TIM TATE

Sculpture | 2020 | Limited Edition Series

Ruth Bader Ginsburg has always been one of Tate's heroines and he considers her as the conscious of our nation.  When she passed, Tim was crushed and knew both the country and his life would be different without her.  When he read her final wish, it broke his heart again and he reacted as any artist would - he created art to honor her and her guardianship of the moral integrity of the country. 

Size

12" tall

Materials

Hand painted acrylic - striations and variations will appear on each piece

Authenticity

Hand signed by the artist

TIM TATE

Sculpture | 2020 | Limited Edition Series

Ruth Bader Ginsburg has always been one of Tate's heroines and he considers her as the conscious of our nation.  When she passed, Tim was crushed and knew both the country and his life would be different without her.  When he read her final wish, it broke his heart again and he reacted as any artist would - he created art to honor her and her guardianship of the moral integrity of the country. 

Size

12" tall

Materials

Hand painted acrylic - striations and variations will appear on each piece

Authenticity

Hand signed by the artist

MARTHA THORN

Painting | 2020

Thorn is a process painter starting with line and drawing, followed by texture and design, and color being layered on last used as a vehicle by which she can persuade her audience to look at her work. In her bright and captivating work, she presents the dichotomies of chaos and peace, dirty and clean, and ugliness and beauty in a fresh and authentic way.

Size

48 x 48 inches - Unframed

Materials

Acrylic and spray paint on canvas

Authenticity

Hand signed by the artist

JACK EARLY

Limited Edition Signed Prints | 2017

Jack Early seems never to have left his childhood; his playful wit and openness are the foundation for his work.  Early’s lexicon is drawn from wondrous childhood memories, where ordinary things and events can leave long-lasting impressions.   Aware of how visual and auditory phenomena can trigger us, he composes experiences to communicate sweet remembrances of simpler times.

Size

24 x 36 inches each - Unframed - Individual colors available

Materials

Limited Edition print of oil on silkscreen canvas

Authenticity

Hand signed by the artist

SANGSUN BAE

Series - Chandelier

Photography | 2018 | Limited Edition 4 of 5

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

51 x 63 inches - Framed

Materials

Face-Mounted Archival Pigment Print framed in black wood

Authenticity

Hand signed by the artist

BA Thomas

Mixed Media | 2020

BA Thomas creates paintings exploring the relationship between space, time, and the human experience. While predominantly an oil painter, her artistic practice also envelops aspects of writing, drawing, and collage. She questions traditional social constructs of spaces, the behavioral choices inferred from movement or objects, the meaning behind possessions, and ultimately, what humans leave behind.

Size

36" x 24" - Unframed

Materials

Collage and oil on canvas

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Memory 2020 | Mixed Media | 2018

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  In Memory 2020, Tim looks at the means by which we draw on past experiences in order to use this information in the present.

Size

80 × 110 inches - Unframed

Materials

Pigment print, acrylic print, and gel on canvas

Authenticity

Hand signed by the artist

Barbara Campbell Thomas

Mixed Media | 2020

Campbell Thomas's work combines painting with quilting, overlaying their material vocabularies to create complex formal dialogues within each painting that resonate with the details of her own life and the history of each medium. She came relatively late to quilting, which she learned from her mother, but quickly realized its power as an art form traditionally practiced by women to inform and expand the range of painting.

Size

17" x 15" - Unframed

Materials

Collaged fabric, collaged cut-up paintings, spray paint, acrylic paint on canvas with insets of pieced and machine-stitched fabric.

Authenticity

Hand signed by the artist

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

12.25 x 17.5 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

Peter Glenn Oakley

Sculpture | 2014

Oakley developed his carving skills working as a stonemason, making grave markers and memorials before turning to sculpture. In his hand, the marble sculpture becomes a solid ghost of what it represents—full of physical presence, but missing the functionality of the object.

Size

Exact size of a standard egg carton

Materials

Marble

Authenticity

Hand signed by the artist

Barbara Campbell Thomas

Mixed Media | 2020

Campbell Thomas's work combines painting with quilting, overlaying their material vocabularies to create complex formal dialogues within each painting that resonate with the details of her own life and the history of each medium. She came relatively late to quilting, which she learned from her mother, but quickly realized its power as an art form traditionally practiced by women to inform and expand the range of painting.

Size

60" x 72" - Unframed

Materials

Collaged fabric, collaged cut-up paintings, spray paint, acrylic paint on canvas with insets of pieced and machine-stitched fabric.

Authenticity

Hand signed by the artist

Painting | 2017

Thorn is a process painter starting with line and drawing, followed by texture and design, and color being layered on last used as a vehicle by which she can persuade her audience to look at her work. In her bright and captivating work, she presents the dichotomies of chaos and peace, dirty and clean, and ugliness and beauty in a fresh and authentic way.

Size

24 x 30 inches - Unframed

Materials

Acrylic and spray paint on canvas

Authenticity

Hand signed by the artist

Painting | 2017

Thorn is a process painter starting with line and drawing, followed by texture and design, and color being layered on last used as a vehicle by which she can persuade her audience to look at her work. In her bright and captivating work, she presents the dichotomies of chaos and peace, dirty and clean, and ugliness and beauty in a fresh and authentic way.

Size

18 x 18 inches - Unframed

Materials

Acrylic and spray paint on canvas

Authenticity

Hand signed by the artist

ROB MATTHEWS

Painting | 2018

This body of work is made to spend time considering events and people that get lost in the shuffle of the ever-changing news cycle.  Themes of upheaval, power, displacement and the unspoken message of “home” anchor the work. The Chess Player is a depiction of the people involved in carving up the Middle East: Paul Cambon and Sir Edward Grey, the French and English signatories for the Sykes-Picot Agreement.  The chess player is an ages-old theme running through art, pointing towards competition, debate and power. 

Size

36 × 44 inches - Unframed

Materials

Acrylic and acrylic gouache on canvas over wood panel

Authenticity

Hand signed by the artist

SANGSUN BAE

Painting | 2008

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

67 x 58 inches - Unframed

Materials

Charcoal and Ink on Canvas

Authenticity

Hand signed by the artist

ANTHONY GOICOLEA

Photography | 2019 | Limited Edition 2 of 6

Goicolea’s work is not intentionally or overtly political. It is a visceral reaction to changing dialogues around ethnicity, sexuality and religion. Growing up as a Cuban, Catholic, gay boy in the Deep South in the early 70^’s, heightened his awareness of social constructs and the changing nature of identity politics—a theme that continually informs his work.

Size

16 x 24 inches - Unframed

Materials

C-Print Mounted on Di-bond

Authenticity

Hand signed by the artist

Peter Glenn Oakley

Sculpture | 2014

Oakley developed his carving skills working as a stonemason, making grave markers and memorials before turning to sculpture. In his hand, the marble sculpture becomes a solid ghost of what it represents—full of physical presence, but missing the functionality of the object.

Size

Exact size of a standard typewriter 

Materials

Marble

Authenticity

Hand signed by the artist

Barbara Campbell Thomas

Mixed Media | 2020

Campbell Thomas's work combines painting with quilting, overlaying their material vocabularies to create complex formal dialogues within each painting that resonate with the details of her own life and the history of each medium. She came relatively late to quilting, which she learned from her mother, but quickly realized its power as an art form traditionally practiced by women to inform and expand the range of painting.

Size

60" x 72" - Unframed

Materials

Collaged fabric, collaged cut-up paintings, spray paint, acrylic paint on canvas with insets of pieced and machine-stitched fabric.

Authenticity

Hand signed by the artist

ANTHONY GOICOLEA

Painting | 2019

Goicolea’s work is not intentionally or overtly political. It is a visceral reaction to changing dialogues around ethnicity, sexuality and religion. Growing up as a Cuban, Catholic, gay boy in the Deep South in the early 70^’s, heightened his awareness of social constructs and the changing nature of identity politics—a theme that continually informs his work.

Size

54 x 76 inches - Unframed

Materials

Ink, Acrylic, and Oil Paint on Double Sided Frosted Mylar Film Mounted to Board

Authenticity

Hand signed by the artist

WILLIAM PAUL THOMAS

Limited Edition Multiple | 2018

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

12 x 18 inches - Unframed

Materials

Limited Edition Multiple of oil on canvas

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Liminality | Mixed Media | 2018

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  Liminality is a transition for Tim and his work, influenced by the passing of his mother, during which he stood at the threshold of his previous self and a new self.

