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Painting | 2015
Jack Early seems never to have left his childhood; his playful wit and openness are the foundation for his work. Early’s lexicon is drawn from wondrous childhood memories, where ordinary things and events can leave long-lasting impressions. Aware of how visual and auditory phenomena can trigger us, he composes experiences to communicate sweet remembrances of simpler times.
22.75 x 28.75 inches - Framed
Oil paint on printed silk screen canvas in hand painted wooden frame
Hand signed by the artist
1962 (No. 10)
Painting
Regular price CONTACT FOR PRICE
Painting | 2017
Anoka Faruqee's virtuosic Op Art paintings exist in the lineages of Bridget Riley and Josef Albers. Her visually stunning and destabilizing works, painted in abstract circular waves, achieve a spectral and photographic quality, while remaining firmly anchored to the medium of painting. Faruqee's meticulous works induce a distinct and bodily experience, foregrounding the perceptual operations of the brain and forcing us to contemplate how we perceive and process visual information.
45 x 45"
Acrylic on linen on panel
Signed by the artist
2017P-04
Painting | 2020
Thorn is a process painter starting with line and drawing, followed by texture and design, and color being layered on last used as a vehicle by which she can persuade her audience to look at her work. In her bright and captivating work, she presents the dichotomies of chaos and peace, dirty and clean, and ugliness and beauty in a fresh and authentic way.
18 x 14 inches - Unframed
Acrylic and spray paint on canvas
30,000 Years of Waiting
Regular price $500
20 x 16 inches - Unframed
A Girl Called Whisper
Regular price $650
SOLD
A Novel Response
Book | 2013 | First Edition | Twin Palms
At the age of 17, Mike Brodie hopped his first train close to home in Pensacola, Florida, thinking he would visit a friend in Mobile, Alabama. Instead, the train took him in the opposite direction to Jacksonville, Florida. Days later he rode the same train home, arriving back where he started.Nonetheless, it sparked something in him and he began to wander across America by any means that were free - walking, hitchhiking, and train hopping. Shortly after his travels began he found a camera stuffed behind a car seat and began to take pictures. Brodie spent years crisscrossing the U.S., documenting his experiences, now appreciated as one of the most impressive archives of personal travel photography.
A Period of Juvenile Pros...
Book
Regular price $100
Painting | 2021
Yuko Nogami Taylor is a painter who thoughtfully fuses Eastern and Western painting traditions. Drawing from both her Japanese upbringing and her experiences in the Southeastern United States over the past 30 years, Nogami Taylor's work is a beautiful collision of cultures and techniques, a celebration of our shared humanity. Employing Nihonga techniques, a general term for traditional Japanese painting, her slow and meticulous process exhibits a reverence for craft, materiality and heritage, while simultaneously oscillating between abstraction and representation.
36 x 60"
Dried and cured oyster shell pigment, sumi ink and nikawa medium on kozo mulberry paper
A Place of Refuge
Regular price $3,250
16 x 16"
A View with a Story
Regular price $515
Drawing | 2018
(Cassini probe data swathes of Titan’s Xanadu region with ciliary margin-like stem cell niche generated from self-organizing human retinal tissue)
The drawing contrasts two extremes of our current notions of ‘vision’: the cutting edge, remote sensing technologies of NASA space probes and the laboratory creation of self-assembling visual tissues using stem cell technologies for the very first time.
49 × 49 inches - Framed
Ink, pencil and watercolour on paper
A vision in a dream: a fr...
Drawing
Regular price $8,000
Photography | 2018
Liz Nielsen is an experimental photographer based in Brooklyn, NY. Her photographs are most often made without a camera and can also be described as light paintings. She works in the analog color darkroom exposing light sensitive paper and processing it through traditional photographic chemicals. Each image is unique and ranges in size from 100" x 100" to 4" x 5". Nielsen received an MFA from the University of Illinois, Chicago in 2004, her BFA from the School of the Art Institute of Chicago in 2002, and her BA in Philosophy and Spanish from Seattle University in 1997. Liz has exhibited her work extensively including recent solo exhibitions in New York, London, and Paris. Her photograms have been featured at international art fairs such as Paris Photo, Photo London, and Unseen Amsterdam. Nielsen has been reviewed in the New Yorker, the Guardian, the London Financial Times, LensCulture, Vogue UK, and FOAM magazine among others. Nielsen is currently an artist-in-resident at the McColl Center for Art in Charlotte, North Carolina.
