unframed

Materials

Oil on mylar

Authenticity

Hand signed by the artist

SHAUN RICHARDS

Painting | 2020

Richards’ work has broadly focused on political incentives, socio-economic issues, notions of beauty, and societal norms for the better part of a decade.  He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society.  He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

36 x 24 inches - Unframed

Materials

Oil on mylar

Authenticity

Hand signed by the artist

SHAUN RICHARDS

Painting | 2020

Richards’ work has broadly focused on political incentives, socio-economic issues, notions of beauty, and societal norms for the better part of a decade.  He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society.  He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

36 x 24 inches - Unframed

Materials

Oil on mylar

Authenticity

Hand signed by the artist

SHAUN RICHARDS

Mixed Media | 2020

Richards’ work has broadly focused on political incentives, socio-economic issues, notions of beauty, and societal norms for the better part of a decade.  He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society.  He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

72 × 104 inches - Unframed

Materials

Oil and mixed media on canvas

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Unique Photographic Monoprint | 2020

Redshift

As galaxies and stars move away from earth, from the human perspective, their visible light waves stretch, make them appear more red than they actually are. Blueshift is the opposite, when you see something move closer to you. These shifts create a color pallet of the universe’s ebb and flow and size and age. Similar to our own lives, nearly all objects are redshifted.

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

44 × 60 inches - Unframed

Materials

Photo transfer on archival photo paper

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Unique Photographic Monoprint | 2020

Redshift

As galaxies and stars move away from earth, from the human perspective, their visible light waves stretch, make them appear more red than they actually are. Blueshift is the opposite, when you see something move closer to you. These shifts create a color pallet of the universe’s ebb and flow and size and age. Similar to our own lives, nearly all objects are redshifted.

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

44 × 60 inches - Unframed

Materials

Photo transfer on archival photo paper

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Unique Photographic Monoprint | 2020

Redshift

As galaxies and stars move away from earth, from the human perspective, their visible light waves stretch, make them appear more red than they actually are. Blueshift is the opposite, when you see something move closer to you. These shifts create a color pallet of the universe’s ebb and flow and size and age. Similar to our own lives, nearly all objects are redshifted.

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

44 × 60 inches - Unframed

Materials

Photo transfer on archival photo paper

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Unique Photographic Monoprint | 2020

Redshift

As galaxies and stars move away from earth, from the human perspective, their visible light waves stretch, make them appear more red than they actually are. Blueshift is the opposite, when you see something move closer to you. These shifts create a color pallet of the universe’s ebb and flow and size and age. Similar to our own lives, nearly all objects are redshifted.

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

24 × 24 inches - Unframed

Materials

Photo transfer on archival photo paper

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Unique Photographic Monoprint | 2020

Redshift

As galaxies and stars move away from earth, from the human perspective, their visible light waves stretch, make them appear more red than they actually are. Blueshift is the opposite, when you see something move closer to you. These shifts create a color pallet of the universe’s ebb and flow and size and age. Similar to our own lives, nearly all objects are redshifted.

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

24 × 24 inches - Unframed

Materials

Photo transfer on archival photo paper

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Unique Photographic Monoprint | 2020

Redshift

As galaxies and stars move away from earth, from the human perspective, their visible light waves stretch, make them appear more red than they actually are. Blueshift is the opposite, when you see something move closer to you. These shifts create a color pallet of the universe’s ebb and flow and size and age. Similar to our own lives, nearly all objects are redshifted.

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

24 × 24 inches - Unframed

Materials

Photo transfer on archival photo paper

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Unique Photographic Monoprint | 2020

Redshift

As galaxies and stars move away from earth, from the human perspective, their visible light waves stretch, make them appear more red than they actually are. Blueshift is the opposite, when you see something move closer to you. These shifts create a color pallet of the universe’s ebb and flow and size and age. Similar to our own lives, nearly all objects are redshifted.

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

24 × 24 inches - Unframed

Materials

Photo transfer on archival photo paper

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Unique Photographic Monoprint | 2020

Redshift

As galaxies and stars move away from earth, from the human perspective, their visible light waves stretch, make them appear more red than they actually are. Blueshift is the opposite, when you see something move closer to you. These shifts create a color pallet of the universe’s ebb and flow and size and age. Similar to our own lives, nearly all objects are redshifted.

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

24 × 30 inches - Unframed

Materials

Photo transfer on archival photo paper

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Unique Photographic Monoprint | 2020

Redshift

As galaxies and stars move away from earth, from the human perspective, their visible light waves stretch, make them appear more red than they actually are. Blueshift is the opposite, when you see something move closer to you. These shifts create a color pallet of the universe’s ebb and flow and size and age. Similar to our own lives, nearly all objects are redshifted.

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

30 × 24 inches - Unframed

Materials

Photo transfer on to metallic gold photo paper

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Unique Photographic Monoprint | 2020

Redshift

As galaxies and stars move away from earth, from the human perspective, their visible light waves stretch, make them appear more red than they actually are. Blueshift is the opposite, when you see something move closer to you. These shifts create a color pallet of the universe’s ebb and flow and size and age. Similar to our own lives, nearly all objects are redshifted.

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

30 × 24 inches - Unframed

Materials

Photo transfer on to metallic gold photo paper

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Unique Photographic Monoprint | 2020

Redshift

As galaxies and stars move away from earth, from the human perspective, their visible light waves stretch, make them appear more red than they actually are. Blueshift is the opposite, when you see something move closer to you. These shifts create a color pallet of the universe’s ebb and flow and size and age. Similar to our own lives, nearly all objects are redshifted.

