TIM LYTVINENKO
Unique Photographic Monoprint | 2020
Redshift
As galaxies and stars move away from earth, from the human perspective, their visible light waves stretch, make them appear more red than they actually are. Blueshift is the opposite, when you see something move closer to you. These shifts create a color pallet of the universe’s ebb and flow and size and age. Similar to our own lives, nearly all objects are redshifted.
With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human. Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self. His pieces can be, at once, large scale and intimate, technical and improvisational.
Size
24 × 24 inches - Unframed
Materials
Photo transfer on archival photo paper
Authenticity
Hand signed by the artist
Mirach's Ghost NGC404
TIM LYTVINENKO
Unique Photographic Monoprint | 2020
Redshift
As galaxies and stars move away from earth, from the human perspective, their visible light waves stretch, make them appear more red than they actually are. Blueshift is the opposite, when you see something move closer to you. These shifts create a color pallet of the universe’s ebb and flow and size and age. Similar to our own lives, nearly all objects are redshifted.
With a background in computer science and 15 years as a fine art and documentary photographer, Tim explores ideas of what it means to be human. Experimenting heavily with print processes and manipulating digital photographs, Lytvinenko creates emotional and detailed multi-media works on the subject of self. His pieces can be, at once, large scale and intimate, technical and improvisational.
Size
24 × 24 inches - Unframed
Materials
Photo transfer on archival photo paper
Authenticity
Hand signed by the artist
Behind the Scenes
Tim Lytvinenko
Raleigh, NC
PAINTING
MIXED MEDIA
Unlike the kids his age who were afraid of the dark, photographer and printmaker Tim Lytvinenko spent a good chunk of his childhood angling to spend more time in dark rooms. He took his first photography class in third grade and was fascinated by all of it, but found his sweet spot under the red lights of the darkroom. Through timing and tweaking different elements — exposure, developer, stop bath,...
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