29 5/8 x 23" - Framed
Analog chromogenic photogram on Fujiflex
Abracadabra II
Photography
Mixed Media | 2020
BA Thomas creates paintings exploring the relationship between space, time, and the human experience. While predominantly an oil painter, her artistic practice also envelops aspects of writing, drawing, and collage. She questions traditional social constructs of spaces, the behavioral choices inferred from movement or objects, the meaning behind possessions, and ultimately, what humans leave behind.
36" x 36" - Unframed
Oil and acrylic on canvas
After Hours
Regular price $3,800
Painting | 2018
This body of work is made to spend time considering events and people that get lost in the shuffle of the ever-changing news cycle. Themes of upheaval, power, displacement and the unspoken message of “home” anchor the work. Albert Toungoumale-Baba was a Catholic priest in the Central African Republic killed by a militant group. The patterning in the work reflects clothing he was photographed in.
12 × 9 inches - Unframed
Acrylic and acrylic gouache on canvas over wood panel
Albert Toungoumale-Baba
Regular price $1,125
Unique Photographic Monoprint | 2020
Redshift
As galaxies and stars move away from earth, from the human perspective, their visible light waves stretch, make them appear more red than they actually are. Blueshift is the opposite, when you see something move closer to you. These shifts create a color pallet of the universe’s ebb and flow and size and age. Similar to our own lives, nearly all objects are redshifted.
With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human. Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self. His pieces can be, at once, large scale and intimate, technical and improvisational.
60 × 44 inches - Framed
Photo transfer on archival photo paper
Andromeda
Regular price $6,000
24 × 24 inches - Unframed
Andromeda III
Regular price $1,500
60 × 44 inches - Unframed
Andromeda V
Regular price $5,000
Sculpture | 2017 | Space Shuttle / Abingdon
Bell's found object-based sculptural work expresses the relationship between materials and memory. Delving into that relationship, he has found a connection between coming of age, nostalgia, and death that is rooted in several personal memories around pop culture, specifically the space shuttle and MGB cars in this series which he was very interested in as a child.
17 X 9.375 X 1.5 inches
Steel, Wood, and Paint
Angle Down
Sculpture
Regular price $125
Mixed Media | 2019 | Series - Anonymous Self Portraits
Anonymous Self-Portraits eschews traditional portraiture and renders identity through coded body language, gesture and performance. Figures simultaneously reveal and conceal themselves as they push against the architectural boundaries of their vestments.
Ink, Graphite, Acrylic, and Mylar on 300LB Hot-Pressed Water Color Paper Mounted to Board
Anonymous Self Portrait C...
Mixed Media
Regular price $4,500
50 x 40 inches - Unframed
Ink, Graphite, and Oil Paint on Double-Sided Frosted Mylar Film Mounted to Board
Anonymous Self Portrait LIII
Regular price $16,500
Anonymous Self Portrait LIV
Sculpture | 2020 | Space Shuttle / Abingdon
8.625 X 5.125 inches
Wood
Apollo
Regular price $70
24 × 30 inches - Framed
Photo transfer on to metallic gold photo paper
Aquarius Dwarf
Regular price $2,400
Photography | 2007 | Limited Edition 2 of 5
Series - Border Works
The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture. Found sock left behind by refugees who swam across the Rio Grande as they entered the United States.
60 x 44 inches - Unframed
Archival Pigment Print
Certificate of Authenticity
Argyle Sock
Book | 2020 | Signed by the author
Jennifer Dasal is the curator of modern and contemporary art at the North Carolina Museum of Art in Raleigh, North Carolina, and the host of the independent podcast ArtCurious, which she started in 2016 and which was named one of the best podcasts by O, The Oprah Magazine and PC Magazine. She holds an MA in art history from the University of Notre Dame and a BA in art history from the University of California, Davis. She has also completed PhD coursework in art history at Pennsylvania State University. She lectures frequently on art both locally and nationally.
Since 2016, Jennifer Dasal has been wowing listeners with her wildly entertaining podcast, ArtCurious, where she delves into the weird and wonderful stories behind the world’s greatest artists and artworks. Now, in her first book, ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History , she goes even deeper on the questions that have fascinated her listeners and explores fresh mysteries, including seven chapters of all-new material. Dasal, who is also the curator of modern and contemporary art at the North Carolina Museum of Art, tackles her subjects with humor, lively prose, and thorough research, resulting in a book that’s as informative, eye-opening, and entertaining as her podcast.