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

60 × 44 inches - Unframed

Materials

Photo transfer on archival photo paper

Authenticity

Hand signed by the artist

Jason Stopa

Painting | 2020

Stopa's paintings deconstruct the signified object into the painterly, the felt, the tasted. His marks run the gamut from loopy, gestural strokes, to wiry ropes of paint tracing geometric forms, to small illusionistic details. They reference ubiquitous brands as well as private narratives.

Stopa received his BFA from Indiana University and his MFA from the Pratt Institute. He is  a curator and a frequent contributing writer for Art in America, The Brooklyn Rail, and Whitewall Magazine. He teaches at Pratt Institute and the School of Visual Arts.

Size

19" x 24" - Unframed

Materials

Acrylic on bristol paper

Authenticity

Hand signed by the artist

Jason Stopa

Painting | 2020

Stopa's paintings deconstruct the signified object into the painterly, the felt, the tasted. His marks run the gamut from loopy, gestural strokes, to wiry ropes of paint tracing geometric forms, to small illusionistic details. They reference ubiquitous brands as well as private narratives.

Stopa received his BFA from Indiana University and his MFA from the Pratt Institute. He is  a curator and a frequent contributing writer for Art in America, The Brooklyn Rail, and Whitewall Magazine. He teaches at Pratt Institute and the School of Visual Arts.

Size

19" x 24" - Unframed

Materials

Acrylic on bristol paper

Authenticity

Hand signed by the artist

Jason Stopa

Painting | 2021

Stopa's paintings deconstruct the signified object into the painterly, the felt, the tasted. His marks run the gamut from loopy, gestural strokes, to wiry ropes of paint tracing geometric forms, to small illusionistic details. They reference ubiquitous brands as well as private narratives.

Stopa received his BFA from Indiana University and his MFA from the Pratt Institute. He is  a curator and a frequent contributing writer for Art in America, The Brooklyn Rail, and Whitewall Magazine. He teaches at Pratt Institute and the School of Visual Arts.

Size

19" x 24" - Unframed

Materials

Acrylic on bristol paper

Authenticity

Hand signed by the artist

BA Thomas

Painting | 2021

BA Thomas creates paintings exploring the relationship between space, time, and the human experience. While predominantly an oil painter, her artistic practice also envelops aspects of writing, drawing, and collage. She questions traditional social constructs of spaces, the behavioral choices inferred from movement or objects, the meaning behind possessions, and ultimately, what humans leave behind.

Size

48" x 36" - Unframed

Materials

Oil and acrylic on canvas

Authenticity

Hand signed by the artist

BA Thomas

Painting | 2021

BA Thomas creates paintings exploring the relationship between space, time, and the human experience. While predominantly an oil painter, her artistic practice also envelops aspects of writing, drawing, and collage. She questions traditional social constructs of spaces, the behavioral choices inferred from movement or objects, the meaning behind possessions, and ultimately, what humans leave behind.

Size

30" x 20" - Unframed

Materials

Oil and acrylic on canvas

Authenticity

Hand signed by the artist

BA Thomas

Painting | 2021

BA Thomas creates paintings exploring the relationship between space, time, and the human experience. While predominantly an oil painter, her artistic practice also envelops aspects of writing, drawing, and collage. She questions traditional social constructs of spaces, the behavioral choices inferred from movement or objects, the meaning behind possessions, and ultimately, what humans leave behind.

Size

24" x 36" - Unframed

Materials

Oil and acrylic on canvas

Authenticity

Hand signed by the artist

BEVERLY MCIVER

Painting | 2020 

Named Top Ten in Painting by Art News, McIver’s autobiographical paintings are richly colorful and chronicle her life struggle with her African-American identity. When Covid hit, along with all of 2020’s racial and political turbulence, McIver faced the chaos and isolation the only way she knew how-through paint. Through a series of self-portraits and paintings of family and friends, McIver confronted her feelings and fears. Her voice in these works is loud, unapologetic, brave and bold and the different interpretations by white and black viewers highlights the collision of the worlds that she straddles daily.

Size

30 x 30 inches

Materials

Oil on Canvas

Authenticity

Hand signed by the artist

BEVERLY MCIVER

Painting | 2020 

Named Top Ten in Painting by Art News, McIver’s autobiographical paintings are richly colorful and chronicle her life struggle with her African-American identity. When Covid hit, along with all of 2020’s racial and political turbulence, McIver faced the chaos and isolation the only way she knew how-through paint. Through a series of self-portraits and paintings of family and friends, McIver confronted her feelings and fears. Her voice in these works is loud, unapologetic, brave and bold and the different interpretations by white and black viewers highlights the collision of the worlds that she straddles daily.

Size

30 x 30 inches

Materials

Oil on Canvas

Authenticity

Hand signed by the artist

BEVERLY MCIVER

Painting | 2020 

Named Top Ten in Painting by Art News, McIver’s autobiographical paintings are richly colorful and chronicle her life struggle with her African-American identity. When Covid hit, along with all of 2020’s racial and political turbulence, McIver faced the chaos and isolation the only way she knew how-through paint. Through a series of self-portraits and paintings of family and friends, McIver confronted her feelings and fears. Her voice in these works is loud, unapologetic, brave and bold and the different interpretations by white and black viewers highlights the collision of the worlds that she straddles daily.

Size

40 x 30 inches

Materials

Oil on Canvas

Authenticity

Hand signed by the artist

Jeff Bell 

Drawing | 2020 | Space Shuttle / Abingdon

Bell's found object-based sculptural work expresses the relationship between materials and memory. Delving into that relationship, he has found a connection between coming of age, nostalgia, and death that is rooted in several personal memories around pop culture, specifically the space shuttle and MGB cars in this series which he was very interested in as a child.  The 2D works in this series are blind contour drawings of space shuttles and MGB parts diagrams which are then painted with acrylic.

