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Anoka Faruqee

Anoka Faruqee's virtuosic Op Art paintings exist in the lineages of Bridget Riley and Josef Albers. Her visually stunning and destabilizing works, painted in abstract circular waves, achieve a spectral and photographic quality, while remaining firmly anchored to the medium of painting. Faruqee's meticulous works induce a distinct and bodily experience, foregrounding the perceptual operations of the brain and forcing us to contemplate how we perceive and process visual information. 

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Artsuite - Anoka Faruqee - 2017P-04 - Anoka Faruqee's virtuosic Op Art paintings exist in the lineages of Bridget Riley and Josef Albers. Her visually stunning and destabilizing works, painted in abstract circular waves, achieve a spectral and photographic quality, while remaining firmly anchored to the medium of painting.

Anoka Faruqee

Painting | 2017

 

Anoka Faruqee's virtuosic Op Art paintings exist in the lineages of Bridget Riley and Josef Albers. Her visually stunning and destabilizing works, painted in abstract circular waves, achieve a spectral and photographic quality, while remaining firmly anchored to the medium of painting. Faruqee's meticulous works induce a distinct and bodily experience, foregrounding the perceptual operations of the brain and forcing us to contemplate how we perceive and process visual information. 

Size

45 x 45" 

 

Materials

Acrylic on linen on panel


Authenticity

Signed by the artist

2017P-04

Painting

CONTACT FOR PRICE

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Artsuite - Jason Mitcham - Site/Sight #6 - Jason Mitcham uses the visual language of land use and mapping to explore moments of transition in the landscape. Survey flagging and other elements foreshadow imminent development, while depictions of maps become pictorial devices that interrupt the image as seen from eye-level.

Jason Mitcham

Painting | 2021

 
For the body of work being offered here on Artsuite, Jason Mitcham uses the visual language of land use and mapping to explore moments of transition in the landscape. Survey flagging and other elements foreshadow imminent development, while depictions of maps become pictorial devices that interrupt the image as seen from eye-level. The maps illustrated in these paintings were created by Mitcham’s father’s civil engineering and land surveying firm, an autobiographical dimension that complicates their utilitarian purpose. Heightening this further, Mitcham surveyed many of the sites himself. This work layers competing representations of the landscape - the aerial objectivity of the map is at odds with the observed subjectivity that’s presented from the ground level. Ultimately, these competing modes force us to consider the landscapes around us, and question the social ramifications of their use and development.

 

Size

9 x 11" 

 

Materials

Gouache and ink print on paper

 

Authenticity

Hand signed by the artist

Site/Sight #6

Painting

$650

Artsuite - Jason Mitcham - Survey Tape on Guy-Wire #4 - Jason Mitcham uses the visual language of land use and mapping to explore moments of transition in the landscape. Survey flagging and other elements foreshadow imminent development, while depictions of maps become pictorial devices that interrupt the image as seen from eye-level.

Jason Mitcham

Painting | 2022

 
For the body of work being offered here on Artsuite, Jason Mitcham uses the visual language of land use and mapping to explore moments of transition in the landscape. Survey flagging and other elements foreshadow imminent development, while depictions of maps become pictorial devices that interrupt the image as seen from eye-level. The maps illustrated in these paintings were created by Mitcham’s father’s civil engineering and land surveying firm, an autobiographical dimension that complicates their utilitarian purpose. Heightening this further, Mitcham surveyed many of the sites himself. This work layers competing representations of the landscape - the aerial objectivity of the map is at odds with the observed subjectivity that’s presented from the ground level. Ultimately, these competing modes force us to consider the landscapes around us, and question the social ramifications of their use and development.

 

Size

25 x 36" 

 

Materials

Acrylic and mylar on canvas

 

Authenticity

Hand signed by the artist

Survey Tape on Guy-wire #4

Painting

$5,400

Artsuite - Jason Mitcham - Site/Sight #1 - Jason Mitcham uses the visual language of land use and mapping to explore moments of transition in the landscape. Survey flagging and other elements foreshadow imminent development, while depictions of maps become pictorial devices that interrupt the image as seen from eye-level.

Jason Mitcham

Painting | 2021

 
For the body of work being offered here on Artsuite, Jason Mitcham uses the visual language of land use and mapping to explore moments of transition in the landscape. Survey flagging and other elements foreshadow imminent development, while depictions of maps become pictorial devices that interrupt the image as seen from eye-level. The maps illustrated in these paintings were created by Mitcham’s father’s civil engineering and land surveying firm, an autobiographical dimension that complicates their utilitarian purpose. Heightening this further, Mitcham surveyed many of the sites himself. This work layers competing representations of the landscape - the aerial objectivity of the map is at odds with the observed subjectivity that’s presented from the ground level. Ultimately, these competing modes force us to consider the landscapes around us, and question the social ramifications of their use and development.

 

Size

56 x 84" 

 

Materials

Acrylic on canvas

 

Authenticity

Hand signed by the artist

Site/Sight #1

Painting

CONTACT FOR PRICE

Artsuite - Martha Thorn - Light Obeys Gravity - Thorn is a process painter starting with line and drawing, followed by texture and design, and color being layered on last. In her bright and captivating work, she presents the dichotomies of chaos and peace, dirty and clean, and ugliness and beauty in a fresh and authentic way.

MARTHA THORN

Painting | 2022

 

Thorn is a process painter starting with line and drawing, followed by texture and design, and color being layered on last used as a vehicle by which she can persuade her audience to look at her work. In her bright and captivating work, she presents the dichotomies of chaos and peace, dirty and clean, and ugliness and beauty in a fresh and authentic way.

 

Size

36 x 36 inches - Unframed

 

Materials

Acrylic and spray paint on canvas

 

Authenticity

Hand signed by the artist

Light Obeys Gravity

Painting

$5,000

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