ArtCurious
Regular price $17
82.25 x 51.25 inches - Framed
Oil paint on silk screen canvas in painted wooden frame
Ass
18" x 24" - Unframed
At the Mercy of the Wind
This body of work is made to spend time considering events and people that get lost in the shuffle of the ever-changing news cycle. Themes of upheaval, power, displacement and the unspoken message of “home” anchor the work. Auto Auto Harp Harp depicts Syrians entering Germany who have become sick and possibly have died from eating death cap mushrooms (Amanita phalloides). This is the most optimistic work in the show, but still has the presence of danger.
81 × 69 inches - Unframed
Gouache and sumi ink on paper on canvas over wood panel
Auto Auto Harp Harp
Regular price $10,000
40" x 54" - Unframed
Away and Up
Regular price $5,400
Textile | 2017
Through the support of a Fulbright grant, Martha Clippinger spent 2014 studying the Indigenous textile traditions of Oaxaca, Mexico. There she met weavers Licha González Ruiz and Agustín Contreras López of Teotitlán del Valle, a Zapotec village renowned for its woolen tapetes (Spanish for “rugs”) that are woven on upright pedal looms. The couple agreed to translate one of her designs into wool, and they’ve been working together ever since.
79 x 51 inches
Hand dyed wool, woven by Agustín Contreras López and Licha González Ruiz
Bak
Textile
Regular price $3,000
24 × 30 inches - Unframed
Barnard's NGC6822
Regular price $2,000
Wall Sculpture | 2021
Drawing from the Minimalist tradition, Lori Cozen-Geller makes sculptural works in a paired down formal vocabulary. Although she diverges from her predecessors, looking beyond the purely physical materiality and optical experience of the sculpture to symbolic and iconographic territory.
48 x 48 x 4"
Ferrari Yellow high Gloss Automotive Paint on Wood and Laminate
Berlin, yellow
29.5 X 5.75 inches
Cast Iron and Wood
Bird in Space
Photography | 2019 | Limited Edition 2 of 6
Goicolea’s work is not intentionally or overtly political. It is a visceral reaction to changing dialogues around ethnicity, sexuality and religion. Growing up as a Cuban, Catholic, gay boy in the Deep South in the early 70’s, heightened his awareness of social constructs and the changing nature of identity politics—a theme that continually informs his work.
24 x 36 inches - Unframed
C-Print Mounted on Di-bond
Black Island
Named Top Ten in Painting by Art News, McIver’s autobiographical paintings are richly colorful and chronicle her life struggle with her African-American identity. When Covid hit, along with all of 2020’s racial and political turbulence, McIver faced the chaos and isolation the only way she knew how-through paint. Through a series of self-portraits and paintings of family and friends, McIver confronted her feelings and fears. Her voice in these works is loud, unapologetic, brave and bold and the different interpretations by white and black viewers highlights the collision of the worlds that she straddles daily.
40 x 30 inches
Oil on Canvas
Black Lives Matter
Unique Photographic Monoprint | 2021
10 x 8 inches - Unframed
Blackberry Lily
Regular price $250
16 x 24 inches - Unframed
Blind Fold with Light Leak
Regular price $5,500
30 x 30 inches
Blinding Light
Textile | 2021
Since learning to weave in 2014, English has been captivated by the magic of this ancient process. At the start of the pandemic, she began a series of grid-based drawings that developed into weaving drafts, or loose instructions, for this work. These contemporary interpretations of traditional overshot cloth utilize long thread floats that emphasize the organic nature of thread within a calculated system, ultimately expanding the limitations of woven cloth while acknowledging the reciprocal relationship between threads.
43 x 34 inches
Cotton
Blue Green Check
Regular price $1,250
29 3/4 x 41" - Framed
Blue Mountains
32 x 34 inches
Blue O
Regular price $900
Photography | 2015 | Limited Edition 1 of 5
The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture. Inflatable boat used to cross the border near the north bank of the Rio Grande, near Brownsville, Texas.