Size

22.125 X 26.125 inches - framed

Materials

Pencil and acrylic on paper

Authenticity

Hand signed by the artist

Jeff Bell 

Sculpture | 2020 | Space Shuttle / Abingdon

Bell's found object-based sculptural work expresses the relationship between materials and memory. Delving into that relationship, he has found a connection between coming of age, nostalgia, and death that is rooted in several personal memories around pop culture, specifically the space shuttle and MGB cars in this series which he was very interested in as a child.

Size

9.75 X 9.75 X 1.375 inches

Materials

Cast Iron and Wood

Authenticity

Hand signed by the artist

Jeff Bell 

Sculpture | 2020 | Space Shuttle / Abingdon

Bell's found object-based sculptural work expresses the relationship between materials and memory. Delving into that relationship, he has found a connection between coming of age, nostalgia, and death that is rooted in several personal memories around pop culture, specifically the space shuttle and MGB cars in this series which he was very interested in as a child.

Size

20.5 X 18.25 X 8.625 inches

Materials

Wood and Steel

Authenticity

Hand signed by the artist

TIM TATE

Sculpture | 2020 | Limited Edition Series

Ruth Bader Ginsburg has always been one of Tate's heroines and he considers her as the conscious of our nation.  When she passed, Tim was crushed and knew both the country and his life would be different without her.  When he read her final wish, it broke his heart again and he reacted as any artist would - he created art to honor her and her guardianship of the moral integrity of the country. 

Size

12" tall

Materials

Hand painted acrylic - striations and variations will appear on each piece

Authenticity

Hand signed by the artist

MARTHA THORN

Painting | 2020

Thorn is a process painter starting with line and drawing, followed by texture and design, and color being layered on last used as a vehicle by which she can persuade her audience to look at her work. In her bright and captivating work, she presents the dichotomies of chaos and peace, dirty and clean, and ugliness and beauty in a fresh and authentic way.

Size

20 x 16 inches - Unframed

Materials

Acrylic and spray paint on canvas

Authenticity

Hand signed by the artist

MARTHA THORN

Painting | 2020

Thorn is a process painter starting with line and drawing, followed by texture and design, and color being layered on last used as a vehicle by which she can persuade her audience to look at her work. In her bright and captivating work, she presents the dichotomies of chaos and peace, dirty and clean, and ugliness and beauty in a fresh and authentic way.

Size

48 x 48 inches - Unframed

Materials

Acrylic and spray paint on canvas

Authenticity

Hand signed by the artist

ARTSUITE

Gift Card 

The most effective way to support working artists is to share their art and encourage the world to invest in their work.  Encourage the people on your list to support their favorite artists by gifting an Artsuite gift card.  If you would like to purchase a different denomination than available, please email us at info@artsuite.com.

“If you find a piece of art that speaks to you, that moves you, that makes you circle back to look at it again – just get it.”

-Artsuite Founder, Allen Thomas Jr.

BRANDON DUDLEY

Painting | 2020

Through his portraits, Dudley strives to construct empowering representations of black culture and black history.  His art becomes a source of education, as he shows appreciation for a culture that is negatively perceived. 

Size

18 x 24 inches - Unframed

Materials

Oil on canvas

Authenticity

Hand signed by the artist

Barbara Campbell Thomas

Mixed Media | 2020

Campbell Thomas's work combines painting with quilting, overlaying their material vocabularies to create complex formal dialogues within each painting that resonate with the details of her own life and the history of each medium. She came relatively late to quilting, which she learned from her mother, but quickly realized its power as an art form traditionally practiced by women to inform and expand the range of painting.

Size

17" x 15" - Unframed

Materials

Collaged fabric, collaged cut-up paintings, spray paint, acrylic paint on canvas with insets of pieced and machine-stitched fabric.

Authenticity

Hand signed by the artist

Barbara Campbell Thomas

Mixed Media | 2020

Campbell Thomas's work combines painting with quilting, overlaying their material vocabularies to create complex formal dialogues within each painting that resonate with the details of her own life and the history of each medium. She came relatively late to quilting, which she learned from her mother, but quickly realized its power as an art form traditionally practiced by women to inform and expand the range of painting.

Size

22" x 20" - Unframed

Materials

Collaged fabric, collaged cut-up paintings, spray paint, acrylic paint on canvas with insets of pieced and machine-stitched fabric.

Authenticity

Hand signed by the artist

Barbara Campbell Thomas

Mixed Media | 2020

Campbell Thomas's work combines painting with quilting, overlaying their material vocabularies to create complex formal dialogues within each painting that resonate with the details of her own life and the history of each medium. She came relatively late to quilting, which she learned from her mother, but quickly realized its power as an art form traditionally practiced by women to inform and expand the range of painting.

Size

20" x 22" - Unframed

Materials

Collaged fabric, collaged cut-up paintings, spray paint, acrylic paint on canvas with insets of pieced and machine-stitched fabric.

Authenticity

Hand signed by the artist

Barbara Campbell Thomas

Mixed Media | 2020

Campbell Thomas's work combines painting with quilting, overlaying their material vocabularies to create complex formal dialogues within each painting that resonate with the details of her own life and the history of each medium. She came relatively late to quilting, which she learned from her mother, but quickly realized its power as an art form traditionally practiced by women to inform and expand the range of painting.

Size

36" x 30" - Unframed

Materials

Collaged fabric, collaged cut-up paintings, spray paint, acrylic paint on canvas with insets of pieced and machine-stitched fabric.

Authenticity

Hand signed by the artist

Barbara Campbell Thomas

Mixed Media | 2020

Campbell Thomas's work combines painting with quilting, overlaying their material vocabularies to create complex formal dialogues within each painting that resonate with the details of her own life and the history of each medium. She came relatively late to quilting, which she learned from her mother, but quickly realized its power as an art form traditionally practiced by women to inform and expand the range of painting.