Size

72 × 80 inches - Unframed

Materials

Acrylic paint, gel, pigment print on metallic paper mounted on wood panel

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Memory 2020 | Mixed Media | 2018

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  In Memory 2020, Tim looks at the means by which we draw on past experiences in order to use this information in the present.

Size

80 × 110 inches - Unframed

Materials

Pigment print, acrylic print, and gel on canvas

Authenticity

Hand signed by the artist

Painting | 2017

Thorn is a process painter starting with line and drawing, followed by texture and design, and color being layered on last used as a vehicle by which she can persuade her audience to look at her work. In her bright and captivating work, she presents the dichotomies of chaos and peace, dirty and clean, and ugliness and beauty in a fresh and authentic way.

Size

36 x 40 inches - Unframed

Materials

Acrylic and spray paint on canvas

Authenticity

Hand signed by the artist

SANGSUN BAE

Painting | 2010

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

40 x 79 inches - Unframed

Materials

Charcoal and Ink on Canvas

Authenticity

Hand signed by the artist

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

12.25 x 17.5 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

SHAUN RICHARDS

Mixed Media | 2011

Richards’ work has broadly focused on political incentives, socio-economic issues, notions of beauty, and societal norms for the better part of a decade.  He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society.  He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

120 × 96 inches - Unframed

Materials

Oil and mixed media on canvas

Authenticity

Hand signed by the artist

ANTHONY GOICOLEA

Photography | 2011 | Limited Edition 7 of 9

Goicolea’s work is not intentionally or overtly political. It is a visceral reaction to changing dialogues around ethnicity, sexuality and religion. Growing up as a Cuban, Catholic, gay boy in the Deep South in the early 70^’s, heightened his awareness of social constructs and the changing nature of identity politics—a theme that continually informs his work.

Size

70 x 50 inches - Unframed

Materials

C-Print Rear Mounted to UV Protective Non-Glare Plexi front with Aluminum Backing

Authenticity

Hand signed by the artist

Barbara Campbell Thomas

Mixed Media | 2020

Campbell Thomas's work combines painting with quilting, overlaying their material vocabularies to create complex formal dialogues within each painting that resonate with the details of her own life and the history of each medium. She came relatively late to quilting, which she learned from her mother, but quickly realized its power as an art form traditionally practiced by women to inform and expand the range of painting.

Size

30" x 36" - Unframed

Materials

Collaged fabric, collaged cut-up paintings, spray paint, acrylic paint on canvas with insets of pieced and machine-stitched fabric.

Authenticity

Hand signed by the artist

SANGSUN BAE

Painting | 2010

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

72 x 48 inches - Unframed

Materials

Charcoal and Ink on Canvas

Authenticity

Hand signed by the artist

SHAUN RICHARDS

Mixed Media | 2016

Richards’ work has broadly focused on political incentives, socio-economic issues, notions of beauty, and societal norms for the better part of a decade.  He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society.  He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

56 × 48 inches - Unframed

Materials

Oil and mixed media on canvas

Authenticity

Hand signed by the artist

SANGSUN BAE

Painting | 2011

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

51 x 76 inches - Unframed

Materials

Charcoal and Ink on Canvas

Authenticity

Hand signed by the artist

SHAUN RICHARDS

Mixed Media | 2011

Richards’ work has broadly focused on political incentives, socio-economic issues, notions of beauty, and societal norms for the better part of a decade.  He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society.  He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

96 × 96 inches - Unframed

Materials

Oil and mixed media on canvas

Authenticity

Hand signed by the artist

WILLIAM PAUL THOMAS

Painting | 2018

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

24 x 36 inches - Unframed

Materials

Oil on canvas

Authenticity

Hand signed by the artist

SANGSUN BAE

Painting | 2011

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

51 x 76 inches - Unframed

Materials

Charcoal and Ink on Canvas

Authenticity

Hand signed by the artist

Peter Glenn Oakley 

Sculpture | 2014

Oakley developed his carving skills working as a stonemason, making grave markers and memorials before turning to sculpture. In his hand, the marble sculpture becomes a solid ghost of what it represents—full of physical presence, but missing the functionality of the object.

Size

Size of a standard cassette tape

Materials

Marble

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Memory 2020 | Mixed Media | 2018

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  In Memory 2020, Tim looks at the means by which we draw on past experiences in order to use this information in the present.

Size

80 × 110 inches - Unframed

Materials

Pigment print, acrylic print, and gel on canvas

Authenticity

Hand signed by the artist

Barbara Campbell Thomas

Mixed Media | 2020

Campbell Thomas's work combines painting with quilting, overlaying their material vocabularies to create complex formal dialogues within each painting that resonate with the details of her own life and the history of each medium. She came relatively late to quilting, which she learned from her mother, but quickly realized its power as an art form traditionally practiced by women to inform and expand the range of painting.

Size

36" x 30" - Unframed

Materials

Collaged fabric, collaged cut-up paintings, spray paint, acrylic paint on canvas with insets of pieced and machine-stitched fabric.

Authenticity

Hand signed by the artist

SANGSUN BAE

Painting | 2011

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

72 x 36 inches - Unframed

Materials

Charcoal and Ink on Canvas

Authenticity

Hand signed by the artist

SHAUN RICHARDS

Mixed Media | 2010

Richards’ work has broadly focused on political incentives, socio-economic issues, notions of beauty, and societal norms for the better part of a decade.  He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society.  He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

120 × 96 inches

Materials

Oil and mixed media on canvas

Authenticity

Hand signed by the artist

SANGSUN BAE

Painting | 2009

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

465 x 46 inches - Unframed

Materials

Charcoal and Ink on Canvas

Authenticity

Hand signed by the artist

Painting | 2020

Thorn is a process painter starting with line and drawing, followed by texture and design, and color being layered on last used as a vehicle by which she can persuade her audience to look at her work. In her bright and captivating work, she presents the dichotomies of chaos and peace, dirty and clean, and ugliness and beauty in a fresh and authentic way.

Size

20 x 16 inches - Unframed

Materials

Acrylic and spray paint on canvas

Authenticity

Hand signed by the artist

ANTHONY GOICOLEA

Mixed Media | 2019 | Series - Anonymous Self Portraits

Anonymous Self-Portraits eschews traditional portraiture and renders identity through coded body language, gesture and performance. Figures simultaneously reveal and conceal themselves as they push against the architectural boundaries of their vestments.

Size

50 x 40 inches - Unframed

Materials

Ink, Graphite, and Oil Paint on Double-Sided Frosted Mylar Film Mounted to Board

Authenticity

Hand signed by the artist

ANTHONY GOICOLEA

Mixed Media | 2019 | Series - Anonymous Self Portraits

Anonymous Self-Portraits eschews traditional portraiture and renders identity through coded body language, gesture and performance. Figures simultaneously reveal and conceal themselves as they push against the architectural boundaries of their vestments.

Size

50 x 40 inches - Unframed

Materials

Ink, Graphite, and Oil Paint on Double-Sided Frosted Mylar Film Mounted to Board

Authenticity

Hand signed by the artist

ANTHONY GOICOLEA

Photography | 2013 | Limited Edition 3 of 9

Goicolea’s work is not intentionally or overtly political. It is a visceral reaction to changing dialogues around ethnicity, sexuality and religion. Growing up as a Cuban, Catholic, gay boy in the Deep South in the early 70^’s, heightened his awareness of social constructs and the changing nature of identity politics—a theme that continually informs his work.

Size

75 x 45 inches - Unframed

Materials

C-Print Rear Mounted to UV Protective Non-Glare Plexi front with Aluminum Backing

Authenticity

Hand signed by the artist

JACK EARLY

Painting | 2015

Jack Early seems never to have left his childhood; his playful wit and openness are the foundation for his work.  Early’s lexicon is drawn from wondrous childhood memories, where ordinary things and events can leave long-lasting impressions.   Aware of how visual and auditory phenomena can trigger us, he composes experiences to communicate sweet remembrances of simpler times.

Size

24 x 24 inches each - Framed

Materials

Oil on silkscreen canvas

Authenticity

Hand signed by the artist

MICHAEL WHITTLE

Drawing | 2013-2017 

(Temple roof diagrams with two point interference patterns and debris)

Sketches for the drawing ‘Two Large Waves’ were started in the immediate aftermath of the 2011 following the Great East Japan Earthquake. Following the quake, tsunami waves of up to 40 metres in height left 18,000 people dead or missing, the quake being powerful enough to move the entire island of Japan 2.4 m to the east, and shift the Earth on its axis by between 10 and 25 cm. The power of the quake also increased earth's rotational speed by 1.8 microseconds per day, enough for all satellites to have to be recalibrated. The entire planet was left ringing like a bell for weeks afterwards.  Finally completed in 2018, the two large wave-shaped structures in the drawing are derived from intricate architectural diagrams of temple roof structures. These are connected by networks of lines to clouds of debris above, and a circular landscape of troughs and crests below, which resemble constructive and destructive wave interference patterns.