Blue Plastic Boat
34 x 34 inches
Blue Time
Regular price $1,000
Photography | 2015
8 x 8" - Framed
Chromogenic photograph
Blush Moons (Brook)
Blush Moons (Oliver)
Bode's NGC3031
Painting | 2019
Sarah Emerson's paintings and installations present viewers with highly stylized versions of nature that combine geometric patterns and symbolic archetypes to examine our cultural landscape. In her compositions, she distorts the physical laws that govern the real world because concepts like gravity, inertia, and locality do not govern our emotional perspective of the world. Emerson does not try to replicate nature or real space, instead she uses the familiar genre of landscape to explore the collective events and conditions that define our cultural landscape. In her career, she has worked on multiple painting series' and site-specific projects that use the ‘flatness’ of painting to explore themes that reflect on the fragility of life, the futility of earthly pleasures, and the disintegration of our natural landscape. As it is presented, painting can flatten events in time, space, and memory onto one picture plane allowing room for a reconciliation of otherwise incompatible states of being.
48 x 48 inches
Acrylic and rhinestones on canvas
Booby Trap
Regular price $4,000
Photography | 2010 | Limited Edition 2 of 5
The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture. Border Fence with muddy footprints showing how easily the border fence can be traversed.
Border Fence
Photography | 2010 | Limited Edition 1 of 5
The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture. Border fence with migrant footprints crossing the road, Brownsville, TX.
Border Fence with migrant...
The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture. Border fences may have large openings which are sometimes used to “herd” or push migrants around for easier pick-up.
Border Wall near Brownsville
Photography | 2012 | Limited Edition 1 of 5
The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture. Border Wall, Border Patrol Car, and Barbed Wire, Progreso, Texas, 2012.
Border Wall, Border Patro...
Minimal Surface Series | Drawing | 2017
(Bryant-Kusner parametrization with neural network detected retina vasculature)
This series of drawings contrast two very different ways of modeling the world and our ideas about it. Minimal surfaces are surface area-minimizing objects discovered by Mathematicians. Suspended beneath these objects are the fractal-like blood vessels of the human retina.
31 × 22 inches - Framed
Boys surface with retina
Regular price $3,300
Photography | 2011 | Limited Edition 1 of 5
The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture. White bra left on the banks of the Rio Grande. On the border, a bra is a sign left behind by “coyotes” (human traffickers) to signal that a woman has been raped, near Laredo, Texas.
Bra
18 x 18 inches - Unframed
Cabana Boy
Caldwell 17
24 × 24 inches - Framed
Camelopardalis A
Regular price $1,800
Richards’ work has broadly focused on incentives, socio-economic issues, and political matters for the better part of a decade. He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society. He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.
36 x 24 inches - Unframed
Oil on mylar
Canyon
Sculpture | 2014
Oakley developed his carving skills working as a stonemason, making grave markers and memorials before turning to sculpture. In his hand, the marble sculpture becomes a solid ghost of what it represents—full of physical presence, but missing the functionality of the object.
Size of a standard cassette tape
Marble
Cassette Tape
Cassiopeia Dwarf
72 × 104 inches - Unframed
Oil and mixed media on canvas
Caucus
Regular price $17,000
Charm
(Bryant-Kusner parametrization with neural network detected retinal vasculature)
Chen Gackstatter surface ...
(Genus 3 Chen-Gackstatter surface with neural network detected retinal vasculature)
30" x 20" - Unframed
Chess Pie
Regular price $2,100
36 x 36 inches
Chicks Dig Scars
4.625 X 4.325 inches
Chunk
Regular price $60
Drawing | 2019
Prone carries the weight of physical pain—immovable, exhausted—often following a substantial expression of energy. Plumb, on the other hand is upright, energetic—though ultimately enervating. In this series of drawings, Joy Drury Cox represents this pair of semantic antipodes as palindromic conceptual drawings, exercising what the artist terms "line dialectics." Cox's interdisciplinary artistic practice includes drawing, artist's books, texts, and photography. Her works consider mapping, making, measuring, and marking and their variables roles in the politics of labor and the structures of everyday life.
17" x 14" unframed / 18” x 15” framed
Ink and graphite on paper
civic
Click Bait
Climb For Optimism
Photography | 2013 | Limited Edition 1 of 5
The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture. Clothing left behind in a pile is a sign that someone has been picked up for detention along the border.