Size

30" x 36" - Unframed

Materials

Collaged fabric, collaged cut-up paintings, spray paint, acrylic paint on canvas with insets of pieced and machine-stitched fabric.

Authenticity

Hand signed by the artist

Barbara Campbell Thomas

Mixed Media | 2020

Campbell Thomas's work combines painting with quilting, overlaying their material vocabularies to create complex formal dialogues within each painting that resonate with the details of her own life and the history of each medium. She came relatively late to quilting, which she learned from her mother, but quickly realized its power as an art form traditionally practiced by women to inform and expand the range of painting.

Size

60" x 72" - Unframed

Materials

Collaged fabric, collaged cut-up paintings, spray paint, acrylic paint on canvas with insets of pieced and machine-stitched fabric.

Authenticity

Hand signed by the artist

Barbara Campbell Thomas

Mixed Media | 2020

Campbell Thomas's work combines painting with quilting, overlaying their material vocabularies to create complex formal dialogues within each painting that resonate with the details of her own life and the history of each medium. She came relatively late to quilting, which she learned from her mother, but quickly realized its power as an art form traditionally practiced by women to inform and expand the range of painting.

Size

60" x 72" - Unframed

Materials

Collaged fabric, collaged cut-up paintings, spray paint, acrylic paint on canvas with insets of pieced and machine-stitched fabric.

Authenticity

Hand signed by the artist

Peter Glenn Oakley

Sculpture | 2014

Oakley developed his carving skills working as a stonemason, making grave markers and memorials before turning to sculpture. In his hand, the marble sculpture becomes a solid ghost of what it represents—full of physical presence, but missing the functionality of the object.

Size

Exact size of a standard egg carton

Materials

Marble

Authenticity

Hand signed by the artist

ANTHONY GOICOLEA

Photography | 2011 | Limited Edition 7 of 9

Goicolea’s work is not intentionally or overtly political. It is a visceral reaction to changing dialogues around ethnicity, sexuality and religion. Growing up as a Cuban, Catholic, gay boy in the Deep South in the early 70^’s, heightened his awareness of social constructs and the changing nature of identity politics—a theme that continually informs his work.

Size

70 x 50 inches - Unframed

Materials

C-Print Rear Mounted to UV Protective Non-Glare Plexi front with Aluminum Backing

Authenticity

Hand signed by the artist

ANTHONY GOICOLEA

Photography | 2013 | Limited Edition 2 of 9

Goicolea’s work is not intentionally or overtly political. It is a visceral reaction to changing dialogues around ethnicity, sexuality and religion. Growing up as a Cuban, Catholic, gay boy in the Deep South in the early 70^’s, heightened his awareness of social constructs and the changing nature of identity politics—a theme that continually informs his work.

Size

65 x 45 inches - Unframed

Materials

C-Print Rear Mounted to UV Protective Non-Glare Plexi front with Aluminum Backing

Authenticity

Hand signed by the artist

ANTHONY GOICOLEA

Mixed Media | 2019 | Series - Anonymous Self Portraits

Anonymous Self-Portraits eschews traditional portraiture and renders identity through coded body language, gesture and performance. Figures simultaneously reveal and conceal themselves as they push against the architectural boundaries of their vestments.

Size

50 x 40 inches - Unframed

Materials

Ink, Graphite, and Oil Paint on Double-Sided Frosted Mylar Film Mounted to Board

Authenticity

Hand signed by the artist

ANTHONY GOICOLEA

Photography | 2019 | Limited Edition 2 of 6

Goicolea’s work is not intentionally or overtly political. It is a visceral reaction to changing dialogues around ethnicity, sexuality and religion. Growing up as a Cuban, Catholic, gay boy in the Deep South in the early 70^’s, heightened his awareness of social constructs and the changing nature of identity politics—a theme that continually informs his work.

Size

16 x 21 inches - Unframed

Materials

C-Print Mounted on Di-bond

Authenticity

Hand signed by the artist

ANTHONY GOICOLEA

Photography | 2019 | Limited Edition 2 of 6

Goicolea’s work is not intentionally or overtly political. It is a visceral reaction to changing dialogues around ethnicity, sexuality and religion. Growing up as a Cuban, Catholic, gay boy in the Deep South in the early 70^’s, heightened his awareness of social constructs and the changing nature of identity politics—a theme that continually informs his work.

Size

16 x 24 inches - Unframed

Materials

C-Print Mounted on Di-bond

Authenticity

Hand signed by the artist

ANTHONY GOICOLEA

Photography | 2019 | Limited Edition 2 of 6

Goicolea’s work is not intentionally or overtly political. It is a visceral reaction to changing dialogues around ethnicity, sexuality and religion. Growing up as a Cuban, Catholic, gay boy in the Deep South in the early 70^’s, heightened his awareness of social constructs and the changing nature of identity politics—a theme that continually informs his work.

Size

24 x 36 inches - Unframed

Materials

C-Print Mounted on Di-bond

Authenticity

Hand signed by the artist

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

14.5 x 9.625 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

17.125 x 22.125 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

14.5 x 19.25 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Painting | 2018

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

12.25 x 17.5 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

11.5 x 17.375 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

11.625 x 17.5 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Painting | 2018

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

11.5 x 16 inches - Unframed

Materials

Gouache on handmade Canapa paper

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Photography | 2011 | Limited Edition 2 of 5

Series - Border Works 

The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture.

Indentation in the grass where someone sheltered for the night after crossing the border, near Laredo, Texas.

