Artsuite - Susan Harbage Page - Path in a field of high grass leading up to the cement border wall - Photography - Edition 1 of 5 - 44" x 60" - Border Works - The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. Path in a field of high grass leading up to the cement border wall.

SUSAN HARBAGE PAGE

Photography | 2014 | Limited Edition 1 of 5

 

Series - Border Works 

The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture.  Path in a field of high grass leading up to the cement border wall near Hidalgo, Texas.

 

Size

60 x 44 inches - Unframed

 

Materials

Archival Pigment Print

 

Authenticity

Certificate of Authenticity

Path in a field of high grass leading up to the cement border wall

Regular price $6,000 $0 Unit price per

SUSAN HARBAGE PAGE

Photography | 2014 | Limited Edition 1 of 5

 

Series - Border Works 

The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture.  Path in a field of high grass leading up to the cement border wall near Hidalgo, Texas.

 

Size

60 x 44 inches - Unframed

 

Materials

Archival Pigment Print

 

Authenticity

Certificate of Authenticity

Behind the Scenes

Susan Harbage Page

Durham, NC | Spello, ITALY
PHOTOGRAPHY
PAINTING

A red blanket caked with mud. A child’s shoe, pink and white and filled with sand. These are two of the roughly 1,000 items included in the Anti-Archive of Trauma, part of artist Susan Harbage Page’s 13-year U.S.-Mexico Border Project. These objects tell the stories of the people who wore them and serve as markers for the stories we will never know. Harbage Page’s work...