Clothing
Mixed Media | 2011
42 × 42 inches - Unframed
Collusion
Regular price $3,500
24" x 24" - Unframed
Coming or Going
24 x 30 inches - Unframed
Community
Regular price $1,350
90 x 60 inches - Unframed
Double Hung Drawing. Graphite, Acrylic, and Ink on Double-Sided Frosted Mylar Film
Con Artist
Regular price $18,500
4.5 X 4.325 inches
Condense
Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy. Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.
12 x 16.25 inches - Unframed
Gouache on handmade Canapa paper
Constellations No. 1
11.625 x 17.5 inches - Unframed
Gouache on antique book pages (circa 1700 – 1900)
Constellations No. 10
12.25 x 17.75 inches - Unframed
Constellations No. 11
12.25 x 17.375 inches - Unframed
Constellations No. 12
11.625 x 17.25 inches - Unframed
Constellations No. 13
11.25 x 17 inches - Unframed
Constellations No. 14
11.5 x 17.5 inches - Unframed
Constellations No. 15
Constellations No. 16
11.5 x 17.375 inches - Unframed
Constellations No. 17
12.25 x 17.5 inches - Unframed
Constellations No. 18
12.125 x 17.25 inches - Unframed
Constellations No. 19
11.5 x 16 inches - Unframed
Constellations No. 2
Constellations No. 20
17.5 x 12.25 inches - Unframed
Constellations No. 22
Constellations No. 23
Constellations No. 24
12.5 x 17 inches - Unframed
Constellations No. 25
Constellations No. 26
Constellations No. 27
12.5 x 17 inches
Constellations No. 28
Constellations No. 29
12 x 16.5 inches - Unframed
Constellations No. 3
Constellations No. 30
Constellations No. 31
12.25 x 17.25 inches - Unframed
Constellations No. 32
14.5 x 19.25 inches - Unframed
Constellations No. 33
18.75 x 14.5 inches - Unframed
Constellations No. 34
14.375 x 19 inches - Unframed
Constellations No. 35
Constellations No. 36
Constellations No. 37
17.625 x 23.25 inches - Unframed
Constellations No. 38
17.125 x 22.125 inches - Unframed
Constellations No. 39
11.75 x 16.75 inches - Unframed
Constellations No. 4
14.5 x 9.625 inches - Unframed
Constellations No. 40
14.375 x 9.625 inches - Unframed
Constellations No. 41
Constellations No. 42
12 x 16.75 inches - Unframed
Constellations No. 5
11.375 x 16.375 inches - Unframed
Constellations No. 6
Constellations No. 7
Constellations No. 8
Constellations No. 9
6.5 X 3.5 inches
Corner
20 x 20 inches
Covid Cut
Photography | 2008 | Limited Edition 2 of 5
The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture. Campsite on the north side of the Rio Grande with bags of clothing left behind by refugees and “coyotes” (human traffickers), Santa Ana Wildlife Refuge.
Coyote Campsite
36 x 40 inches - Unframed
Cracked
The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture. Homemade cross left by the riverbank in thanks for safe passage into the United States, near Laredo, Texas.
Cross
11 X 14.5 X 9.875 inches
Steel and Wood
Curve Down
Regular price $450
Jim Lee is a multi-dimensional, self-taught artist whose work is heavily influenced by his love of nature, science, psychology, and technology. Working with cameras, scanners, lighting and collections of found and fabricated objects, Lee creates photographic images that range from the darkly mysterious and figurative to the elegantly simple and abstract. One rarely leaves one of Lee’s pieces without some question and that is exactly what he wants. His work has been featured in numerous solo and group exhibitions and can be found in collections at American Tobacco Campus, Andrew Young Enterprises, Cassilhaus, and Duke University Medical Center.
Size
21 x 17 inches - Framed
Archival pigment print mounted to acid-free board
Cutout #34
Regular price $400
Cutout #39
Cutout #58
Cutout #65
Cutout #67
Cutout #9
Daddy Eating a Peach
Book | 2014 | First Edition (sealed in shrink wrap) | Self Publish, Be Happy
Lorenzo Vittui's work is often found at the intersection of sculpture and photography and his latest project, Dalston Anatomy, saw him spend time in London’s Ridley Road Market taking pictures, making sculptures and creating collages with materials and objects he found amongst the debris of the marketplace. Vitturi’s process is largely concerned with the creation, consumption and preservation of images. The makeshift sculptures he created mimic the organic and temporary nature of the market, and their documentation is the way in which they endure after diminishing.