Size

71 x 58 inches - Framed

Materials

Ink, pencil and watercolour on paper

Authenticity

Hand signed by the artist

SHAUN RICHARDS

Mixed Media | 2010

Richards’ work has broadly focused on political incentives, socio-economic issues, notions of beauty, and societal norms for the better part of a decade.  He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society.  He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

120 × 96 inches - Unframed

Materials

Oil and mixed media on canvas

Authenticity

Hand signed by the artist

MICHAEL WHITTLE

Drawing | 2017 

(Thermal map of lunar southpole - daytime)  

The NASA Lunar Reconnaissance Orbiter spent 8 years in a stable elliptical orbit passing low over the lunar south pole once every 2 hours. Its Radiometer collects thermal measurements of surface temperatures, and this drawing used that data to create lunar monstrance of daytime temperatures.

Size

43 x 55 inches - Framed

Materials

Ink, pencil and watercolour on paper

Authenticity

Hand signed by the artist

Barbara Campbell Thomas

Mixed Media | 2020

Campbell Thomas's work combines painting with quilting, overlaying their material vocabularies to create complex formal dialogues within each painting that resonate with the details of her own life and the history of each medium. She came relatively late to quilting, which she learned from her mother, but quickly realized its power as an art form traditionally practiced by women to inform and expand the range of painting.

Size

20" x 22" - Unframed

Materials

Collaged fabric, collaged cut-up paintings, spray paint, acrylic paint on canvas with insets of pieced and machine-stitched fabric.

Authenticity

Hand signed by the artist

ANTHONY GOICOLEA

Photography | 2013 | Limited Edition 3 of 9

Goicolea’s work is not intentionally or overtly political. It is a visceral reaction to changing dialogues around ethnicity, sexuality and religion. Growing up as a Cuban, Catholic, gay boy in the Deep South in the early 70^’s, heightened his awareness of social constructs and the changing nature of identity politics—a theme that continually informs his work.

Size

65 x 40 inches - Unframed

Materials

C-Print Rear Mounted to UV Protective Non-Glare Plexi front with Aluminum Backing

Authenticity

Hand signed by the artist

Painting | 2017

Thorn is a process painter starting with line and drawing, followed by texture and design, and color being layered on last used as a vehicle by which she can persuade her audience to look at her work. In her bright and captivating work, she presents the dichotomies of chaos and peace, dirty and clean, and ugliness and beauty in a fresh and authentic way.

Size

36 x 40 inches - Unframed

Materials

Acrylic and spray paint on canvas

Authenticity

Hand signed by the artist

JACK EARLY

Painting | 2015

Jack Early seems never to have left his childhood; his playful wit and openness are the foundation for his work.  Early’s lexicon is drawn from wondrous childhood memories, where ordinary things and events can leave long-lasting impressions.   Aware of how visual and auditory phenomena can trigger us, he composes experiences to communicate sweet remembrances of simpler times.

Size

24 x 24 inches - Framed

Materials

Oil on silkscreen canvas

Authenticity

Hand signed by the artist

SANGSUN BAE

Series - Chandelier

Photography | 2018 | Limited Edition 4 of 5

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

51 x 63 inches - Framed

Materials

Face-Mounted Archival Pigment Print framed in black wood

Authenticity

Hand signed by the artist

ANTHONY GOICOLEA

Photography | 2013 | Limited Edition 2 of 9

Goicolea’s work is not intentionally or overtly political. It is a visceral reaction to changing dialogues around ethnicity, sexuality and religion. Growing up as a Cuban, Catholic, gay boy in the Deep South in the early 70^’s, heightened his awareness of social constructs and the changing nature of identity politics—a theme that continually informs his work.

Size

65 x 45 inches - Unframed

Materials

C-Print Rear Mounted to UV Protective Non-Glare Plexi front with Aluminum Backing

Authenticity

Hand signed by the artist

LEIGH SUGGS

Original Painting | 2018

Suggs channels her fascination with the mystery and psychology of sight through cut paper works and large-scale installations. She obscures normal perception, manipulating her materials as if optical illusions.  The intangible and inexpressible optical illusions created in each piece lure in the viewer, pulling them into an experience of seeing that is at once immediate and elusive.

Size

60 × 60 inches - Unframed

Materials

Hand-cut Acrylic on Yupo

Authenticity

Hand signed by the artist

ANTHONY GOICOLEA

Photography | 2019 | Limited Edition 1 of 9

Goicolea’s work is not intentionally or overtly political. It is a visceral reaction to changing dialogues around ethnicity, sexuality and religion. Growing up as a Cuban, Catholic, gay boy in the Deep South in the early 70^’s, heightened his awareness of social constructs and the changing nature of identity politics—a theme that continually informs his work.

Size

78.25 x 40 inches - Unframed

Materials

C-Print Rear Mounted to UV Protective Non-Glare Plexi front with Aluminum Backing

Authenticity

Hand signed by the artist

SANGSUN BAE

Painting | 2011

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

48 x 56 inches - Unframed

Materials

Charcoal and Ink on Canvas

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Portraits (ongoing) | Photography | 2014

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

72 × 60 inches - Unframed

Materials

Photo transfer on archival photo paper

Authenticity

Hand signed by the artist

JACK EARLY

Painting | 2015

Jack Early seems never to have left his childhood; his playful wit and openness are the foundation for his work.  Early’s lexicon is drawn from wondrous childhood memories, where ordinary things and events can leave long-lasting impressions.   Aware of how visual and auditory phenomena can trigger us, he composes experiences to communicate sweet remembrances of simpler times.

Size

24 x 24 inches - Framed

Materials

Oil on silkscreen canvas

Authenticity

Hand signed by the artist

ANTHONY GOICOLEA

Photography | 2020 | Limited Edition 1 of 9

Goicolea’s work is not intentionally or overtly political. It is a visceral reaction to changing dialogues around ethnicity, sexuality and religion. Growing up as a Cuban, Catholic, gay boy in the Deep South in the early 70^’s, heightened his awareness of social constructs and the changing nature of identity politics—a theme that continually informs his work.

Size

45 x 40 inches - Unframed

Materials

C-Print Rear Mounted to UV Protective Non-Glare Plexi front with Aluminum Backing

Authenticity

Hand signed by the artist

MARTHA THORN

Painting | 2017

Thorn is a process painter starting with line and drawing, followed by texture and design, and color being layered on last used as a vehicle by which she can persuade her audience to look at her work. In her bright and captivating work, she presents the dichotomies of chaos and peace, dirty and clean, and ugliness and beauty in a fresh and authentic way.

Size

18 x 18 inches - Unframed

Materials

Acrylic and spray paint on canvas

Authenticity

Hand signed by the artist

ANTHONY GOICOLEA

Photography | 2013 | Limited Edition 3 of 9

Goicolea’s work is not intentionally or overtly political. It is a visceral reaction to changing dialogues around ethnicity, sexuality and religion. Growing up as a Cuban, Catholic, gay boy in the Deep South in the early 70^’s, heightened his awareness of social constructs and the changing nature of identity politics—a theme that continually informs his work.

Size

40 x 41 inches - Unframed

Materials

C-Print on Di-Bond with Non-Glare UV Plexi Laminate Face Mount

Authenticity

Hand signed by the artist

JACK EARLY

Painting | 2015

Jack Early seems never to have left his childhood; his playful wit and openness are the foundation for his work.  Early’s lexicon is drawn from wondrous childhood memories, where ordinary things and events can leave long-lasting impressions.   Aware of how visual and auditory phenomena can trigger us, he composes experiences to communicate sweet remembrances of simpler times.

Size

24 x 24 inches - Framed

Materials

Oil on silkscreen canvas

Authenticity

Hand signed by the artist

LEIGH SUGGS

Original Painting | 2020

Suggs channels her fascination with the mystery and psychology of sight through cut paper works and large-scale installations. She obscures normal perception, manipulating her materials as if optical illusions.  The intangible and inexpressible optical illusions created in each piece lure in the viewer, pulling them into an experience of seeing that is at once immediate and elusive.

