SUSAN HARBAGE PAGE
Photography | 2014 | Limited Edition 1 of 5
Series - Border Works
The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture. Worn path of refugees from the Rio Grande to the border wall as well as the tire tracks left behind by Border Patrol vehicles along the cement border fence, near Hidalgo, Texas.
Size
60 x 44 inches - Unframed
Materials
Archival Pigment Print
Authenticity
Certificate of Authenticity
Path
SUSAN HARBAGE PAGE
Photography | 2014 | Limited Edition 1 of 5
Series - Border Works
The eleven year U.S.–Mexico Border Project touches on many topics including gender, immigration, and migration, and rethinks the ways in which we look at diversity, identity, and difference. It presents a new way to look at immigration, a topic that has been understood largely through media and popular culture. Worn path of refugees from the Rio Grande to the border wall as well as the tire tracks left behind by Border Patrol vehicles along the cement border fence, near Hidalgo, Texas.
Size
60 x 44 inches - Unframed
Materials
Archival Pigment Print
Authenticity
Certificate of Authenticity
Behind the Scenes
Susan Harbage Page
Durham, NC | Spello, ITALY
PHOTOGRAPHY
PAINTING
A red blanket caked with mud. A child’s shoe, pink and white and filled with sand. These are two of the roughly 1,000 items included in the Anti-Archive of Trauma, part of artist Susan Harbage Page’s 13-year U.S.-Mexico Border Project. These objects tell the stories of the people who wore them and serve as markers for the stories we will never know. Harbage Page’s work...
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