The book is bound in exquisite Vlisco fabrics in bright patterns that are reminiscent of African markets and accompanied by a poem by Sam Berkson that layers voices from the market to draw on its disjointed and surreal atmosphere.
Dalston Anatomy
Regular price $200
Drawing | 2021
Curran’s practice merges his formal training in printmaking and graphic design with methods honed through countless hours spent tagging, pasting, and stenciling graffiti in public spaces. The transition from pure street art to a dedicated studio practice has afforded Curran a substantial connection to his process and a broader visual language with which to work. Curran’s body of work creates a contemporary narrative of the relationship between the natural and the manmade. The viewer is invited to reflect on the ability of imagery to create sacred space in our everyday lives.
30 x 22 inches - Framed
India ink on Arches Hot Press paper
Danceroom #1
Work on Paper
Danceroom #17
Danceroom #18
Danceroom #5
Danceroom #6
Danceroom #8
Drawing | 2020 | Space Shuttle / Abingdon
Bell's found object-based sculptural work expresses the relationship between materials and memory. Delving into that relationship, he has found a connection between coming of age, nostalgia, and death that is rooted in several personal memories around pop culture, specifically the space shuttle and MGB cars in this series which he was very interested in as a child. The 2D works in this series are blind contour drawings of space shuttles and MGB parts diagrams which are then painted with acrylic.
16 X 20 inches - framed
Pencil and acrylic on paper
Dash
David Molesky makes paintings of humans experiencing deep harmony.
He brings a contemporary twist to the tradition of figurative painting by remixing elements from post-impressionist drawing with Flemish oil techniques and baroque composition.
Through the exposure of the various layers of his process— even down to raw linen — the paintings engage the viewer to fill in the gaps.
The visual result reinforces his philosophical and psychological aim to depict people in a relaxed yet elevated state of oneness with their environments.
47 x 70" - Framed
Oil on linen
Days Pass
As a visual artist and chef, Michael Perry is constantly emerging and re-emerging. Being self taught in both fields has presented both freedoms to explore and obstacles to overcome. The series of work being presented by Artsuite is based on a pointillist and primitive style. Perry has always been fascinated by the painted, copal wood carvings of Oaxaca (Alebrije) and the intricate bead and thread work of the Huichol tribes in Mexico. Growing up in the Navajo and Hopi region of the southwest he took inspiration from the intricate mandalas of the sand paintings - the sand being nature's pointillist tool.
Acrylic on canvas
Decrease: Hexagram #41
Defiant
Regular price $50,000
Deliverance: Hexagram #40
Photography | 2009 | Limited Edition 1 of 5
The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture.
Before the privatization of immigration, border crossers that had been picked up were bused back across the border. Once back in Mexico they cut their plastic ID bracelets from the U.S. privatized detention centers and continued their journeys, Matamoros, Mexico.
Detention Center Bracelet
Director's Wanted
Book | 2014 | First Edition Signed | Red Hook Editions
Disco Night Sept. 11 is a chronicle of America’s wars from 2006-2013. The photographs shift back and forth from the wars in Iraq and Afghanistan to the USA, unsparingly capturing the violent, ceaseless cost, but also the mystery and the madness, the beauty and absurdity at the core of each conflict. The narrative is complemented by nineteen gatefolds which elaborate on places and individuals.Photographs are fragments, sometimes only loosely tied to important experiences. An extensive text records some of the missing pieces. The stories that precede and follow the moment of the photograph, conversations with soldiers, anonymous graffiti that’s part confession, part boast. Disco Night Sept. 11 is an expansive yet intimate account of this defining era of history.
Disco Night Sept 11
Dispersion: Hexagram #59
Don
Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path. Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.
Oil on canvas
Donna’s Son From Chicago
Mixed Media | 2016 | Series - Shadow Projection Portraits
In Shadow Projection Portraits, Goicolea investigates portraiture, identity, beauty and the grotesque. Each portrait is an amalgamation of different facial features cobbled together from semi androgynous men and woman and have strong ties to the artist’s early composited self-portrait work.
20 x 20 inches - Unframed
Graphite and acrylic on mylar, mounted to aluminum
Double Projection Shadow ...