Size

20 × 20 inches - Unframed

Materials

Hand-cut Acrylic on Yupo

Authenticity

Hand signed by the artist

SANGSUN BAE

Painting | 2013

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

289 x 72 inches - Unframed

Materials

Charcoal and Ink on Canvas

Authenticity

Hand signed by the artist

SANGSUN BAE

Series - Chandelier

Photography | 2018 | Limited Edition 4 of 5

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

51 x 63 inches - Framed

Materials

Face-Mounted Archival Pigment Print framed in black wood

Authenticity

Hand signed by the artist

ANTHONY GOICOLEA

Mixed Media | 2017 | Series - Shadow Projection Portraits

In Shadow Projection Portraits, Goicolea investigates portraiture, identity, beauty and the grotesque.  Each portrait is an amalgamation of different facial features cobbled together from semi androgynous men and woman and have strong ties to the artist’s early composited self-portrait work.

Size

26.5 x 41.5 inches - Unframed

Materials

Acrylic, Graphite and Ink on Double-sided Frosted Mylar Film mounted to Aluminum

Authenticity

Hand signed by the artist

SANGSUN BAE

Painting | 2011

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

18 x 71 inches - Unframed

Materials

Charcoal and Ink on Canvas

Authenticity

Hand signed by the artist

ANTHONY GOICOLEA

Mixed Media | 2016 | Series - Shadow Projection Portraits

In Shadow Projection Portraits, Goicolea investigates portraiture, identity, beauty and the grotesque.  Each portrait is an amalgamation of different facial features cobbled together from semi androgynous men and woman and have strong ties to the artist’s early composited self-portrait work.

Size

34 x 24.75 inches - Unframed

Materials

Graphite and acrylic on mylar, mounted to aluminum

Authenticity

Hand signed by the artist

ANTHONY GOICOLEA

Mixed Media | 2016 | Series - Shadow Projection Portraits

In Shadow Projection Portraits, Goicolea investigates portraiture, identity, beauty and the grotesque.  Each portrait is an amalgamation of different facial features cobbled together from semi androgynous men and woman and have strong ties to the artist’s early composited self-portrait work.

Size

26.25 x 33.25 inches - Unframed

Materials

Graphite and acrylic on mylar, mounted to aluminum

Authenticity

Hand signed by the artist

MARTHA THORN

Painting | 2017

Thorn is a process painter starting with line and drawing, followed by texture and design, and color being layered on last used as a vehicle by which she can persuade her audience to look at her work. In her bright and captivating work, she presents the dichotomies of chaos and peace, dirty and clean, and ugliness and beauty in a fresh and authentic way.

Size

18 x 18 inches - Unframed

Materials

Acrylic and spray paint on canvas

Authenticity

Hand signed by the artist

ROB MATTHEWS

Painting | 2015

This body of work is made to spend time considering events and people that get lost in the shuffle of the ever-changing news cycle.  Themes of upheaval, power, displacement and the unspoken message of “home” anchor the work.  Auto Auto Harp Harp depicts Syrians entering Germany who have become sick and possibly have died from eating death cap mushrooms (Amanita phalloides). This is the most optimistic work in the show, but still has the presence of danger.

Size

81 × 69 inches - Unframed

Materials

Gouache and sumi ink on paper on canvas over wood panel

Authenticity

Hand signed by the artist

JACK EARLY

Painting | 2015

Jack Early seems never to have left his childhood; his playful wit and openness are the foundation for his work.  Early’s lexicon is drawn from wondrous childhood memories, where ordinary things and events can leave long-lasting impressions.   Aware of how visual and auditory phenomena can trigger us, he composes experiences to communicate sweet remembrances of simpler times.

Size

24 x 24 inches - Framed

Materials

Oil on silkscreen canvas

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Equilibrium | Mixed Media | 2019

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  Equilibrium is a state of adjustment and balance for Tim and his work, capturing a free fall that is both static and dynamic.

Size

45 × 68 inches - Unframed

Materials

Pigment print and gel on canvas

Authenticity

Hand signed by the artist

ROB MATTHEWS

Painting | 2015

This body of work is made to spend time considering events and people that get lost in the shuffle of the ever-changing news cycle.  Themes of upheaval, power, displacement and the unspoken message of “home” anchor the work.  In The End of Time, the figures stand on a coastline with reddened water behind them.  The composition is borrowed from Picasso’s Pipes of Pan. Picasso’s piece overlooks a calm Mediterranean view. Rather than use this peaceful view of the sea that has, for generations, brought people to it for its tranquility, I choose to depict the Mediterranean for the millennia-old bloodbath that it is. In the bottom left of the piece is a head. It is that of Matthew Ayariga, the lone Ghanan decapitated alongside 20 Coptic Christians from Egypt on a Libyan coast.

Size

69 × 81 inches - Unframed

Materials

Gouache and sumi ink on paper on canvas over wood panel

Authenticity

Hand signed by the artist

SANGSUN BAE

Painting | 2012

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

36 x 36 inches - Unframed

Materials

Charcoal and Ink on Canvas

Authenticity

Hand signed by the artist

SANGSUN BAE

Painting | 2012

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

36 x 36 inches - Unframed

Materials

Charcoal and Ink on Canvas

Authenticity

Hand signed by the artist

ANTHONY GOICOLEA

Photography | 2014 | Limited Edition 2 of 6

Goicolea’s work is not intentionally or overtly political. It is a visceral reaction to changing dialogues around ethnicity, sexuality and religion. Growing up as a Cuban, Catholic, gay boy in the Deep South in the early 70^’s, heightened his awareness of social constructs and the changing nature of identity politics—a theme that continually informs his work.

Size

30 x 30 inches - Unframed

Materials

C-Print Mounted on Di-bond

Authenticity

Hand signed by the artist

SANGSUN BAE

Series - Quercus Phillyraeoides

Photography | 2019 | Limited Edition 3 of 5

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

78 x 47 inches - Unframed

Materials

Face-Mounted Archival Pigment Print

Authenticity

Hand signed by the artist

MARTHA THORN

Painting | 2020

Thorn is a process painter starting with line and drawing, followed by texture and design, and color being layered on last used as a vehicle by which she can persuade her audience to look at her work. In her bright and captivating work, she presents the dichotomies of chaos and peace, dirty and clean, and ugliness and beauty in a fresh and authentic way.

Size

20 x 16 inches - Unframed

Materials

Acrylic and spray paint on canvas

Authenticity

Hand signed by the artist

SANGSUN BAE

Series - Quercus Phillyraeoides

Photography | 2019 | Limited Edition 3 of 5

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

78 x 47 inches - Unframed

Materials

Face-Mounted Archival Pigment Print

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Equilibrium | Mixed Media | 2018

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  Equilibrium is a state of adjustment and balance for Tim and his work, capturing a free fall that is both static and dynamic.  

Size

45 × 55 inches

Materials

Metallic photo paper, paint, gel, on canvas

Authenticity

Hand signed by the artist

SANGSUN BAE

Series - Chandelier

Photography | 2018 | Limited Edition 4 of 5

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

51 x 63 inches - Framed

Materials

Face-Mounted Archival Pigment Print framed in black wood

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Equilibrium | Mixed Media | 2019

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  Equilibrium is a state of adjustment and balance for Tim and his work, capturing a free fall that is both static and dynamic.

Size

45 × 55 inches

Materials

Pigment print and gel on canvas

Authenticity

Hand signed by the artist

ANTHONY GOICOLEA

Mixed Media | 2016 | Series - Shadow Projection Portraits

In Shadow Projection Portraits, Goicolea investigates portraiture, identity, beauty and the grotesque.  Each portrait is an amalgamation of different facial features cobbled together from semi androgynous men and woman and have strong ties to the artist’s early composited self-portrait work.

Size

20 x 20 inches - Unframed

Materials

Graphite and acrylic on mylar, mounted to aluminum

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Memory 2020 | Mixed Media | 2018

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  In Memory 2020, Tim looks at the means by which we draw on past experiences in order to use this information in the present.

Size

45 × 55 inches - Unframed

Materials

Pigment print, acrylic print, and gel on canvas

Authenticity

Hand signed by the artist

ANTHONY GOICOLEA

Photography | 2019 | Limited Edition 2 of 6

Goicolea’s work is not intentionally or overtly political. It is a visceral reaction to changing dialogues around ethnicity, sexuality and religion. Growing up as a Cuban, Catholic, gay boy in the Deep South in the early 70^’s, heightened his awareness of social constructs and the changing nature of identity politics—a theme that continually informs his work.