Size

60 x 44 inches - Unframed

Materials

Archival Pigment Print

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Photography | 2015 | Limited Edition 1 of 5

Series - Border Works 

The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture.  Eye shadow abandoned near the Border Wall is a sign that a woman was picked up by the Border Patrol, near Hidalgo, Texas.

Size

60 x 44 inches - Unframed

Materials

Archival Pigment Print

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Photography | 2013 | Limited Edition 1 of 5

Series - Border Works 

The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture.  Clothing left behind in a pile is a sign that someone has been picked up for detention along the border. 

Size

60 x 44 inches - Unframed

Materials

Archival Pigment Print

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Photography | 2014 | Limited Edition 1 of 5

Series - Border Works 

The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture.  Worn path of refugees from the Rio Grande to the border wall as well as the tire tracks left behind by Border Patrol vehicles along the cement border fence, near Hidalgo, Texas.

Size

60 x 44 inches - Unframed

Materials

Archival Pigment Print

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Photography | 2011 | Limited Edition 2 of 5

Series - Border Works 

The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture.  Red Blanket and Plaid Shirt in the Rio Grande near Signacio, Texas.

Size

60 x 44 inches - Unframed

Materials

Archival Pigment Print

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Photography | 2014 | Limited Edition 1 of 5

Series - Border Works 

The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture.  Hoodie near Brownsville, Texas.

Size

60 x 44 inches - Unframed

Materials

Archival Pigment Print

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Photography | 2009 | Limited Edition 1 of 5

Series - Border Works 

The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture.  Man’s khaki pants found near the riverbank. Migrants cross the river, abandon their wet clothes, and change into dry clothes which they have carried across the river in black plastic bags, near Brownsville, Texas.

Size

60 x 44 inches - Unframed

Materials

Archival Pigment Print

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Photography | 2011 | Limited Edition 1 of 5

Series - Border Works 

The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture.  White bra left on the banks of the Rio Grande. On the border, a bra is a sign left behind by “coyotes” (human traffickers) to signal that a woman has been raped, near Laredo, Texas.

Size

60 x 44 inches - Unframed

Materials

Archival Pigment Print

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Photography | 2011 | Limited Edition 2 of 5

Series - Border Works 

The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture.  Each stake is a marker for the planting of a thorny plant called Citrus trifoliata. The inner tube has been cut by the Border Patrol so it cannot be reused to cross the river, near Laredo, Texas.

Size

60 x 44 inches - Unframed

Materials

Archival Pigment Print

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Photography | 2008 | Limited Edition 2 of 5

Series - Border Works 

The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture.  Campsite on the north side of the Rio Grande with bags of clothing left behind by refugees and “coyotes” (human traffickers), Santa Ana Wildlife Refuge.

Size

60 x 44 inches - Unframed

Materials

Archival Pigment Print

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Photography | 2008 | Limited Edition 3 of 5

Series - Border Works 

The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture.  Found wallet with passport, birth certificate, money, and telephone numbers to call upon arrival in the United States, Brownsville, Texas.