34 x 24.75 inches - Unframed
26.25 x 33.25 inches - Unframed
Exact size of a standard bar of Dove
Dove Soap
30 × 24 inches - Unframed
Draco Dwarf
Photography | 2013 | Limited Edition 3 of 9
65 x 40 inches - Unframed
C-Print Rear Mounted to UV Protective Non-Glare Plexi front with Aluminum Backing
Drift Wood
Regular price $16,000
Duration: Hexagram #32
Drawing | 2017
This set of two drawings is based upon a famous experiment using the Planck satellite, carried out to validate claims made by scientists working with the BICEP telescope located at the South Pole.
14 x 14 inches - Framed
Dust in the Northern sky ...
Dust in the Southern sky ...
Photography | 2014 | Limited Edition 2 of 6
30 x 30 inches - Unframed
Eclipse
Regular price $8,500
Exact size of a standard egg carton
Egg Carton
36 x 48 inches
Eloise Closing Her Eyes
30 x 40 inches
Eloise I
Eloise Laughing
Embrace
48 x 36 inches
En La Espiral
24 x 30 inches
Enough
Original Painting | 2018
Suggs channels her fascination with the mystery and psychology of sight through cut paper works and large-scale installations. She obscures normal perception, manipulating her materials as if optical illusions. The intangible and inexpressible optical illusions created in each piece lure in the viewer, pulling them into an experience of seeing that is at once immediate and elusive.
60 × 60 inches - Unframed
Hand-cut Acrylic on Yupo
Eternal Return
Regular price $12,500
Drawing | 2020
eve
16 x 20 inches - Unframed
Extreme Scrutiny
The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture. Eye shadow abandoned near the Border Wall is a sign that a woman was picked up by the Border Patrol, near Hidalgo, Texas.
Eye Shadow
The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture. Empty glass frames left behind on the levee near Brownsville, Texas.
Eyeglasses
Mixed Media | 2016
56 × 48 inches - Unframed
Fable #2
Finding the Light
This body of work is made to spend time considering events and people that get lost in the shuffle of the ever-changing news cycle. Themes of upheaval, power, displacement and the unspoken message of “home” anchor the work. The subject in Flight to Egypt is Gabriela Hernandez, a 27-year-old pregnant mother detained at the US border near Tijuana depicting the Biblical narrative of Madonna and Child.
38 × 51 inches - Unframed
Flight to Egypt
Floating Debris with Poppies
Painting | 2011
Bae expresses herself through soft and graceful lines and interlocking curves. By using organic forms, her work has a flowing elegance demonstrating complete abstraction. This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.
18 x 71 inches - Unframed
Charcoal and Ink on Canvas
flower knot
Regular price $11,000
Memories | Photography | 2015
44 × 44 inches - Unframed
Forest (self portrait)
Regular price $6,500
Painting | 2013
289 x 72 inches - Unframed
Forest of Interrelations
Regular price $65,000
17.5 X 16.5 X 8.375 inches
Foundation
Regular price $600
Print | 2022
Sarah Emerson's paintings, prints and installations present viewers with highly stylized versions of nature that combine geometric patterns and symbolic archetypes to examine our cultural landscape. In her compositions, she distorts the physical laws that govern the real world because concepts like gravity, inertia, and locality do not govern our emotional perspective of the world. Emerson does not try to replicate nature or real space, instead she uses the familiar genre of landscape to explore the collective events and conditions that define our cultural landscape. In her career, she has worked on multiple painting series' and site-specific projects that use the ‘flatness’ of painting to explore themes that reflect on the fragility of life, the futility of earthly pleasures, and the disintegration of our natural landscape. As it is presented, painting can flatten events in time, space, and memory onto one picture plane allowing room for a reconciliation of otherwise incompatible states of being.
18 x 18 inches (image size)20.25" 20.25" (paper size)
4-color screen print on Arnhem 1618 paper. Printed by Bill Fick.Hand Embellishments painted by artist with acrylic.
Hand signed and numbered by the artist
Going Steady with Disaster
Limited Edition Print
From $250
9 x 9 x 4 inches
Ceramic
Gordian Knot 1
8 x 7 x 4 inches
Gordian Knot 2
7 x 5 x 3 inches
Gordian Knot 3
Regular price $1,700
40 x 34 inches
Grey X
Photography | 2000
South African artist Roger Ballen is one most influential photographic artists of the 21st century. His strange, provocative and psychological work, often depicting subjects in vulnerable and disturbing situations, blurs the lines between reality and fantasy and reverence and exploitation. Ballen is also notable for a hybrid aesthetic that brings together photography, drawing, painting, sculpture and collage into one cacophonous visual language that is entirely his own.