Size

24 x 36 inches - Unframed

Materials

C-Print Mounted on Di-bond

Authenticity

Hand signed by the artist

Barbara Campbell Thomas

Mixed Media | 2020

Campbell Thomas's work combines painting with quilting, overlaying their material vocabularies to create complex formal dialogues within each painting that resonate with the details of her own life and the history of each medium. She came relatively late to quilting, which she learned from her mother, but quickly realized its power as an art form traditionally practiced by women to inform and expand the range of painting.

Size

8" x 9" - Unframed

Materials

Collaged fabric, collaged cut-up paintings, spray paint, acrylic paint on canvas with insets of pieced and machine-stitched fabric.

Authenticity

Hand signed by the artist

BA Thomas

Painting | 2020

BA Thomas creates paintings exploring the relationship between space, time, and the human experience. While predominantly an oil painter, her artistic practice also envelops aspects of writing, drawing, and collage. She questions traditional social constructs of spaces, the behavioral choices inferred from movement or objects, the meaning behind possessions, and ultimately, what humans leave behind.

Size

30" x 40" - Unframed

Materials

Oil and acrylic on canvas

Authenticity

Hand signed by the artist

MARTHA THORN

Painting | 2020

Thorn is a process painter starting with line and drawing, followed by texture and design, and color being layered on last used as a vehicle by which she can persuade her audience to look at her work. In her bright and captivating work, she presents the dichotomies of chaos and peace, dirty and clean, and ugliness and beauty in a fresh and authentic way.

Size

18 x 14 inches - Unframed

Materials

Acrylic and spray paint on canvas

Authenticity

Hand signed by the artist

MICHAEL WHITTLE

Drawing | 2018

(Model for spatial and temporal variations in the heliospheric magnetic field with Neural network detected Retinal Vasculature, exposed fovea and optic pit)

This drawing is based on a model of magnetic data collected by the Ulysses space probe in orbit around the sun.  Blue values represent regions where the magnetic field pointed towards the Sun; red where it pointed away. This model is depicted above a shadow-like retina, complete with fovea and optic pit.

Size

49 x 49 inches - Framed

Materials

Ink, pencil and watercolour on paper

Authenticity

Hand signed by the artist

SANGSUN BAE

Series - Chandelier

Photography | 2018 | Limited Edition 4 of 5  

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

51 x 63 inches - Framed

Materials

Face-Mounted Archival Pigment Print framed in black wood

Authenticity

Hand signed by the artist

MICHAEL WHITTLE

Drawing | 2018 

(Myosin and Actin molecular family trees as linked, punctured tori)

 In this drawing the superfamily trees of actin and myosin are depicted within partially open, linked tori, creating a diagrammatic icon for our investigations in to the origins of biological movement. These diverse and evolutionarily ancient families of protein molecules are found in almost all animal cells, and this drawing was created using data from experiments to map the branching family trees of these proteins, which I then mapped on to the exterior of two interlinked donut shaped tori, one for actin and one for myosin. The result is a skeletal, diagram-like icon for our investigations in to the very origins of biological movement itself.

Size

49 x 49 inches - Framed

Materials

Ink, pencil and watercolour on paper

Authenticity

Hand signed by the artist

ANTHONY GOICOLEA

Painting | 2019

Goicolea’s work is not intentionally or overtly political. It is a visceral reaction to changing dialogues around ethnicity, sexuality and religion. Growing up as a Cuban, Catholic, gay boy in the Deep South in the early 70^’s, heightened his awareness of social constructs and the changing nature of identity politics—a theme that continually informs his work.

Size

54 x 91 inches - Unframed

Materials

Oil Paint on Double Sided Frosted Mylar Film Mounted to Board

Authenticity

Hand signed by the artist

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

12.25 x 17.375 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

MICHAEL WHITTLE

Drawing | 2018 

(Gott-Li self-creating Universe with Toroidal closed timeline curves and simulated dendritic patterning for Space-filling Neuronal Dendrites)

Model for first causes contrasts two very different types of model, one for the origins of the universe and one for the development of neurons in the human brain.  In the drawing, a delicate glass-like depiction of their model is suspended above an abstract square of branching terrain, itself based on a model for the origins of human thought. Each star-like structure is an algorithmic representation of a human neuron designed by Kaoru Sugimura to replicate patterns of brain cell growth. The junctions between those cells are where basic units of thought arise from cascades electrochemical signals, giving the human brains its unique ability to question not only it’s own origins, but the very origins of the universe itself. 

Size

49 x 49 inches - Framed

Materials

Ink, pencil and watercolour on paper

Authenticity

Hand signed by the artist

MICHAEL WHITTLE

Drawing | 2018 

(Early modern human migration model based on mitochondrial DNA haplogroup distributions- bio-geographical Dymaxion projection)

The data used to build up the delicate web of migration patterns in the drawing came from recent scientific studies in genetic variation across human populations. Mitochondria actually contain their own DNA wrapped in an unusual circular structures, and these are also visible within the drawing as striped rings amongst the threads which connect the continents.

Size

49 x 49 inches - Framed

Materials

Ink, pencil and watercolour on paper

Authenticity

Hand signed by the artist

Barbara Campbell Thomas

Mixed Media | 2020

Campbell Thomas's work combines painting with quilting, overlaying their material vocabularies to create complex formal dialogues within each painting that resonate with the details of her own life and the history of each medium. She came relatively late to quilting, which she learned from her mother, but quickly realized its power as an art form traditionally practiced by women to inform and expand the range of painting.

Size

17" x 15" - Unframed

Materials

Collaged fabric, collaged cut-up paintings, spray paint, acrylic paint on canvas with insets of pieced and machine-stitched fabric.

Authenticity

Hand signed by the artist

MARTHA THORN

Painting | 2020

Thorn is a process painter starting with line and drawing, followed by texture and design, and color being layered on last used as a vehicle by which she can persuade her audience to look at her work. In her bright and captivating work, she presents the dichotomies of chaos and peace, dirty and clean, and ugliness and beauty in a fresh and authentic way.

Size

16 x 20 inches - Unframed

Materials

Acrylic and spray paint on canvas

Authenticity

Hand signed by the artist

BA Thomas

Mixed Media | 2020

BA Thomas creates paintings exploring the relationship between space, time, and the human experience. While predominantly an oil painter, her artistic practice also envelops aspects of writing, drawing, and collage. She questions traditional social constructs of spaces, the behavioral choices inferred from movement or objects, the meaning behind possessions, and ultimately, what humans leave behind.

Size

36" x 36" - Unframed

Materials

Oil and acrylic on canvas

Authenticity

Hand signed by the artist

SANGSUN BAE

Series - Chandelier

Photography | 2018 | Limited Edition 4 of 5  

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

51 x 63 inches - Framed

Materials

Face-Mounted Archival Pigment Print framed in black wood

Authenticity

Hand signed by the artist

MICHAEL WHITTLE

Drawing | 2018 

(Cassini probe data swathes of Titan’s Xanadu region with ciliary margin-like stem cell niche generated from self-organizing human retinal tissue)

The drawing contrasts two extremes of our current notions of ‘vision’: the cutting edge, remote sensing technologies of NASA space probes and the laboratory creation of self-assembling visual tissues using stem cell technologies for the very first time.  

Size

49 × 49 inches - Framed

Materials

Ink, pencil and watercolour on paper

Authenticity

Hand signed by the artist

SHAUN RICHARDS

Mixed Media | 2013

Richards’ work has broadly focused on political incentives, socio-economic issues, notions of beauty, and societal norms for the better part of a decade.  He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society.  He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

50 × 66 inches - Unframed

Materials

Oil and mixed media on canvas

Authenticity

Hand signed by the artist

ANTHONY GOICOLEA

Drawing | 2019

Goicolea’s work is not intentionally or overtly political. It is a visceral reaction to changing dialogues around ethnicity, sexuality and religion. Growing up as a Cuban, Catholic, gay boy in the Deep South in the early 70^’s, heightened his awareness of social constructs and the changing nature of identity politics—a theme that continually informs his work.

Size

90 x 60 inches - Unframed

Materials

Double Hung Drawing. Graphite, Acrylic, and Ink on Double-Sided Frosted Mylar Film

Authenticity

Hand signed by the artist

LEIGH SUGGS

Original Painting | 2017

Suggs channels her fascination with the mystery and psychology of sight through cut paper works and large-scale installations. She obscures normal perception, manipulating her materials as if optical illusions.  The intangible and inexpressible optical illusions created in each piece lure in the viewer, pulling them into an experience of seeing that is at once immediate and elusive.