Size

60 x 44 inches - Unframed

Materials

Archival Pigment Print

Authenticity

Certificate of Authenticity

SANGSUN BAE

Painting | 2011

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

72 x 36 inches - Unframed

Materials

Charcoal and Ink on Canvas

Authenticity

Hand signed by the artist

SANGSUN BAE

Painting | 2009

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

465 x 46 inches - Unframed

Materials

Charcoal and Ink on Canvas

Authenticity

Hand signed by the artist

SANGSUN BAE

Painting | 2008

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

67 x 58 inches - Unframed

Materials

Charcoal and Ink on Canvas

Authenticity

Hand signed by the artist

SANGSUN BAE

Series - Quercus Phillyraeoides

Photography | 2019 | Limited Edition 3 of 5

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

47 x 31 inches - Unframed

Materials

Face-Mounted Archival Pigment Print

Authenticity

Hand signed by the artist

SANGSUN BAE

Series - Quercus Phillyraeoides

Photography | 2019 | Limited Edition 3 of 5

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

78 x 47 inches - Unframed

Materials

Face-Mounted Archival Pigment Print

Authenticity

Hand signed by the artist

SANGSUN BAE

Series - Quercus Phillyraeoides

Photography | 2019 | Limited Edition 3 of 5

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

78 x 47 inches - Unframed

Materials

Face-Mounted Archival Pigment Print

Authenticity

Hand signed by the artist

SANGSUN BAE

Series - Chandelier

Photography | 2018 | Limited Edition 4 of 5

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

51 x 63 inches - Framed

Materials

Face-Mounted Archival Pigment Print framed in black wood

Authenticity

Hand signed by the artist

SANGSUN BAE

Series - Chandelier

Photography | 2018 | Limited Edition 4 of 5

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

51 x 63 inches - Framed

Materials

Face-Mounted Archival Pigment Print framed in black wood

Authenticity

Hand signed by the artist

WILLIAM PAUL THOMAS

Limited Edition Signed Print | 2019

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

12 x 18 inches - Unframed

Materials

Limited Edition Multiple of oil on canvas

Authenticity

Hand signed by the artist

WILLIAM PAUL THOMAS

Limited Edition Signed Print | 2018

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

12 x 18 inches - Unframed

Materials

Limited Edition Multiple of oil on canvas

Authenticity

Hand signed by the artist

WILLIAM PAUL THOMAS

Limited Edition Signed Print | 2015

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

12 x 18 inches - Unframed

Materials

Limited Edition Multiple of oil on canvas

Authenticity

Hand signed by the artist

WILLIAM PAUL THOMAS

Limited Edition Signed Print | 2018

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

12 x 18 inches - Unframed

Materials

Limited Edition Multiple of oil on canvas

Authenticity

Hand signed by the artist

WILLIAM PAUL THOMAS

Painting | 2013

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

24 x 36 inches - Unframed

Materials

Oil on canvas

Authenticity

Hand signed by the artist

WILLIAM PAUL THOMAS

Painting | 2014

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

24 x 36 inches - Unframed

Materials

Oil on canvas

Authenticity

Hand signed by the artist

WILLIAM PAUL THOMAS

Painting | 2018

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

24 x 36 inches - Unframed

Materials

Oil on canvas

Authenticity

Hand signed by the artist

WILLIAM PAUL THOMAS

Painting | 2017

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

24 x 36 inches - Unframed

Materials

Oil on canvas

Authenticity

Hand signed by the artist

WILLIAM PAUL THOMAS

Painting | 2019

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

24 x 36 inches - Unframed

Materials

Oil on canvas

Authenticity

Hand signed by the artist

WILLIAM PAUL THOMAS

Limited Edition Multiple | 2018

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

12 x 18 inches - Unframed

Materials

Limited Edition Multiple of oil on canvas

Authenticity

Hand signed by the artist

BRANDON DUDLEY

Painting | 2020

Through his portraits, Dudley strives to construct empowering representations of black culture and black history.  His art becomes a source of education, as he shows appreciation for a culture that is negatively perceived. 

Size

24 x 30 inches - Unframed

Materials

Oil on canvas

Authenticity

Hand signed by the artist

JACK EARLY

Painting | 2019

Jack Early seems never to have left his childhood; his playful wit and openness are the foundation for his work.  Early’s lexicon is drawn from wondrous childhood memories, where ordinary things and events can leave long-lasting impressions.   Aware of how visual and auditory phenomena can trigger us, he composes experiences to communicate sweet remembrances of simpler times.

Size

13 x 13 inches - Framed

Materials

Oil paint on printed canvas in hand painted wooden frame

Authenticity

Hand signed by the artist

JACK EARLY

Painting | 2019

Jack Early seems never to have left his childhood; his playful wit and openness are the foundation for his work.  Early’s lexicon is drawn from wondrous childhood memories, where ordinary things and events can leave long-lasting impressions.   Aware of how visual and auditory phenomena can trigger us, he composes experiences to communicate sweet remembrances of simpler times.

Size

13 x 13 inches - Framed

Materials

Oil paint on printed canvas in hand painted wooden frame

Authenticity

Hand signed by the artist

JACK EARLY

Painting | 2019

Jack Early seems never to have left his childhood; his playful wit and openness are the foundation for his work.  Early’s lexicon is drawn from wondrous childhood memories, where ordinary things and events can leave long-lasting impressions.   Aware of how visual and auditory phenomena can trigger us, he composes experiences to communicate sweet remembrances of simpler times.

Size

13 x 13 inches - Framed

Materials

Oil paint on printed canvas in hand painted wooden frame

Authenticity

Hand signed by the artist

JACK EARLY

Limited Edition Signed Print | 2017 | Set of 6 colors available

Jack Early seems never to have left his childhood; his playful wit and openness are the foundation for his work.  Early’s lexicon is drawn from wondrous childhood memories, where ordinary things and events can leave long-lasting impressions.   Aware of how visual and auditory phenomena can trigger us, he composes experiences to communicate sweet remembrances of simpler times.

Size

24 x 36 inches - Unframed

Materials

Limited Edition print of oil on silkscreen canvas

Authenticity

Hand signed by the artist

JACK EARLY

Limited Edition Signed Print | 2017 | Set of 6 available

Jack Early seems never to have left his childhood; his playful wit and openness are the foundation for his work.  Early’s lexicon is drawn from wondrous childhood memories, where ordinary things and events can leave long-lasting impressions.   Aware of how visual and auditory phenomena can trigger us, he composes experiences to communicate sweet remembrances of simpler times.

Size

36 x 24 inches

Materials

Limited Edition print of oil on silkscreen canvas

Authenticity

Hand signed by the artist

JACK EARLY

Limited Edition Signed Print | 2017 | Set of 6 colors available

Jack Early seems never to have left his childhood; his playful wit and openness are the foundation for his work.  Early’s lexicon is drawn from wondrous childhood memories, where ordinary things and events can leave long-lasting impressions.   Aware of how visual and auditory phenomena can trigger us, he composes experiences to communicate sweet remembrances of simpler times.

Size

24 x 36 inches - Unframed

Materials

Limited Edition print of oil on silkscreen canvas

Authenticity

Hand signed by the artist

JACK EARLY

Limited Edition Signed Print | 2017 | Set of 6 colors available

Jack Early seems never to have left his childhood; his playful wit and openness are the foundation for his work.  Early’s lexicon is drawn from wondrous childhood memories, where ordinary things and events can leave long-lasting impressions.   Aware of how visual and auditory phenomena can trigger us, he composes experiences to communicate sweet remembrances of simpler times.

Size

24 x 36 inches - Unframed

Materials

Limited Edition print of oil on silkscreen canvas

Authenticity

Hand signed by the artist

JACK EARLY

Limited Edition Signed Print | 2017 | Set of 6 colors available

Jack Early seems never to have left his childhood; his playful wit and openness are the foundation for his work.  Early’s lexicon is drawn from wondrous childhood memories, where ordinary things and events can leave long-lasting impressions.   Aware of how visual and auditory phenomena can trigger us, he composes experiences to communicate sweet remembrances of simpler times.

Size

24 x 36 inches - Unframed

Materials

Limited Edition print of oil on silkscreen canvas

Authenticity

Hand signed by the artist

JACK EARLY

Limited Edition Signed Print | 2017 | Set of 6 available

Jack Early seems never to have left his childhood; his playful wit and openness are the foundation for his work.  Early’s lexicon is drawn from wondrous childhood memories, where ordinary things and events can leave long-lasting impressions.   Aware of how visual and auditory phenomena can trigger us, he composes experiences to communicate sweet remembrances of simpler times.