28 x 28" - Framed
Selenium toned silver gelatin print
Edition
5/6
Hanging Pig
Helenium
Hey Baby
Portraits (ongoing) | Photography | 2014
72 × 60 inches - Unframed
Hi
Regular price $15,000
24 x 30" - Unframed
Collage and oil on canvas
Hideaway
Regular price $2,500
84 x 120 inches - Framed
Hog Rider
Holding Together: Hexagra...
Book | 2013 | First Edition-Second Printing | MACK
Violence, calamity and the absurdity of war are recorded extensively within The Archive of Modern Conflict, the largest photographic collection of its kind in the world. For their most recent work, Holy Bible, Adam Broomberg and Oliver Chanarin mined this archive with philosopher Adi Ophir's central tenet in mind: that God reveals himself predominantly through catastrophe and that power structures within the Bible correlate with those within modern systems of governance.
The format of Broomberg and Chanarin's illustrated Holy Bible mimics both the precise structure and the physical form of the King James Version. By allowing elements of the original text to guide their image selection, the artists explore themes of authorship, and the unspoken criteria used to determine acceptable evidence of conflict. Inspired in part by the annotations and images Bertolt Brecht added to his own personal bible, Broomberg and Chanarin's publication questions the clichés at play within the visual representation of conflict.
Holy Bible
Photography | 2014 | Limited Edition 1 of 5
The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture. Hoodie near Brownsville, Texas.
Hoodie
Nils Ericson, American (b. 1977)
Nils Ericson's photographs are largely documentary and based on his perceptions of athleticism and physicality, the end result tending towards nature and the beast.
Born in Des Moines, Iowa, Nils has always been drawn to sports and has worked on projects for Nike, ESPN, Puma, Adidas, Victory Journal, and more. An avid athlete and longtime college basketball fan, the six basketball goal photographs offered are born out of his love for the game.
Nils received his B.A. from Dartmouth College in Hanover, New Hampshire and earned his M.F.A. from the Rhode Island School of Design. Nils and his wife Regina, who together run Creators Management, split their time between New York, Oregon and Iowa alongside their children Emmet and Faye, and dogs Pearl, Edith, and Nellie.
For more on Nils' work, visit his site at www.nilsericson.com
24" x 16" - Unframed
Photograph
Edition of 5. Signed by the artist.
Hoop Dreams #1
Hoop Dreams #2
Hoop Dreams #3
Hoop Dreams #4
Hoop Dreams #5
Hoop Dreams #6
Hopper Window
Book | 2000 | First Edition #46/100 Signed | Nazraeli Press
A truly original force in contemporary art -- recently described as "the Emily Dickinson of photography" -- Weifenbach creates images based on scenes familiar to any viewer, with results that are dream-like and hauntingly familiar.
"Hunter Green" is the beautifully designed and printed second sampling in book form of Terri Weifenbach's lush, often hazy examinations of mysterious backyard flora.
Hunter Green (2000)
Regular price $350
Hurtling
Through his portraits, Dudley strives to construct empowering representations of black culture and black history. His art becomes a source of education, as he shows appreciation for a culture that is negatively perceived.
18 x 24 inches - Unframed
I AM A MAN
I AM A WOMAN
36 x 36"
Nihonga Japanese pigment painting with Kozo-Washi paper on birch wood panel
I cannot live without you...
Regular price $1,750
I Still See You
40 × 26 inches - Unframed
I Wouldn't Do That Un...
Regular price $5,750
IC10
IC1613
Book | 2000 | First Edition, Second Printing | Nazraeli Press
Hardcover. Fine gray cloth, with tipped-in color plate and debossed title on cover, no dust jacket as issued. Photographs by Terri Weifenbach. Introduction by Robert Adams. Photographs by Terri Weifenbach.
In Your Dreams
Interlock
75 x 45 inches - Unframed
Invisible
18 x 24" - Unframed
Invisible Playhouse
Mixed Media | 2021
40 x 54" - Unframed
Invitation