Size

36 × 48 inches - Unframed

Materials

Collaged cyanotype

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Memories | Photography | 2015

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

44 × 44 inches - Unframed

Materials

Photo transfer on archival photo paper

Authenticity

Hand signed by the artist

SUSAN HARBAGE PAGE

Painting | 2018

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

18.75 x 14.5 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

SANGSUN BAE

Series - Chandelier

Photography | 2018 | Limited Edition 4 of 5

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

51 x 63 inches - Framed

Materials

Face-Mounted Archival Pigment Print framed in black wood

Authenticity

Hand signed by the artist

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

12.125 x 17.25 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

SHAUN RICHARDS

Mixed Media | 2014

Richards’ work has broadly focused on political incentives, socio-economic issues, notions of beauty, and societal norms for the better part of a decade.  He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society.  He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

60 × 48 inches - Unframed

Materials

Oil and mixed media on canvas

Authenticity

Hand signed by the artist

ROB MATTHEWS

Painting | 2018

This body of work is made to spend time considering events and people that get lost in the shuffle of the ever-changing news cycle.  Themes of upheaval, power, displacement and the unspoken message of “home” anchor the work.  The Cartographer is a depiction of François Georges-Picot arranged with the map of the Sykes-Picot Agreement across the piece.

Size

36 × 44 inches - Unframed

Materials

Acrylic on canvas over wood panel

Authenticity

Hand signed by the artist

WILLIAM PAUL THOMAS

Painting | 2017

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

24 x 36 inches - Unframed

Materials

Oil on canvas

Authenticity

Hand signed by the artist

LEIGH SUGGS

Original Painting | 2018

Suggs channels her fascination with the mystery and psychology of sight through cut paper works and large-scale installations. She obscures normal perception, manipulating her materials as if optical illusions.  The intangible and inexpressible optical illusions created in each piece lure in the viewer, pulling them into an experience of seeing that is at once immediate and elusive.

Size

40 × 26 inches - Unframed

Materials

Hand-cut Acrylic on Yupo

Authenticity

Hand signed by the artist

MICHAEL WHITTLE

Drawing | 2017 

(Thermal map of lunar southpole - nighttime)  

The NASA Lunar Reconnaissance Orbiter spent 8 years in a stable elliptical orbit passing low over the lunar south pole once every 2 hours. Its Radiometer collects thermal measurements of surface temperatures, and this drawing used that data to create lunar monstrance of nighttime temperatures.

Size

43 x 55 inches - Framed

Materials

Ink, pencil and watercolour on paper

Authenticity

Hand signed by the artist

WILLIAM PAUL THOMAS

Painting | 2014

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

24 x 36 inches - Unframed

Materials

Oil on canvas

Authenticity

Hand signed by the artist

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

12.25 x 17.25 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

BA Thomas

Painting | 2020

BA Thomas creates paintings exploring the relationship between space, time, and the human experience. While predominantly an oil painter, her artistic practice also envelops aspects of writing, drawing, and collage. She questions traditional social constructs of spaces, the behavioral choices inferred from movement or objects, the meaning behind possessions, and ultimately, what humans leave behind.

Size

18" x 24" - Unframed

Materials

Oil and acrylic on canvas

Authenticity

Hand signed by the artist

Barbara Campbell Thomas

Mixed Media | 2020

Campbell Thomas's work combines painting with quilting, overlaying their material vocabularies to create complex formal dialogues within each painting that resonate with the details of her own life and the history of each medium. She came relatively late to quilting, which she learned from her mother, but quickly realized its power as an art form traditionally practiced by women to inform and expand the range of painting.

Size

22" x 20" - Unframed

Materials

Collaged fabric, collaged cut-up paintings, spray paint, acrylic paint on canvas with insets of pieced and machine-stitched fabric.

Authenticity

Hand signed by the artist

SHAUN RICHARDS

Mixed Media | 2013

Richards’ work has broadly focused on political incentives, socio-economic issues, notions of beauty, and societal norms for the better part of a decade.  He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society.  He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

60 × 50 inches - Unframed

Materials

Oil and mixed media on canvas

Authenticity

Hand signed by the artist

Peter Glenn Oakley

Sculpture | 2014

Oakley developed his carving skills working as a stonemason, making grave markers and memorials before turning to sculpture. In his hand, the marble sculpture becomes a solid ghost of what it represents—full of physical presence, but missing the functionality of the object.

Size

Exact size of a standard bar of Dove

Materials

Marble

Authenticity

Hand signed by the artist

Barbara Campbell Thomas

Mixed Media | 2020

Campbell Thomas's work combines painting with quilting, overlaying their material vocabularies to create complex formal dialogues within each painting that resonate with the details of her own life and the history of each medium. She came relatively late to quilting, which she learned from her mother, but quickly realized its power as an art form traditionally practiced by women to inform and expand the range of painting.

Size

17" x 15" - Unframed

Materials

Collaged fabric, collaged cut-up paintings, spray paint, acrylic paint on canvas with insets of pieced and machine-stitched fabric.

Authenticity

Hand signed by the artist

Barbara Campbell Thomas

Mixed Media | 2020

Campbell Thomas's work combines painting with quilting, overlaying their material vocabularies to create complex formal dialogues within each painting that resonate with the details of her own life and the history of each medium. She came relatively late to quilting, which she learned from her mother, but quickly realized its power as an art form traditionally practiced by women to inform and expand the range of painting.

Size

8" x 9" - Unframed

Materials

Collaged fabric, collaged cut-up paintings, spray paint, acrylic paint on canvas with insets of pieced and machine-stitched fabric.

Authenticity

Hand signed by the artist

Barbara Campbell Thomas

Mixed Media | 2020

Campbell Thomas's work combines painting with quilting, overlaying their material vocabularies to create complex formal dialogues within each painting that resonate with the details of her own life and the history of each medium. She came relatively late to quilting, which she learned from her mother, but quickly realized its power as an art form traditionally practiced by women to inform and expand the range of painting.

Size

8" x 9" - Unframed

Materials

Collaged fabric, collaged cut-up paintings, spray paint, acrylic paint on canvas with insets of pieced and machine-stitched fabric.

Authenticity

Hand signed by the artist

Barbara Campbell Thomas

Mixed Media | 2020

Campbell Thomas's work combines painting with quilting, overlaying their material vocabularies to create complex formal dialogues within each painting that resonate with the details of her own life and the history of each medium. She came relatively late to quilting, which she learned from her mother, but quickly realized its power as an art form traditionally practiced by women to inform and expand the range of painting.

Size

8" x 9" - Unframed

Materials

Collaged fabric, collaged cut-up paintings, spray paint, acrylic paint on canvas with insets of pieced and machine-stitched fabric.

Authenticity

Hand signed by the artist

BA Thomas 

Mixed Media | 2020

BA Thomas creates paintings exploring the relationship between space, time, and the human experience. While predominantly an oil painter, her artistic practice also envelops aspects of writing, drawing, and collage. She questions traditional social constructs of spaces, the behavioral choices inferred from movement or objects, the meaning behind possessions, and ultimately, what humans leave behind.

Size

30" x 24" - Unframed

Materials

Collage and oil on canvas

Authenticity

Hand signed by the artist

WILLIAM PAUL THOMAS

Painting | 2017

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

24 x 36 inches - Unframed

Materials

Oil on canvas

Authenticity

Hand signed by the artist

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

14.375 x 19 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

ANTHONY GOICOLEA

Photography | 2019 | Limited Edition 2 of 6

Goicolea’s work is not intentionally or overtly political. It is a visceral reaction to changing dialogues around ethnicity, sexuality and religion. Growing up as a Cuban, Catholic, gay boy in the Deep South in the early 70^’s, heightened his awareness of social constructs and the changing nature of identity politics—a theme that continually informs his work.

Size

16 x 21 inches - Unframed

Materials

C-Print Mounted on Di-bond

Authenticity

Hand signed by the artist

Barbara Campbell Thomas

Mixed Media | 2020

Campbell Thomas's work combines painting with quilting, overlaying their material vocabularies to create complex formal dialogues within each painting that resonate with the details of her own life and the history of each medium. She came relatively late to quilting, which she learned from her mother, but quickly realized its power as an art form traditionally practiced by women to inform and expand the range of painting.