Size

24 x 36 inches - Unframed

Materials

Limited Edition print of oil on silkscreen canvas

Authenticity

Hand signed by the artist

MICHAEL WHITTLE

Drawing | 2008 | Lithograph | Limited Edition

(Sulcal pattern in the human cerebral cortex - Lateral aspect, after von Economo and Koskinas, 1925)

This lithographic print depicts a horse from ‘the Triumphal Procession’, a monumental wood cut created in the studios of Albrecht durer and his fellow master German artists from the 16th century. The image of horse and rider has been mutated and suspended in time above a small patch of landscape, complete with weapons and livery.

Size

15 x 16 inches - Framed

Materials

Ink, pencil and watercolour on paper

Authenticity

Hand signed by the artist

MICHAEL WHITTLE

Drawing | 2008 | Lithograph | Limited Edition

(Sulcal pattern in the human cerebral cortex - Lateral aspect, after von Economo and Koskinas, 1925)

This lithograph is based on an early 20^th century map of the human brain by Neurologists Economo and Koskinas, published as part of a 2 volume 800 page atlas, and one of the most important studies of human brain regions in the history of Medicine. The map has been redrawn here as a detailed landscape, to reflect the language used by the researchers when describing the various  fundus or ‘hills’ and sulcus, or ‘valleys’ of the brain; in other words, the brain using the language of landscape to map itself.

Size

20 x 16 inches - Framed

Materials

Ink, pencil and watercolour on paper

Authenticity

Hand signed by the artist

MICHAEL WHITTLE

Drawing | 2017

This set of two drawings is based upon a famous experiment using the Planck satellite, carried out to validate claims made by scientists working with the BICEP telescope located at the South Pole.

Size

14 x 14 inches - Framed

Materials

Ink, pencil and watercolour on paper

Authenticity

Hand signed by the artist

MICHAEL WHITTLE

Drawing | 2017

This set of two drawings is based upon a famous experiment using the Planck satellite, carried out to validate claims made by scientists working with the BICEP telescope located at the South Pole.

Size

14 x 14 inches - Framed

Materials

Ink, pencil and watercolour on paper

Authenticity

Hand signed by the artist

MICHAEL WHITTLE

Drawing | 2014

This drawing depicts two complete sets of structures from 2 inner ears, otherwise known as labyrinths. They’re drawn as if joined together to create a self-sensing structure of sound and balance, a self-contained unit closed off to the exterior world. 

Size

14 x 14 inches - Framed

Materials

Ink, pencil and watercolour on paper

Authenticity

Hand signed by the artist

MICHAEL WHITTLE

Drawing | 2018

(Model for spatial and temporal variations in the heliospheric magnetic field with Neural network detected Retinal Vasculature, exposed fovea and optic pit)

This drawing is based on a model of magnetic data collected by the Ulysses space probe in orbit around the sun.  Blue values represent regions where the magnetic field pointed towards the Sun; red where it pointed away. This model is depicted above a shadow-like retina, complete with fovea and optic pit.

Size

49 x 49 inches - Framed

Materials

Ink, pencil and watercolour on paper

Authenticity

Hand signed by the artist

SHAUN RICHARDS

Mixed Media | 2019

Richards’ work has broadly focused on political incentives, socio-economic issues, notions of beauty, and societal norms for the better part of a decade.  He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society.  He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

30 × 34 inches - Unframed

Materials

Oil on canvas

Authenticity

Hand signed by the artist

SHAUN RICHARDS

Mixed Media | 2016

Richards’ work has broadly focused on political incentives, socio-economic issues, notions of beauty, and societal norms for the better part of a decade.  He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society.  He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

56 × 48 inches - Unframed

Materials

Oil and mixed media on canvas

Authenticity

Hand signed by the artist

SHAUN RICHARDS

Mixed Media | 2013

Richards’ work has broadly focused on political incentives, socio-economic issues, notions of beauty, and societal norms for the better part of a decade.  He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society.  He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

50 × 66 inches - Unframed

Materials

Oil and mixed media on canvas

Authenticity

Hand signed by the artist

SHAUN RICHARDS

Mixed Media | 2011

Richards’ work has broadly focused on political incentives, socio-economic issues, notions of beauty, and societal norms for the better part of a decade.  He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society.  He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

96 × 96 inches - Unframed

Materials

Oil and mixed media on canvas

Authenticity

Hand signed by the artist

SHAUN RICHARDS

Mixed Media | 2011

Richards’ work has broadly focused on political incentives, socio-economic issues, notions of beauty, and societal norms for the better part of a decade.  He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society.  He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

42 × 42 inches - Unframed

Materials

Oil and mixed media on canvas

Authenticity

Hand signed by the artist

SHAUN RICHARDS

Mixed Media | 2011

Richards’ work has broadly focused on political incentives, socio-economic issues, notions of beauty, and societal norms for the better part of a decade.  He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society.  He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

42 × 42 inches - Unframed

Materials

Oil and mixed media on canvas

Authenticity

Hand signed by the artist

ROB MATTHEWS

Painting | 2015

This body of work is made to spend time considering events and people that get lost in the shuffle of the ever-changing news cycle.  Themes of upheaval, power, displacement and the unspoken message of “home” anchor the work.  Auto Auto Harp Harp depicts Syrians entering Germany who have become sick and possibly have died from eating death cap mushrooms (Amanita phalloides). This is the most optimistic work in the show, but still has the presence of danger.