Size

17" x 15" - Unframed

Materials

Collaged fabric, collaged cut-up paintings, spray paint, acrylic paint on canvas with insets of pieced and machine-stitched fabric.

Authenticity

Hand signed by the artist

BA Thomas

Painting | 2020

BA Thomas creates paintings exploring the relationship between space, time, and the human experience. While predominantly an oil painter, her artistic practice also envelops aspects of writing, drawing, and collage. She questions traditional social constructs of spaces, the behavioral choices inferred from movement or objects, the meaning behind possessions, and ultimately, what humans leave behind.

Size

24" x 18" - Unframed

Materials

Oil and acrylic on canvas

Authenticity

Hand signed by the artist

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

14.5 x 19.25 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

SANGSUN BAE

Series - Quercus Phillyraeoides

Photography | 2019 | Limited Edition 3 of 5

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

47 x 31 inches - Unframed

Materials

Face-Mounted Archival Pigment Print

Authenticity

Hand signed by the artist

SANGSUN BAE

Series - Quercus Phillyraeoides

Photography | 2019 | Limited Edition 3 of 5

Bae expresses herself through soft and graceful lines and interlocking curves.  By using organic forms, her work has a flowing elegance demonstrating complete abstraction.  This basic element in her work reflects the stoic style of expression that invokes ties to Buddhism.

Size

47 x 31 inches - Unframed

Materials

Face-Mounted Archival Pigment Print

Authenticity

Hand signed by the artist

LEIGH SUGGS

Original Painting | 2020

Suggs channels her fascination with the mystery and psychology of sight through cut paper works and large-scale installations. She obscures normal perception, manipulating her materials as if optical illusions.  The intangible and inexpressible optical illusions created in each piece lure in the viewer, pulling them into an experience of seeing that is at once immediate and elusive.

Size

30 × 30 inches - Unframed

Materials

Hand-cut Acrylic on Yupo

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Mixed Media | 2016

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

32 × 40 inches - Unframed

Medium

Archival print on metallic paper with paint and gel

Authenticity

Hand signed by the artist

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

11.5 x 17.5 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

TIM LYTVINENKO

Mixed Media | 2016

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  His pieces can be, at once, large scale and intimate, technical and improvisational.

Size

32 × 40 inches - Unframed

Medium

Archival print on metallic paper with paint and gel

Authenticity

Hand signed by the artist

MICHAEL WHITTLE

Drawing | 2017 

The discovery of Lorenz knots provided a surprising connection between two very different fields of study: chaos theory, with its strange attractors, and knot theory, which is an attempt to analyze and classify all possible ‘closed knots’. Lorenz found that his elegant, 2-winged orbital systems were extremely sensitive to initial conditions, a phenomenon now known as deterministic chaos or the ‘butterfly effect’. From order arises chaos, and two of these intricate Lorenz knots, with identical starting conditions but slightly different outcomes, are drawn here superimposed, as fragile, intertwining structures.

Size

32 x 40 inches - Framed

Materials

Ink, pencil and watercolour on paper

Authenticity

Hand signed by the artist

Barbara Campbell Thomas

Mixed Media | 2020

Campbell Thomas's work combines painting with quilting, overlaying their material vocabularies to create complex formal dialogues within each painting that resonate with the details of her own life and the history of each medium. She came relatively late to quilting, which she learned from her mother, but quickly realized its power as an art form traditionally practiced by women to inform and expand the range of painting.

Size

8" x 9" - Unframed

Materials

Collaged fabric, collaged cut-up paintings, spray paint, acrylic paint on canvas with insets of pieced and machine-stitched fabric.

Authenticity

Hand signed by the artist

BA Thomas

Painting | 2020

BA Thomas creates paintings exploring the relationship between space, time, and the human experience. While predominantly an oil painter, her artistic practice also envelops aspects of writing, drawing, and collage. She questions traditional social constructs of spaces, the behavioral choices inferred from movement or objects, the meaning behind possessions, and ultimately, what humans leave behind.

Size

40" x 30" - Unframed

Materials

Oil and acrylic on canvas

Authenticity

Hand signed by the artist

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

14.5 x 19.25 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

WILLIAM PAUL THOMAS

Painting | 2013

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

24 x 36 inches - Unframed

Materials

Oil on canvas

Authenticity

Hand signed by the artist

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

11.25 x 17 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

WILLIAM PAUL THOMAS

Painting | 2017

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

24 x 36 inches - Framed

Materials

Oil on canvas

Authenticity

Hand signed by the artist

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

17.625 x 23.25 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

WILLIAM PAUL THOMAS

Painting | 2018

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

24 x 36 inches - Unframed

Materials

Oil on canvas

Authenticity

Hand signed by the artist

SUSAN HARBAGE PAGE

Painting | 2018

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

12.5 x 17 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

WILLIAM PAUL THOMAS

Painting | 2018

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

24 x 36 inches - Unframed

Materials

Oil on canvas

Authenticity

Hand signed by the artist

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

12.25 x 17.375 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

Barbara Campbell Thomas

Mixed Media | 2020

Campbell Thomas's work combines painting with quilting, overlaying their material vocabularies to create complex formal dialogues within each painting that resonate with the details of her own life and the history of each medium. She came relatively late to quilting, which she learned from her mother, but quickly realized its power as an art form traditionally practiced by women to inform and expand the range of painting.

Size

8" x 9" - Unframed

Materials

Collaged fabric, collaged cut-up paintings, spray paint, acrylic paint on canvas with insets of pieced and machine-stitched fabric.

Authenticity

Hand signed by the artist

JACK EARLY

Painting | 2019

Jack Early seems never to have left his childhood; his playful wit and openness are the foundation for his work.  Early’s lexicon is drawn from wondrous childhood memories, where ordinary things and events can leave long-lasting impressions.   Aware of how visual and auditory phenomena can trigger us, he composes experiences to communicate sweet remembrances of simpler times.

Size

13 x 13 inches - Framed

Materials

Oil paint on printed canvas in hand painted wooden frame

Authenticity

Hand signed by the artist

JACK EARLY

Painting | 2019

Jack Early seems never to have left his childhood; his playful wit and openness are the foundation for his work.  Early’s lexicon is drawn from wondrous childhood memories, where ordinary things and events can leave long-lasting impressions.   Aware of how visual and auditory phenomena can trigger us, he composes experiences to communicate sweet remembrances of simpler times.

Size

13 x 13 inches - Framed

Materials

Oil paint on printed canvas in hand painted wooden frame

Authenticity

Hand signed by the artist

JACK EARLY

Painting | 2019

Jack Early seems never to have left his childhood; his playful wit and openness are the foundation for his work.  Early’s lexicon is drawn from wondrous childhood memories, where ordinary things and events can leave long-lasting impressions.   Aware of how visual and auditory phenomena can trigger us, he composes experiences to communicate sweet remembrances of simpler times.

Size

13 x 13 inches - Framed

Materials

Oil paint on printed canvas in hand painted wooden frame

Authenticity

Hand signed by the artist

SUSAN HARBAGE PAGE

Painting | 2018

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

12.5 x 17 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

SHAUN RICHARDS

Mixed Media | 2011

Richards’ work has broadly focused on political incentives, socio-economic issues, notions of beauty, and societal norms for the better part of a decade.  He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society.  He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

42 × 42 inches - Unframed

Materials

Oil and mixed media on canvas

Authenticity

Hand signed by the artist

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

17.125 x 22.125 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

SHAUN RICHARDS

Mixed Media | 2011

Richards’ work has broadly focused on political incentives, socio-economic issues, notions of beauty, and societal norms for the better part of a decade.  He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society.  He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

42 × 42 inches - Unframed

Materials

Oil and mixed media on canvas

Authenticity

Hand signed by the artist

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

11.625 x 17.5 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

SHAUN RICHARDS

Mixed Media | 2011

Richards’ work has broadly focused on political incentives, socio-economic issues, notions of beauty, and societal norms for the better part of a decade.  He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society.  He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

42 × 42 inches - Unframed

Materials

Oil and mixed media on canvas

Authenticity

Hand signed by the artist

MICHAEL WHITTLE

Minimal Surface Series | Drawing | 2017 

(Stacked 7 lobed Enneper with neural network detected retinal vasculature )  

This series of drawings contrast two very different ways of modeling the world and our ideas about it.  Minimal surfaces are surface area-minimizing objects discovered by Mathematicians.  Suspended beneath these objects are the fractal-like blood vessels of the human retina. 

Size

22 × 31 inches - Framed

Materials

Ink, pencil and watercolour on paper

Authenticity

Hand signed by the artist

LEIGH SUGGS

Original Painting | 2017

Suggs channels her fascination with the mystery and psychology of sight through cut paper works and large-scale installations. She obscures normal perception, manipulating her materials as if optical illusions.  The intangible and inexpressible optical illusions created in each piece lure in the viewer, pulling them into an experience of seeing that is at once immediate and elusive.

Size

22 × 22 inches - Unframed

Materials

Acrylic and ink on handmade paper

Authenticity

Hand signed by the artist

MICHAEL WHITTLE

Minimal Surface Series | Drawing | 2017 

(Stacked 5 lobed Enneper with neural network detected retinal vasculature)  

This series of drawings contrast two very different ways of modeling the world and our ideas about it.  Minimal surfaces are surface area-minimizing objects discovered by Mathematicians.  Suspended beneath these objects are the fractal-like blood vessels of the human retina. 

Size

22 × 31 inches - Framed

Materials

Ink, pencil and watercolour on paper

Authenticity

Hand signed by the artist

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

12.25 x 17.375 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

WILLIAM PAUL THOMAS

Painting | 2019

Thomas chooses specific models to honor everyday people and to recognize their significance in his life’s path.  Integrating text and symbols into the portrait, the work begins as an acknowledgement of an individual and is transformed into a set of symbols poised for investigation.

Size

24 x 36 inches - Unframed

Materials

Oil on canvas

Authenticity

Hand signed by the artist

MICHAEL WHITTLE

Minimal Surface Series | Drawing | 2017 

(Immersed sphere with planar ends and neural network detected retinal vasculature)

This series of drawings contrast two very different ways of modeling the world and our ideas about it.  Minimal surfaces are surface area-minimizing objects discovered by Mathematicians.  Suspended beneath these objects are the fractal-like blood vessels of the human retina. 

Size

22 × 31 inches - Framed

Materials

Ink, pencil and watercolour on paper

Authenticity

Hand signed by the artist

SHAUN RICHARDS

Mixed Media | 2019

Richards’ work has broadly focused on political incentives, socio-economic issues, notions of beauty, and societal norms for the better part of a decade.  He has described it as a focus on our complicity and responsibility for the world in which we live—particularly those institutions, and paradigms that define contemporary western society.  He often combines collage/mixed media, stencils, and traditional painting methods contrasted with abstraction to impress upon the viewer these complicated issues in a way that is often ambivalent, yet layered.

Size

30 × 34 inches - Unframed

Materials

Oil on canvas

Authenticity

Hand signed by the artist

SUSAN HARBAGE PAGE

Painting | 2018

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

12.5 x 17 inches

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

12.25 x 17.75 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

LEIGH SUGGS

Original Painting | 2019

Suggs channels her fascination with the mystery and psychology of sight through cut paper works and large-scale installations. She obscures normal perception, manipulating her materials as if optical illusions.  The intangible and inexpressible optical illusions created in each piece lure in the viewer, pulling them into an experience of seeing that is at once immediate and elusive.

Size

22.5 × 22.5 inches - Unframed

Medium

Handcut, Acrylic on Yupo

Authenticity

Hand signed by the artist

MICHAEL WHITTLE

Minimal Surface Series | Drawing | 2017 

(Genus 3 Chen-Gackstatter surface with neural network detected retinal vasculature)

This series of drawings contrast two very different ways of modeling the world and our ideas about it.  Minimal surfaces are surface area-minimizing objects discovered by Mathematicians.  Suspended beneath these objects are the fractal-like blood vessels of the human retina. 

Size

31 × 22 inches - Framed

Materials

Ink, pencil and watercolour on paper

Authenticity

Hand signed by the artist

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

14.5 x 9.625 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

MICHAEL WHITTLE

Minimal Surface Series | Drawing | 2017 

(Bryant-Kusner parametrization with neural network detected retinal vasculature)

This series of drawings contrast two very different ways of modeling the world and our ideas about it.  Minimal surfaces are surface area-minimizing objects discovered by Mathematicians.  Suspended beneath these objects are the fractal-like blood vessels of the human retina. 

Size

31 × 22 inches - Framed

Materials

Ink, pencil and watercolour on paper

Authenticity

Hand signed by the artist

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

14.375 x 9.625 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

MICHAEL WHITTLE

Minimal Surface Series | Drawing | 2017 

(Bryant-Kusner parametrization with neural network detected retina vasculature)

 This series of drawings contrast two very different ways of modeling the world and our ideas about it.  Minimal surfaces are surface area-minimizing objects discovered by Mathematicians.  Suspended beneath these objects are the fractal-like blood vessels of the human retina. 

Size

31 × 22 inches - Framed

Materials

Ink, pencil and watercolour on paper

Authenticity

Hand signed by the artist

TIM LYTVINENKO

Equilibrium | Mixed Media | 2018

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  Equilibrium is a state of adjustment and balance for Tim and his work, capturing a free fall that is both static and dynamic.

Size

36 × 27 inches - Unframed

Materials

Metallic photo paper, paint, gel, on canvas

Authenticity

Hand signed by the artist

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

12.25 x 17.5 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Painting | 2018

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

12.25 x 17.375 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Painting | 2018

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

12.25 x 17.5 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

11.625 x 17.25 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Painting | 2018

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

12.5 x 17 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

11.5 x 17.5 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

TIM LYTVINENKO

Liminality | Mixed Media | 2018

With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human.  Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self.  Liminality is a transition for Tim and his work, influenced by the passing of his mother, during which he stood at the threshold of his previous self and a new self.

Size

72 × 80 inches - Unframed

Materials

Acrylic paint, gel, pigment print on metallic paper mounted on wood panel

Authenticity

Hand signed by the artist

SUSAN HARBAGE PAGE

Painting | 2018

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

17.5 x 12.25 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

LEIGH SUGGS

Original Painting | 2020

Suggs channels her fascination with the mystery and psychology of sight through cut paper works and large-scale installations. She obscures normal perception, manipulating her materials as if optical illusions.  The intangible and inexpressible optical illusions created in each piece lure in the viewer, pulling them into an experience of seeing that is at once immediate and elusive.

Size

13 × 13 inches - Unframed

Materials

Hand-cut Acrylic on Yupo

Authenticity

Hand signed by the artist

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

12.25 x 17.75 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

ROB MATTHEWS

Painting | 2018

This body of work is made to spend time considering events and people that get lost in the shuffle of the ever-changing news cycle.  Themes of upheaval, power, displacement and the unspoken message of “home” anchor the work.  Khaled al-Asaad was a Syrian archaeologist and head of antiquities for the ancient city of Palmyra who was publicly executed in gruesome fashion by ISIS while attempting to hide antiquities in the city museum from them so they could not destroy the ancient art.

Size

16 × 20 inches - Unframed

Materials

Acrylic on canvas over wood panel

Authenticity

Hand signed by the artist

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

12.25 x 17.5 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

LEIGH SUGGS

Original Painting | 2020

Suggs channels her fascination with the mystery and psychology of sight through cut paper works and large-scale installations. She obscures normal perception, manipulating her materials as if optical illusions.  The intangible and inexpressible optical illusions created in each piece lure in the viewer, pulling them into an experience of seeing that is at once immediate and elusive.

Size

13 × 13 inches - Unframed

Materials

Handcut, Acrylic on Yupo

Authenticity

Hand signed by the artist

SUSAN HARBAGE PAGE

Painting | 2019

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

11.5 x 17.5 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity

LEIGH SUGGS

Original Painting | 2020

Suggs channels her fascination with the mystery and psychology of sight through cut paper works and large-scale installations. She obscures normal perception, manipulating her materials as if optical illusions.  The intangible and inexpressible optical illusions created in each piece lure in the viewer, pulling them into an experience of seeing that is at once immediate and elusive.

Size

10 × 10 inches - Unframed

Materials

Hand-cut Acrylic on Yupo

Authenticity

Hand signed by the artist

SUSAN HARBAGE PAGE

Painting | 2018

Featuring the intense colors one can only find in gouache paint on 200-300 year old Italian book pages, Constellations explores textile production and traditional forms of gendered labor both in the U.S. and Italy.  Her gendered body unites the past with the present as she works back into the marginalia of these pages produced and written largely by males at a time when many women were not taught to read.

Size

12.25 x 17.5 inches - Unframed

Materials

Gouache on antique book pages (circa 1700 – 1900)

Authenticity

Certificate of Authenticity