Size

81 × 69 inches - Unframed

Materials

Gouache and sumi ink on paper on canvas over wood panel

Authenticity

Hand signed by the artist

ROB MATTHEWS

Painting | 2015

This body of work is made to spend time considering events and people that get lost in the shuffle of the ever-changing news cycle.  Themes of upheaval, power, displacement and the unspoken message of “home” anchor the work.  In The End of Time, the figures stand on a coastline with reddened water behind them.  The composition is borrowed from Picasso’s Pipes of Pan. Picasso’s piece overlooks a calm Mediterranean view. Rather than use this peaceful view of the sea that has, for generations, brought people to it for its tranquility, I choose to depict the Mediterranean for the millennia-old bloodbath that it is. In the bottom left of the piece is a head. It is that of Matthew Ayariga, the lone Ghanan decapitated alongside 20 Coptic Christians from Egypt on a Libyan coast.

Size

69 × 81 inches - Unframed

Materials

Gouache and sumi ink on paper on canvas over wood panel

Authenticity

Hand signed by the artist

ROB MATTHEWS

Painting | 2018

This body of work is made to spend time considering events and people that get lost in the shuffle of the ever-changing news cycle.  Themes of upheaval, power, displacement and the unspoken message of “home” anchor the work. The Chess Player is a depiction of the people involved in carving up the Middle East: Paul Cambon and Sir Edward Grey, the French and English signatories for the Sykes-Picot Agreement.  The chess player is an ages-old theme running through art, pointing towards competition, debate and power. 

Size

36 × 44 inches - Unframed

Materials

Acrylic and acrylic gouache on canvas over wood panel

Authenticity

Hand signed by the artist

ROB MATTHEWS

Painting | 2018

This body of work is made to spend time considering events and people that get lost in the shuffle of the ever-changing news cycle.  Themes of upheaval, power, displacement and the unspoken message of “home” anchor the work.  The Cartographer is a depiction of François Georges-Picot arranged with the map of the Sykes-Picot Agreement across the piece.

Size

36 × 44 inches - Unframed

Materials

Acrylic on canvas over wood panel

Authenticity

Hand signed by the artist

ROB MATTHEWS

Painting | 2018

This body of work is made to spend time considering events and people that get lost in the shuffle of the ever-changing news cycle.  Themes of upheaval, power, displacement and the unspoken message of “home” anchor the work.  Khaled al-Asaad was a Syrian archaeologist and head of antiquities for the ancient city of Palmyra who was publicly executed in gruesome fashion by ISIS while attempting to hide antiquities in the city museum from them so they could not destroy the ancient art.

Size

16 × 20 inches - Unframed

Materials

Acrylic on canvas over wood panel

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Equilibrium | Mixed Media | 2019

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  Equilibrium is a state of adjustment and balance for Tim and his work, capturing a free fall that is both static and dynamic.

Size

45 × 68 inches - Unframed

Materials

Pigment print and gel on canvas

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Shadow of Russia | Photography | 2015

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

22 × 17 inches - Unframed

Materials

Photo transfer on archival photo paper

Authenticity

Hand signed by the artist

LEIGH SUGGS

Original Painting | 2020

Suggs channels her fascination with the mystery and psychology of sight through cut paper works and large-scale installations. She obscures normal perception, manipulating her materials as if optical illusions.  The intangible and inexpressible optical illusions created in each piece lure in the viewer, pulling them into an experience of seeing that is at once immediate and elusive.

Size

30 × 30 inches - Unframed

Materials

Hand-cut Acrylic on Yupo

Authenticity

Hand signed by the artist

LEIGH SUGGS

Original Painting | 2020

Suggs channels her fascination with the mystery and psychology of sight through cut paper works and large-scale installations. She obscures normal perception, manipulating her materials as if optical illusions.  The intangible and inexpressible optical illusions created in each piece lure in the viewer, pulling them into an experience of seeing that is at once immediate and elusive.

Size

20 × 20 inches - Unframed

Materials

Hand-cut Acrylic on Yupo

Authenticity

Hand signed by the artist

LEIGH SUGGS

Original Painting | 2020

Suggs channels her fascination with the mystery and psychology of sight through cut paper works and large-scale installations. She obscures normal perception, manipulating her materials as if optical illusions.  The intangible and inexpressible optical illusions created in each piece lure in the viewer, pulling them into an experience of seeing that is at once immediate and elusive.

Size

13 × 13 inches - Unframed

Materials

Handcut, Acrylic on Yupo

Authenticity

Hand signed by the artist

LEIGH SUGGS

Original Painting | 2020

Suggs channels her fascination with the mystery and psychology of sight through cut paper works and large-scale installations. She obscures normal perception, manipulating her materials as if optical illusions.  The intangible and inexpressible optical illusions created in each piece lure in the viewer, pulling them into an experience of seeing that is at once immediate and elusive.

Size

13 × 13 inches - Unframed

Materials

Hand-cut Acrylic on Yupo

Authenticity

Hand signed by the artist

LEIGH SUGGS

Original Painting | 2020

Suggs channels her fascination with the mystery and psychology of sight through cut paper works and large-scale installations. She obscures normal perception, manipulating her materials as if optical illusions.  The intangible and inexpressible optical illusions created in each piece lure in the viewer, pulling them into an experience of seeing that is at once immediate and elusive.

Size

12 × 18 inches - Unframed

Materials

Handcut, Acrylic on Yupo

Authenticity

Hand signed by the artist

LEIGH SUGGS

Original Painting | 2020

Suggs channels her fascination with the mystery and psychology of sight through cut paper works and large-scale installations. She obscures normal perception, manipulating her materials as if optical illusions.  The intangible and inexpressible optical illusions created in each piece lure in the viewer, pulling them into an experience of seeing that is at once immediate and elusive.

Size

10 × 10 inches - Unframed

Materials

Hand-cut Acrylic on Yupo

Authenticity

Hand signed by the artist